Tadao Ando’s design for MPavilion 10 —his first-ever project in Australia— reflects his signature use of striking geometric interventions in nature and his precise, assured use of concrete.
“I am honored to have completed my first project in Australia, and to have created a piece of living architecture that will have such an important role in the cultural life of Melbourne this summer,” said Tadao Ando, architect of MPavilion 10. “I hope that as people visit, they allow this space to enter their hearts, and allow their senses to tune into the light and breeze interacting with them and this space. I hope for them an experience of harmony with nature, with themselves, and with others.”
MPavilion 10 by Tadao Ando. Photograph by John Gollings. Courtesy of MPavilion.
Positioned within Melbourne’s cultural and botanic garden precinct, MPavilion 10 offers a memorable structure that is in dialogue with the park setting to create a space in harmony with nature. MPavilion 10 features a large canopy, a 14.4-metre aluminum-clad disc resting on a central concrete column. Two offset squares create two entrances that lead to the center of the pavilion.
Concrete walls of varying lengths partially enclose the space to create a tranquil sanctuary reminiscent of a traditional Japanese walled garden. A long (almost 17 meter x .225 meter) horizontal opening running both the length of the north and south walls frames views of downtown Melbourne and the parklands, connecting the city and lush greenery of Queen Victoria Gardens to MPavilion 10's interior.
The geometric forms and symmetry are reinforced by an internal arrangement that is half paved, and half reflecting pool, which mirrors the pavilion canopy, sky, city, and surrounding nature.
"There is a magic moment each season when an architectural vision becomes built reality, and when we welcome the public who gets to engage directly with the innovative space created by inspired architects,” said Naomi Milgrom AC, MPavilion Commissioner. “Tadao Ando has designed a new, iconic destination in Melbourne, one that will serve as both a contemplative spot, a temporary refuge from the bustle of the city, and as a dynamic site for creative discovery and vigorous discussion for those attending our public program.”
