The acknowledgment will be awarded to Kenneth Frampton on May 26th, 2018 at Ca’ Giustinian, the headquarters of La Biennale di Venezia.
The English architect, historian, critic and educator Kenneth Frampton is the recipient of the Golden Lion for Lifetime Achievement of the 16th International Architecture Exhibition of La Biennale di Venezia. The decision was made by the Board of La Biennale di Venezia chaired by Paolo Baratta, upon recommendation of the Curators of the 16th International Architecture Exhibition, Yvonne Farrell and Shelley McNamara.

Yvonne Farrell and Shelley McNamara suggested the name of the recipient with the following comments:
 
«Through his work, Kenneth Frampton occupies a position of extraordinary insight and intelligence combined with a unique sense of integrity. He stands out as the voice of truth in the promotion of key values of architecture and its role in society. His humanistic philosophy in relation to architecture is embedded in his writing and he has consistently argued for this humanistic component throughout all the various ‘movements’ and trends often misguided in architecture in the 20th and 21st century.

His experience as a practicing architect has given him a deep understanding of the process of designing and crafting buildings. This makes him both more sympathetic and more critical of the various forms of the practice of architecture. His consistent values in relation to the impact of architecture on society, together with his intellectual generosity, position him as a uniquely important presence in the world of architecture.»

Trained at the Architectural Association School of Architecture, London, Kenneth Frampton has taught since 1972 at the Graduate School of Architecture, Planning, and Preservation at Columbia University, New York. As architect, writer and critic, as teacher and researcher, he has affected and inspired several generations of students and architects. Modern Architecture: A Critical History is one of his most recognized books.

His seminal books include Towards a Critical Regionalism, which was a leader in the influencing of architects to re-value context, place and culture. His Studies on Tectonic Culture was a key work in highlighting the connection between the language of construction and language of architecture. In A Genealogy of Modern Architecture: Comparative Critical Analysis of Built Form, he captures with incisive clarity the inner workings of projects, de-coding them to make them legible for us all.
 
«There is no student of the faculties of architecture who is unfamiliar with his Modern Architecture: A Critical History. The Golden Lion goes this year to a “maestro”, and in this sense it is also intended to be a recognition of the importance of the critical approach to the teaching of architecture.»
The President of La Biennale di Venezia Paolo Baratta

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Kenneth Frampton (1930) studied architecture at Guildford School of Art and the Architectural Association School of Architecture, London. Subsequently he worked in Israel, with Middlesex County Council and Douglas Stephen and Partners (1961–66), during which time he was also a visiting tutor at the Royal College of Art (1961–64), tutor at the Architectural Association (1961–63) and Technical Editor of the journal Architectural Design (AD) (1962–65).

Frampton has also taught at Princeton University (1966–71) and the Bartlett School of Architecture, London, (1980). He has been a member of the faculty at Graduate School of Architecture and Planning of Columbia University since 1972, and that same year he became a fellow of the Institute for Architecture and Urban Studies in New York -- (whose members also included Peter Eisenman, Manfredo Tafuri and Rem Koolhaas) -- and a co-founding editor of its magazine Oppositions.

Frampton is a permanent resident of the USA.

Frampton is well known for his writing on twentieth-century architecture. His books include Modern Architecture: A Critical History (1980; revised 1985, 1992 and 2007) and Studies in Tectonic Culture (1995). Frampton achieved great prominence (and influence) in architectural education with his essay "Towards a Critical Regionalism" (1983) — though the term had already been coined by Alexander Tzonis and Liane Lefaivre. Also, Frampton's essay was included in a book The Anti-Aesthetic. Essays on Postmodern Culture, edited by Hal Foster, though Frampton is critical of postmodernism. Frampton's own position attempts to defend a version of modernism that looks to either critical regionalism or a 'momentary' understanding of the autonomy of architectural practice in terms of its own concerns with form and tectonics which cannot be reduced to economics (whilst conversely retaining a Leftist viewpoint regarding the social responsibility of architecture).

In 2002 a collection of Frampton's writings over a period of 35 years was collated and published under the title Labour, Work and Architecture.

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Published on: April 18, 2018
Cite: "Kenneth Frampton Golden Lion for Lifetime Achievement" METALOCUS. Accessed
<http://www.metalocus.es/en/news/kenneth-frampton-golden-lion-lifetime-achievement> ISSN 1139-6415
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