Descripción del proyecto por JKMM
This is JKMM’s second project reworking an Alvar Aalto designed library. The first was at Seinäjoki where the existing library was extended with a new copper-clad wing. At Otaniemi, JKMM was appointed to restore and update the listed Modernist interiors in the upper floors of the building and to create wholly new interiors to its lower floors that were previously used as bookstores. These have been remodeled to house new media spaces as well as to enable both solitary and collaborative ways of working, research as well as social interaction.
The project is an interesting example of working with twentieth-century interiors of great importance while introducing a wholly new layer of Scandinavian design to the building. Light has been an important factor in the overall design concept. On the upper level, where much of the Aalto interior was intact, there was abundant light making this an ideal space for exhibiting materials from the University archive.
Magazine racks were replaced with glass-topped tables for display, enhancing the overall feel of this part of the library as a civic and cultural space. On the lower level, the challenge was to introduce natural light. At ground level, a top-lit atrium space cuts through to the basement floor enabling daylight to filter in and around the main staircase uniting the three levels.
The artificial lighting scheme by JKMM has, nonetheless, been critical in turning the basement into a convivial space. Its plentiful white pendant lighting is not only striking but will be effective in illuminating the space even in the darkest periods of the year. It works well with JKMM’s use of deeply colored textiles that add a youthful sense of warmth to the interior. This is about making the building feel inviting to students who also like to use this space as a common room and a place to bring their laptops.
Cave-like upholstered enclosures in the walls provide seclusion for quiet research and even a catnap much as the iconic Eero Aarnio Globe chair from the sixties did. In fact, the Nordic influences on JKMM’s work in this part of the building are part of a wide tradition that gently introduces a new chapter to the timelessness of Alvar Aalto’s interior above.
Päivi Meuronen, senior architect at JKMM interiors says, “We wanted this building to be about something that is perhaps at the very heart of Scandinavian design ideals, making the everyday special for everyone.”
Alvar Aalto (1898-1976) qualified as an architect from Helsinki Institute of Technology (later Helsinki University of Technology and now part of the Aalto University) in 1921. He set up his first architectural practice in Jyväskylä. His early works followed the tenets of Nordic Classicism, the predominant style at that time. In the late 1920s and early 1930s, he made a number of journeys to Europe on which he and his wife Aino Marsio, also an architect, became familiar with the latest trends in Modernism, the International Style.
The pure Functionalist phase in Aalto’s work lasted for several years. It enabled him to make an international breakthrough, largely because of Paimio Sanatorium (1929-1933), an important Functionalist milestone. Aalto had adopted the principals of user-friendly, functional design in his architecture. From the late 1930s onwards, the architectural expression of Aalto’s buildings became enriched by the use of organic forms, natural materials and increasing freedom in the handling of space.
From the 1950s onwards, Aalto’s architectural practice was employed principally on the design of public buildings, such as Säynätsalo Town Hall (1948-1952), the Jyväskylä Institute of Pedagogics, now the University of Jyväskylä (1951-1957), and the House of Culture in Helsinki (1952-1956). His urban design master plans represent larger projects than the buildings mentioned above, the most notable schemes that were built being Seinäjoki city centre (1956-1965/87), Rovaniemi city centre (1963-1976/88) and the partly built Jyväskylä administrative and cultural centre (1970-1982).
From the early 1950s onwards, Alvar Aalto’s work focused more and more on countries outside Finland, so that a number of buildings both private and public were built to his designs abroad. Some of his best-known works include Villa Mairea, Noormarkku, Finland (1937–1939), the Finnish Pavilion at the 1939 New York World's Fair, Baker House, Massachusetts Institute of Technology, Cambridge, Massachusetts, USA (1947–1948), Helsinki University of Technology, Espoo, Finland (1949–1966), The Experimental House, Muuratsalo, Finland (1953) or Essen opera house, Essen, Germany (1959–1988).
