This spring, the Whitney Museum celebrates Edward Hopper’s achievements as a draftsman in the first major museum exhibition to focus on the artist’s drawings and working process. Along with many of his most iconic paintings, the exhibition features more than 200 drawings, the most extensive presentation to date of Hopper’s achievement in this medium, pairing suites of preparatory studies and related works with such major oil paintings as New York Movie (1939), Office at Night (1940), Nighthawks (1942) and Morning in a City (1944).
Culled from the Museum’s unparalleled collection of the artist’s work, and complemented by key loans, the show illuminates how the artist transformed ordinary subjects—an open road, a city street, an office space, a house, a bedroom—into extraordinary images. Carter E. Foster, the Steven, and Ann Ames Curator of Drawing at the Whitney, organized the show based on his in depth research into the more than 2,500 works on paper by Hopper in the Whitney’s collection. These pieces trace the artist’s process of observation, reflection, and invention that was central to the development of his poetic and famously uncanny paintings. The works on view will span the artist’s career, from early drawn exercises of his student days to Sun in an Empty Room (1963, private collection), one of the last paintings Hopper completed, and are concentrated on midcentury sheets related to his best-known oil paintings.
“By comparing related studies to paintings, we can see the evolution of specific ideas as the artist combined, through drawing, his observations of the world with his imagination,” says Mr. Foster. “In other instances, his drawings provide a crucial form of continuity among thematically related paintings, a kind of connective tissue that allowed Hopper to revisit and re-examine ideas over time.”
Date.- From May 23 to October 6 of 2013.
Venue.- 945 Madison Avenue at 75th Street, New York.
