The Berggruen Institute unveiled plans for a new campus in Los Angeles, situated just west of the Getty Center in the Santa Monica Mountains, designed by Herzog & de Meuron, and supported by Gensler as executive architect.
Nicolas Berggruen -the founder of a group of think tanks together known as the Berggruen Institute, isn’t the first billionaire to take an interest in architecture, but he may be the most ambitious.  The campus master plan announced to design the Institute’s home in Los Angeles by Herzog & de Meuron respond to both the Berggruen Institute’s desire to respect and restore the landscape of its 447-acre site—over 90% of which will be preserved as open space—and the Institute’s intention to create a private educational forum where distinguished scholars can interact with thought leaders.
 

Architect's Statement Herzog & de Meuron

A Program in Line with Historic References

Founded in 2010, the mission of the Berggruen Institute is to study and apply new ideas to the workings of social, economic, and political institutions. The Institute’s programs represent various disciplines, largely from the humanities and social sciences, most importantly philosophy, political theory, political science, law, anthropology, and linguistics. The Institute funds scholars, organizes academic workshops, and supports lecture series. These activities currently take place on campuses around the world. In May 2016, the Berggruen Institute announced the decision to consolidate its activities in a new campus in Los Angeles, at a site in the eastern portion of the Santa Monica Mountains near Topanga Canyon State Park, in recognition of the forward-looking, entrepreneurial spirit and profound connection to the natural world that are ingrained in Southern California

Herzog & de Meuron were appointed as the architects for the new facility after an intense phase of conversations with various architects around the world, visits to their buildings, and meetings with their clients.

The Berggruen Institute requires an inspirational setting for research and study, a framework which fosters the exchange of ideas and knowledge and provides the opportunity to live in a shared environment. Spaces for individual study and venues for seminars, symposiums, and workshops are combined with living quarters for fellows, academics and other thought leaders. Additional temporary accommodations are provided for visiting participants at the Institute’s academic workshops. Some of the staff of the Institute will also work on the new premises.

The new Institute building must strike a careful balance between the needs of the individual and those of the collective; it must allow for the quiet routine of the everyday to coexist with the requirements of larger gatherings. A compelling reference is found in monastic architecture. Since ancient times, monasteries have been places for individual study and reflection as well as group exchange and gathering. In line with such scholastic tradition, the program incorporates the natural surroundings. The Southern California climate makes it possible to provide spaces for exchange both indoors and outdoors, accommodating small, concentrated study groups as well as large symposia.

Two Ridges of Deceptively Unspoiled Natural Beauty

With this diverse program in mind, the Berggruen Institute has acquired a significant 450 acre plot of land in the Santa Monica Mountains above the City of Los Angeles.

The site is largely defined by the pronounced topography of two long mountain ridges that flank a steep canyon with native Southern California vegetation. At first sight, the place feels untouched but the crest of the eastern ridge has actually been scraped and flattened, a cut-and-fill operation carried out in the 1980s in order to cap a landfill active since the 1970s.

Vegetation has colonized the former landfill, concealing its past. At their peak, the ridges rise to an altitude of 1,700 feet, offering magnificent panoramas of the Santa Monica Mountains, the Los Angeles metropolis, and the Pacific Ocean.

In the larger context of Los Angeles, the site lies within a corridor of cultural and academic institutions including the Getty Center, Mount St. Mary’s University, the Skirball Cultural Center, and the American Jewish University. The Berggruen Institute’s closest neighbors are a golf course and the residential community of Mountain Gate. The current entitlement allows for 29 residences to be built on the property.

Architecture and Landscape – an Intricate Bond

The Berggruen Institute is a landscape vision as much as it is an architectural project. Crucially, to minimize the impact, the project will be built, where feasible, only on land that has already been modified. The flattened and scraped eastern ridge will be transformed into an elongated park—a gardened plinth, surrounded by a retaining wall and clearly distinguished from the dry, untended vegetation around it. The gardens are self-sustaining; drought-resistant vegetation is coupled with water collection, cleaning, and re-use. Water management becomes a tangible part of the garden experience, similar to historical predecessors, like the Alhambra in Granada, Spain.

The linear park will house three salient features of the Institute campus: the Institute Building, the Scholar Village, and the Chairman’s Residence.

A sense of transition from one place to another is underscored by the long winding road that already existed. It leads up to the eastern ridge from the heavily trafficked Sepulveda Boulevard down in the valley.

Half-sunken earthen walls structure the ridge, becoming inhabitable at the Scholar Village. Fellows with families as well as short-term visiting scholars live here in single-story courtyard buildings. From a distance the village disappears from view within the gardened plinth. Beyond a narrow saddle and as a terminus to the campus, the Chairman’s Residence is situated north of the Scholar Village in a garden of its own. Like the Scholar Village, the house consists of inhabitable earthen walls beneath a slender, deeply cantilevered roof. It encompasses living quarters combined with large open spaces for entertaining indoors and outdoors.

The Institute Building on the opposite, southern end of the ridge is a rectangular concrete frame supported by just a few elements so that it appears to be hovering above the steep topography. The building encloses a garden that offers unobstructed views all around, of the city, the mountains, and the ocean beyond.

Inside the concrete frame, wooden walls and ceilings are inserted to house both the private and communal functions of the Institute. Covered and shaded areas remain in between, to be used for outdoor study and exchange. In line with monastery tradition, the majority of the fellows study, convene, share meals and sleep within the Institute Building.

Two spheres complement the rectangular frame of the Institute: the smaller one is a water reservoir, the larger one houses the lecture hall. The latter lies on the topography and leans against the frame in one corner of the courtyard. It is split horizontally into a bowl and a dome with glazing in between that allows for views out and light in. The smaller sphere of the water reservoir—a key component of the Institute’s self-sustaining ecosystem—rests on top of the frame at the entrance to the courtyard. The spheres both physically and symbolically represent the socio-cultural and ecological ambitions of the Institute.

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Herzog & de Meuron Architekten is a Swiss architecture firm, founded and headquartered in Basel, Switzerland in 1978. The careers of founders and senior partners Jacques Herzog (born 1950), and Pierre de Meuron (born 1950), closely paralleled one another, with both attending the Swiss Federal Institute of Technology (ETH) in Zürich. They are perhaps best known for their conversion of the giant Bankside Power Station in London to the new home of the Tate Museum of Modern Art (2000). Jacques Herzog and Pierre de Meuron have been visiting professors at the Harvard University Graduate School of Design since 1994 (and in 1989) and professors at ETH Zürich since 1999. They are co-founders of the ETH Studio Basel – Contemporary City Institute, which started a research programme on processes of transformation in the urban domain.

Herzog & de Meuron is a partnership led by five Senior Partners – Jacques Herzog, Pierre de Meuron, Christine Binswanger, Ascan Mergenthaler and Stefan Marbach. An international team of 38 Associates and about 362 collaborators.

Herzog & de Meuron received international attention very early in their career with the Blue House in Oberwil, Switzerland (1980); the Stone House in Tavole, Italy (1988); and the Apartment Building along a Party Wall in Basel (1988).  The firm’s breakthrough project was the Ricola Storage Building in Laufen, Switzerland (1987).  Renown in the United States came with Dominus Winery in Yountville, California (1998). The Goetz Collection, a Gallery for a Private Collection of Modern Art in Munich (1992), stands at the beginning of a series of internationally acclaimed museum buildings such as the Küppersmühle Museum for the Grothe Collection in Duisburg, Germany (1999). Their most recognized buildings include Prada Aoyama in Tokyo, Japan (2003); Allianz Arena in Munich, Germany (2005); the new Cottbus Library for the BTU Cottbus, Germany (2005); the National Stadium Beijing, the Main Stadium for the 2008 Olympic Games in Beijing, China; VitraHaus, a building to present Vitra’s “Home Collection“, Weil am Rhein, Germany (2010); and 1111 Lincoln Road, a multi-storey mixed-use structure for parking, retail, a restaurant and a private residence in Miami Beach, Florida, USA (2010), the Actelion Business Center in Allschwil/Basel, Switzerland (2010). In recent years, Herzog & de Meuron have also completed projects such as the New Hall for Messe Basel Switzerland (2013), the Ricola Kräuterzentrum in Laufen (2014), which is the seventh building in a series of collaborations with Ricola, with whom Herzog & de Meuron began to work in the 1980s; and the Naturbad Riehen (2014), a public natural swimming pool. In April 2014, the practice completed its first project in Brazil: the Arena do Morro in the neighbourhood of Mãe Luiza, Natal, is the pioneering project within the wider urban proposal “A Vision for Mãe Luiza”.

Herzog & de Meuron have completed 6 projects since the beginning of 2015: a new mountain station including a restaurant on top of the Chäserrugg (2262 metres above sea level) in Toggenburg, Switzerland; Helsinki Dreispitz, a residential development and archive in Münchenstein/Basel, Switzerland; Asklepios 8 – an office building on the Novartis Campus in Basel, Switzerland; the Slow Food Pavilion for Expo 2015 in Milan, Italy; the new Bordeaux stadium, a 42’000 seat multifunctional stadium for Bordeaux, France; Miu Miu Aoyama, a 720 m² boutique for the Prada-owned brand located on Miyuki Street, across the road from Prada Aoyama, Tokyo, Japan.

In many projects the architects have worked together with artists, an eminent example of that practice being the collaboration with Rémy Zaugg, Thomas Ruff and with Michael Craig-Martin.

Professionally, the Herzog & de Meuron partnership has grown to become an office with over 120 people worldwide. In addition to their headquarters in Basel, they have offices in London, Munich and San Francisco. Herzog has explained, “We work in teams, but the teams are not permanent. We rearrange them as new projects begin. All of the work results from discussions between Pierre and me, as well as our other partners, Harry Gugger and Christine Binswanger. The work by various teams may involve many different talents to achieve the best results which is a final product called architecture by Herzog & de Meuron.”

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Published on: August 24, 2017
Cite: "Herzog & de Meuron designs Scholars’ Campus for Berggruen Institute overlooking Los Angeles " METALOCUS. Accessed
<http://www.metalocus.es/en/news/herzog-de-meuron-designs-scholars-campus-berggruen-institute-overlooking-los-angeles> ISSN 1139-6415
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