An architecture based on subtle lines of weathering-steel that redefine the landscape of this historical site in Toronto. The new Fort York Visitors Center, adapts to pre-existing conditions (the highway and areas with archaeological remains) while it returns the historical traces of the area, that gradually, were lost.

The Canadian studios Patkau Architects and Kearns Mancini Architects have designed and built the new Fort York Visitors Center in Toronto, Canada. The project has been selected as one of the finalists of the MCHAP 2014/2015 as one of the best built works between 2014 and 2015 in North and South America.

Description of the project by Patkau Architects

Fort York Heritage
Fort York, considered the birthplace of Toronto, is a National Historic Site. It represents the single most important visual and contextual cultural heritage link to British military and social history remaining in the City of Toronto.

In 2009 Patkau Architects, together with Kearns Mancini Architects, won the international design competition to design a new Visitor Centre on the 18 hectare historic site to commemorate the bicentennial of the War of 1812. 

The site, once on the shores of Lake Ontario at Garrison Creek, but now isolated from the lake shore due to the expansion of the city, has an immensely rich archaeological past. To the north is Garrison Common, the site of the Battle of York in 1813 and a potentially rich source of archaeological remains. To the south is a historic railways cut and the Gardiner Expressway, a large, unforgiving elevated structure that runs east-west across the southern edge of the site.  To maintain the integrity of the below-ground archaeological resources within Garrison Common and avoid the challenges of building below the Gardiner Expressway, the visitor centre is situated in the narrow interval of previously disturbed land immediately to the north of the expressway.

Lines & Liquid Landscape
The delicate forms of Fort York as a defensive site produce an architecture that is mostly about subtle lines. Existing lines such as the original lakeshore, the lines of fort walls and the lines of sharpened logs are the source of new lines in this project: lines of weathering-steel walls, lines of docks and bridges, lines of light. The grassed defensive moat in front of the fort and the surprisingly low, bermed rampart are both quiet and subtle. They are experienced as a ‘liquid’ rolling of the land, a delicate ‘wave’, but one with severe consequences. 

The south boundary of the Common is redefined by the new escarpment of weathering steel. As this wall is not the original line of the defensive landscape, its materiality is decidedly new, a major new infrastructural and landscape-scaled dashed line. The weathering steel escarpment follows the line of the old lakeshore and re-establishes the original sense of a defensive site, stretching across the site to meet the grassed escarpment to the south of Fort York. Joining with the scale of the Gardiner Expressway above, the new wall forms the backdrop to a great new urban space for Toronto.

Edging the steel escarpment to the south is a reconstructed liquid landscape. It is a foreshore that flows throughout the lower urban site and recalls Lake Ontario’s historical edge, a low landscape of grasses moving in the wind and flowing amongst a series of docks and bridges where people congregate, walk and enjoy the facilities of the visitor centre.

Both building and site are muted so they do not detract from the fort on the hill. Both gain presence by extent. They run horizontally, participating in both the existing lines and liquid landscapes of the fort.

Archaeological Reversals: The Oldest Site Up, the Newest Site Down
The new visitor centre is sited beneath the Common. It connects directly to the city. Inside the centre the connection from new/down to old/up is central to the visitor’s experience. After being received in the lobby, visiting the orientation room and the changing features gallery, visitors begin to ascend. A sequence of ramps and displays link the centre below to the Common above. A changing features exhibit and ramped displays begin the ascent to the ‘Time Tunnel’. In this long, tube-like space, projected images on the walls, floor and ceiling surround visitors with simulated experiences of fort life, both past and present. As the time tunnel rises, it reaches the level of Garrison Common where the Common’s archeological site is presented.

Above, the city is partially edited out, flatness recalls purpose, structures reorient to allow for ghosts, re-enactments of a past reality; evidence of time and history is presented. Daily life goes on up here but there is something else present as well.

Below, engagement with the city is lively. Events happen. Kids hang out. Lunch is served.

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More information

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Name
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Fort York National Historic Site Visitor Centre, Toronto ON, Canada
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Client
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City of Toronto
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Architect
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Patkau Architects Inc | Kearns Mancini Architects Inc. Associated Architects for the Fort York Visitor Centre
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Project Team
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James Eidse, Mike Green, Dimitri Koubatis, Shane O’Neill, John Patkau, Patricia Patkau, Thomas Schroeder, Luke Stern, Michael Thorpe
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Consultants
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Landscape.- Janet Rosenburg Associates,
Structural.- Read Jones Christofferson Consulting Engineers,
Mechanical & Electrical.- Cobalt Engineering,
Civil.- MMM Group,
Heritage.- Unterman McPhail Associates,
Renderings.- Luxigon / Patkau Architects,
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Awards
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1st Place International Design Competition, December 2009.
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Area
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2,380 sqm
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Construction Budget
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$12.2m
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Sustainability
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City of Toronto Green Development Standard: Non-Residential Buildings, 3 Storeys or Less
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Patkau Architects is an architecture and design research studio based in Vancouver, Canada. The practice is led by four principals, John Patkau, Patricia Patkau, David Shone, and Greg Boothroyd; and two associates, Peter Suter and Shane O’Neill. Their comprehensive involvement throughout all phases of design and construction consistently results in projects recognized for architectural innovation and quality.

In over 35 years of practice, the studio has been responsible for a wide variety of project types, ranging in scale from art installations to major urban buildings. Current work includes the Polygon Gallery in North Vancouver; the Audain Art Museum in Whistler, the Yasodhara Ashram in Kootenay Lake; the Capilano Library in Edmonton; the Faculty of Music in Winnipeg, and several private residences.

The practice is also actively engaged in architectural research. Their current work explores the potential resulting from the response of materials to applications of force.

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Published on: July 11, 2016
Cite: "Fort York National Historic Site Visitor Centre by Patkau & Kearns Mancini. Finalist in the MCHAP 2014/2015" METALOCUS. Accessed
<http://www.metalocus.es/en/news/fort-york-national-historic-site-visitor-centre-patkau-kearns-mancini-finalist-mchap-20142015> ISSN 1139-6415
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