Opened in December 2018,  after two years of detailed renovation, and € 179 million, the Ford Foundation (now The Ford Foundation Center for Social Justice ) is ready to house 2,000 occupants, which faces East 42nd and 43rd Streets, a stone’s throw from the United Nations, between First and Second Avenues.
The refurbishment, by Gensler and the landscape architecture firm Raymond Jungles Studio, has rejuvenated the building designed by Kevin Roche and John Dinkeloo, the heirs to Eero Saarinen’s practice. Completed in 1967, when Manhattanwas a chaotic kingdom of cars, Ford Foundation reimagined corporate modernism in the mid-1960s. Offices wrapped around a soaring atrium garden designed by Dan Kiley, a slice of Eden in a city. Light poured through a saw-tooth skylight and glass curtain walls fixed in place by grids of rusting Corten steel.

Clad in gray-pink Dakota granite, the refined, muscular building conveyed an uncanny combination of heaviness and delicacy, solidity and transparency.

After half a century, the building remained a gem but needed an upgrade. City officials gave the foundation until 2019 to remove asbestos, fix the sprinklers and make the site wheelchair accessible. The foundation’s president, Darren Walker, saw the opportunity to nudge the headquarters, in other ways as well, into the 21st century, “Kevin Roche said it was about calm and reflection. Today it will be more kinetic, dynamic, and filled with energy. The work we do ought to be energizing.”
 
"Renovating a building is like taking a long, honest look at your life. You have to decide which parts to keep buffing and which have fallen away, how much sameness to cling to without getting stuck in the past, how to embrace change without betraying your core. Preservation means understanding that a course chosen decades ago no longer means the same thing. In the 1960s, a handsome ashtray embedded in an armrest was a touch of thoughtfully deluxe design, not an incitement to antisocial behavior," said Justin Davidson in its chronicle on the building renovation in New York Magazine.
 

The reform has been scrupulous. The newly lighted, bush-hammered concrete stairwells tucked into the fins that jut from the 42nd Street facade. More than 1,500 pieces of Platner’s furniture have been restored, decades of varnish painstakingly stripped from paving tiles in the atrium to reveal their original dusky colors. Custom window latches, brass rails and leather-lined parapets are all shined, buffed and oiled for its new occupants.
 

Description of project by Gensler

Gensler in partnership with Ford Foundation is pleased to announce the opening of the foundation’s landmark headquarters and its transformation into the Ford Foundation Center for Social Justice. The major restoration and renewal maintains and enhances the building’s original character while also significantly introducing an increase in transparency and accessibility throughout the space.

Gensler has undertaken this redesign with an emphasis on architectural stewardship and an eye to the foundation’s mission for the 21st century — to promote the inherent dignity of all people. For the renewal the design team sought to make meaningful program changes while maintaining both the design intent as well as the patina of the original project architecture.

The renewal also brings the iconic building into alignment with New York City safety code and New York City Landmarks Preservation Commission requirements, with the goal of creating a more inclusive community experience for employees, tenants, and the general public. The newly reintroduced Ford Foundation Center for Social Justice is targeting LEED Platinum certification.

“Over the past four years, we’ve worked closely with Ford Foundation’s team to completely rethink approaching a renovation project on this scale,” said Robin Klehr Avia, Gensler Project Principal. “We knew that any changes we made to the building would need to both support and enhance the foundation’s values. The project leverages Gensler’s technical expertise in sustainable architecture for collaborative workplace interiors, as well as branding and graphic design, to express the Ford Foundation’s story — past, present, and future.”

Creating a More Accessible Building

Completed in 1968 by Kevin Roche John Dinkeloo and Associates, the foundation’s global headquarters — one of New York City’s youngest landmarks — was a deliberate and nuanced response to the organization’s founding mission: to support education and charitable purposes for the advancement of human welfare. Gensler’s updated design features increased accessibility, open plan workplaces, expanded convening spaces, improved technical systems, complete restoration and planting of the sprawling indoor garden, and a forthcoming art gallery (opening March 2019). These key changes speak to Gensler’s belief that human experience is a key component in developing a healthy and connected workplace in today’s rapidly changing world.

Highlights of the redesign include:

- A move to open workspaces that has enabled the incorporation of 50% more convening and collaborative areas, increased daylight, and views of the central atrium and garden available on every floor.
- Methodical un-doing and then re-doing of the building’s infrastructure to bring all systems up to code — including mechanical, electrical, plumbing, sprinkler and fire alarm systems — without sacrificing the building’s modernist aesthetics.
- Increased accessibility beyond local ADA code requirements with restored textured brick pathways and expanded entrances to the atrium that has improved wheelchair access to the garden by 50%, a new vehicle drop-off point, and an accessible ramp on 43rd Street.
- Restored core-ten steel framing in select locations within the building to address 50 years of weathering.
- A refresh of the garden — spanning a third of an acre in size — that adheres closely to the lush landscape originally designed by landscape architect Dan Kiley and features a wheelchair lift and a touch-and-smell garden with fragrant and tactile experiences for all.
- To meet the foundation’s commitment to respect the original building, Gensler led an expansive effort to restore or refurbish over 1,500 pieces of furniture and original accents such as carpet, lighting, millwork, and bronze and leather details to their original finish.


Conveying the Voice of the Foundation

Gensler has implemented a full signage program, directory, and wayfinding strategy to reflect the building’s clean architecture and welcome a diverse new community to the building. The brand design highlights the foundation’s program, which includes an extensive art collection; ensures that the mission of the foundation is fully communicated; and that new levels of inclusivity, diversity, and stewardship are integrated throughout the space.

Key elements of the brand design include:

- A coded signage program, integrated with braille, that supports a seamless journey for all persons.
- Totems in the garden that explain the foundation’s central story and provide information on various plants.
- Powerful imagery and text that support the foundation narrative, including meeting rooms dedicated to social justice visionaries and their individual stories.


The Ford Foundation’s Mission on Display: A New Art Gallery and Program

The Ford Foundation’s world-class art collection and commitment to contemporary art was also a central focus of Gensler’s renovation. By removing a portion of the building’s second floor concrete slab, Gensler created a new double-height art gallery that will host an exhibition program grounded in the foundation’s mission. Featuring 20-foot ceilings and state-of-the art lighting, the gallery will be capable of museum-quality presentations led by an in-house curator.

The brand program will also incorporate site-specific installations and murals that will be visible to the community through the atrium and common areas.

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Ford Foundation Building, 320 East 43rd Street, Manhattan, New York. USA
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Kevin Roche (b. June 14th, 1922 - d- March 1st, 2019) is an Irish-American architect who has worked across a variety governmental, educational, and corporate structures as well as art museums. Roche graduated in 1945 from University College Dublin. After short-term employment with firms in Dublin and London, he did postgraduate work at the Illinois Institute of Technology in Chicago under Mies van der Rohe.  He worked briefly with the United Nations Planning Office in New York before joining the firm of Eero Saarinen and Associates, and was from 1954 to 1961 the firm’s principal design associate. After Saarinen’s death in 1961, Roche and his future partner, John Dinkeloo completed Saarinen’s remaining projects, including the Dulles International Airport terminal Washington, DC and the Gateway Arch in St. Louis, Missouri (1965).  In 1966 they launched Kevin Roche John Dinkeloo and Associates. 

The projects for which Roche Dinkeloo are known include Oakland Museum (1966) the Ford Foundation, New York City (1968), Cummins Engines Headquarters, Columbus, Indiana (1985), Bouygues Headquarters near Paris (1988), Dai Ichi Life, Tokyo (1998), Cuidad Grupo Santander near Madrid (2005), and Convention Centre Dublin (2010). The firm also worked for a number of American universities, designing, for example, the Centre for the Arts at the Wesleyan University (1973) and the NYU Kimmel Centre (2003). Over a forty-year period Kevin Roche was the principal architect for the Metropolitan Museum of Art in New York designing many of its new galleries and extensions. Roche was the recipient of numerous honours, including the 1982 Pritzker Architecture Prize. From 1994 to 1997 he served as president of the American Academy of Arts and Letters.

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Gensler is a global architecture, design, and planning firm with 46 locations and more than 5,000 professionals networked across Asia, Europe, Australia, the Middle East and the Americas. Founded in 1965, the firm serves more than 3,500 active clients in virtually every industry. Gensler designers strive to make the places people live, work and play more inspiring, more resilient, and more impactful.

Arthur Gensler Jr., FAIA, FIIDA, RIBA (1935—2021) founded the firm in 1965 together with his wife Drue and their colleague James Follet. He is widely credited with elevating the practice of interior design to professional standing. He was a Fellow of both the American Institute of Architects and the International Interior Design Association, and a professional member of the Royal Institute of British Architects. Art graduated from Cornell University’s College of Architecture, Art and Planning and was a member of its Advisory Council. A charter member of Interior Design magazine’s Hall of Fame and a recipient of IIDA’s Star Award, he also received Ernst & Young LLP’s Lifetime Achievement Award and the Cornell Entrepreneur of the Year Award. In 2015, he wrote Art’s Principles to offer entrepreneurs the business insights he wishes someone had given him when he was starting out.

Arthur Gensler is recognized as an industry icon and an astute businessman who propelled a small practice into the largest and most admired firm in the industry over the course of his 65-year career.
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Published on: January 1, 2019
Cite: "The Ford Foundation recovers the splendor of the 60s after its restoration" METALOCUS. Accessed
<http://www.metalocus.es/en/news/ford-foundation-recovers-splendor-60s-after-its-restoration> ISSN 1139-6415
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