The exhibition features a selection of around 30 paintings and 60 drawings from key moments in Mehretu´s practice, making it the most comprehensive exhibition of her work in Europe to date.
The exhibition of Julie Mehretu  `A Universal History of Everything and Nothing´, in the Botín Center, is all the more significant as representative of a post-9-11 period in which war and its spectacle have become a daily iccurrence, and in which violence, racism and crimes against humanity have become a blip on the radar of currents events.
 

Description of the exhibition by Suzanne Cotter and Vicente Todolí

Organized in collaboration with Serralves Museum of Contemporary Art (Porto), Centro Botín presents Julie Mehretu. A universal history of everything and nothing, the most important survey to be presented in Europe by this artist, widely considered as one of the foremost painters of her generation.

The exhibition features a selection of 30 paintings and 60 drawings from key moments in Mehretu´s practice, ranging from her early graphite drawings and her ink and acrylic paintings, to majestic large-scale canvases whose worked surfaces and complex architectures constructed via ink, paint, erasure, line and gesture, take on increasing depth and solidity over time.

Mehretu´s works from recent years highlight, in their monumental scale, the artist´s emphasis on calligraphic mark making and the painterly. The exhibition also lends weight to the importance of drawing in the artist’s practice, in its parallel as well as symbiotic relationship to her painting.

In the course of the past two decades, Julie Mehretu (Addis Ababa, Ethiopia, 1970) has unfolded a remarkably coherent and powerful body of work that has won international acclaim for its way of rendering the complexity of today’s world. A keen listener and reader, she collects emblematic images of current and historical events, which often become a source of inspiration for the creation of new works.

Julie Mehretu. A universal history of everything and nothing reveals a continued and active reflection on painting as a medium that speaks to us in the present. The selection of works on view is all the more significant for being post-9-11, a turbulent period in which war and its spectacle —violence, racism and crimes against humanity— have become an all-too-daily occurrence.

The intricate layers of Mehretu’s work echo the permanent flux of the city —war and peace, prosperity, decadence and renewal— and speak to us, fundamentally, about the individual within the complex social and political dynamics that inform the world in which we live.

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Artist
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Julie Mehretu
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Curators
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Suzanne Cotter (Director of the Serralves Foundation - Oporto Contemporary Art Museum) and Vicente Todolí (President of the Botín Foundation’s Fine Arts Advisory Commission).
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Dates
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From October 12th, 2017 to February 25th, 2018
Winter (Octover to May).- Tuesday to Sunday, from 10 am to 8 pm.
Summer (June to September).- Tuesday to Sunday, from 10 am to 9 pm.
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Venue
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Botin Center Muelle de Albareda, s/n, 39004 Santander. Spain
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Julie Mehretu is an African artist who lives in New York. In her large-scale paintings Julie Mehretu superimposes layers of historical events, memories, sensations and life experiences. A whirlwind of visual blasts that pursue harmony and convey vigorously, with a masterful use of colour, the artist’s concern for her time.

Recent exhibitons include.- Julie Mehretu.- Hoodnyx, Voodoo and Stelae, Marian Goodman Gallery, New York (2016); The Mathematics of Droves, White Cube, Sao Paulo (2014); Julie Mehretu.- Half Shadow, carlier | gebauer, Berlin (2014); Liminal Squared, Marian Goodman Gallery, New York (2013) and White Cube, London (2013).
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Published on: January 4, 2018
Cite: "The exhibition "A universal History of Everything and Nothing" by Julie Mehretu" METALOCUS. Accessed
<http://www.metalocus.es/en/news/exhibition-a-universal-history-everything-and-nothing-julie-mehretu> ISSN 1139-6415
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