"Which one is the revolutionary aesthetics?" was the title of the 5 hour meeting which took place during the Festival delle Arti ExPolis in the Milan Triennale Sala Lab on the 26th May. The event – promoted by the Brera, Sculpture and Artistic Therapy Departments – was preceded by the moving installation created by Lorenzo Romito, On/stalker and Amisnet (the Tunisian committee to remember the missing relatives), whose title is: “Oueladdna Finn? (Where are our Children? Waiting News). The installation deals with the impressing number of missing people involved in the exodus following the Tunisian Revolution, about whom both the Italian and Tunisian authorities keep silent.

These are the people who participated in the debate:

Nicoletta Braga, Jose Juan Barba, Laura Cazzaniga, Elisa Franzoi, Mauro Folci, Antonio Gomez Villar, Marco Maria Linzi (Teatro della Contraddizione), Juan Pablo Macias, Massimo Mazzone, Maria Pinto del Rocio, Beltran Roca Martinez, Marco Rinaldi, Lorenzo Romito, Santiago Sierra.

Different points of view were exposed, introducing several topics that will be displayed in more detail in a forthcoming book. Among them: the libertarian interpretation of flamenco culture or the expressed opposition to the dictatorship in religious manifestations in Andalusia (B. Roca Martinez and M. Pinto), self-organization (MM Linzi) talking about biopolitics and linguistic productivity (M. Folci, A. Gómez Villar), new visions on public space in the recent processes of design and its ontological use (J.J. Barba), the issue of physical separation and political control (E. Franzoi ), the relationship between art and politics (L. Cazzaniga, S. Sierra, M. Rinaldi), colonization and cultural decolonization, the legacy of liberal ideas (M. Mazzone) and the practice of shared authorship (L. Romito).

All the participants agreed on one common point: the necessity to promote from the bottom new models of aesthetics, art and architecture. These should be able to give concrete answers to the demands and protests growing from the indignant squares and the 15M, whose aims and feelings are far away from the pre-packed cultural programmes traditionally organized by Administrations and Institutions.

Read more
Read less

More information

Published on: June 15, 2012
Cite: "EX-POLIS 2012." METALOCUS. Accessed
<http://www.metalocus.es/en/news/ex-polis-2012> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...