The work of Bernard Tschumi has never received treatment in a comprehensive monograph, until now. We have the pleasure to present the book that will be on sale in bookshops and offers an interpretation, as yet little developed, the work, ideas and project processes carried out by the architect.

Part monograph, part work of architectural theory, part novel, Architecture Concepts: Red is Not a Color narrates a journey through a personal history of architecture and architectural ideas in five parts. Intertwining theory and practice, hypothetical studies and built projects, the book presents an architectural perspective and the conceptual strategies behind each work, discussing architecture in an original way: as a balance of images and story that offers a new perspective on the architecture book and redefines the monograph. Designed by 2x4, the book is to be released on October 30th in bookstores and online vendors.

"Architecture Concepts: Red is Not a Color traces an examination of architecture through projects that were developed over a number of years. Motivated by passion for architecture as well as by dissatisfaction with architectural dogma, it represents a search for a general definition of architecture outside of doctrines or canons. Key to its process is a view that much as architecture can help us understand contemporaneous cultures, so several key cultural concepts can assist us in understanding what architecture actually is."

While Tschumi’s work has been documented extensively in his Event-Cities series, intended primarily for architects, students, and specialists, no single publication has taken on an in-depth investigation and analysis of his work for a broader audience. Not just an illustrated survey of projects, the book presents both images and the theoretical or contextual back story of each project, giving equal weight to word and image. This approach makes the work accessible andre-examines what a book about architecture can be. The book also includes a substantive new essay written by Tschumi titled “Architecture Concepts.”

From Tschumi’s early Manifestoes and Advertisements for Architecture inspired by conceptual art to the narrative exploration of The Manhattan Transcripts to the Parc de la Villette, the concert halls at Rouen and Limoges, and the recently opened Acropolis Museum, the book presents a journey through the architect’s most significant work set in the context of a rich history of architectural ideas. Written for the lay person as well as the specialist, the book intersperses excerpts from key theoretical texts with an illuminating narrative about the condition of architecture today. The narrator is “you,” simultaneously an observer of and a protagonist in architecture.

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Bernard Tschumi was born in Lausanne, Switzerland, on January 25, 1944. He holds dual nationality, inherited from his French mother and his father, the renowned Swiss architect Jean Tschumi. He studied architecture at the Swiss Federal Institute of Technology (ETH) in Zurich. His early years were spent moving between Zurich and Paris, where he experienced the May 1968 protests firsthand.

After completing his studies that same year, he began teaching at the Architectural Association in London, then led by Albin Boyarsky, a pivotal figure in shaping the critical approach to architectural education and practice that Tschumi would later implement. This period placed him in an environment where he interacted with a generation of outstanding architects.

He later taught at prestigious institutions such as Princeton University and The Cooper Union in New York. Between 1988 and 2003, he served as dean of the Graduate School of Architecture, Planning, and Preservation at Columbia University, leaving an indelible mark on the education of architects and the intellectual discourse of the discipline. He continues to teach at Columbia today.

His theoretical work, writings, and both conceptual and built projects have been fundamental in redefining the relationship between architecture and theory. He explores the interplay between space, movement, and events as dynamic forces that shape spatial relationships and urban experiences.

Tschumi is widely recognized for his influential books, including The Manhattan Transcripts—a project developed through four exhibitions between New York and London—first published in 1978 and reissued in 1994 following an exhibition at MoMA. Another key publication, Architecture and Disjunction, further develops his interest in an architecture that transcends mere form and function, engaging instead with spatial dynamics, narrative structures, and urban events, ultimately redefining the concept of place.

His early theoretical ideas were materialized in one of his most iconic projects: Parc de la Villette in Paris. After winning the competition in 1982, the project evolved over the following years with the construction of multiple folies, culminating in 1998. Here, Tschumi developed his concept of spatial relationships within an architectural landscape that activates the interaction between individuals, space, and the city.

Tschumi is the founder and director of Bernard Tschumi Architects, with offices in New York and Paris. Beyond his work at La Villette, his most notable projects include the Acropolis Museum in Athens, the Le Fresnoy Contemporary Arts Center in France, and the Vacheron-Constantin headquarters in Geneva. His architecture consistently explores spatial fragmentation and sensory experience, challenging conventional notions of architectural composition.

His work has been recognized with prestigious accolades, including the Grand Prix National d’Architecture in France (1996), multiple awards from the American Institute of Architects, and the National Endowment for the Arts. He is an international member of the Royal Institute of British Architects in England and the Collège International de Philosophie in France. Additionally, he has been honored as an Officer of both the Légion d’Honneur and the Ordre des Arts et des Lettres.

Tschumi’s work has been exhibited in major museums and biennials worldwide, including the Museum of Modern Art in New York, the Venice Architecture Biennale, the Netherlands Architecture Institute in Rotterdam, and the Centre Pompidou in Paris.

His legacy continues to shape architectural practice and thought on a global scale.

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Published on: October 1, 2012
Cite: "Bernard Tschumi: "Architecture Concepts: Red is Not a Color"" METALOCUS. Accessed
<http://www.metalocus.es/en/news/bernard-tschumi-architecture-concepts-red-not-a-color> ISSN 1139-6415
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