A walkway in the forest, as a space for art. Okulus by Rintala Eggertsson Architects
07/11/2023.
[Harpefoss - Østlandet] Norway
metalocus, ANTONIO CORREDERA
metalocus, ANTONIO CORREDERA
Okulus is a landscape installation designed by Rintala Eggertsson Architects, which is located in the forest of the village of Harpefoss, located in the Gudbrandsdal Valley, on the north bank of the Gudbrandsdalslågen River in Norway. The facility is framed on one side by the Harpefoss Gorge and on the other by Norway's main north-south railway line.
Rintala Eggertsson makes a proposal to facilitate movement through the forest, without touching its ground and generating a space that allows the presentation of temporary works of art. According to the architects "a holistic forest observatory."
Rintala Eggertsson makes a proposal to facilitate movement through the forest, without touching its ground and generating a space that allows the presentation of temporary works of art. According to the architects "a holistic forest observatory."
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Site plan. Okulus by Rintala Eggertsson Architects.
Details. Okulus by Rintala Eggertsson Architects.
Details. Okulus by Rintala Eggertsson Architects.
Details. Okulus by Rintala Eggertsson Architects.
Details. Okulus by Rintala Eggertsson Architects.
Rintala Eggertsson reuse the walkways of whose typologies archaeological remains have been found as early as 3,807 BC. C. to cross swampy areas and wetlands, and although its purpose has changed, its use has spread to many more contexts. With it, it is possible to separate the observer, abstract him, and elevate him, objectively, generating an artifice that manages to create in the viewer the subjectivity of an experience of a higher order, focused only on the gaze.
«The eye as a figure of thought is present in several layers in the Okulus project. Architecturally, it emphasizes how different positions and movements change the viewer's perspective and interact with the artistic experience."
Recalling Michel Foucault, the architects use the concept of heterotopias as an argument for the construction of the installation, seeking to create places, where limits can be considered temporally porous, and where common perceptions can be altered.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Project description by Rintala Eggertsson Architects
Okulus is a landscape installation located in a secluded forest, at Harpefoss in Gudbrandsdalen Valley in Norway. The location of the forest is framed by the Harpefoss-gorge on one side and the main north-south railroad in Norway on the other side. The task for Rintala Eggertsson architects was to create a building that facilitated physical movement through the forest space, yet separated from it and a distinctive space for temporary art projects. As such the Okulus can be seen as a holistic forest observatory.
The walkway as a typology is not a new invention. Archaeologists have found remains of walkways from 3807 BC and linked them to travel over bog and wetland areas. The use has changed little since then, but today it is used in many more contexts varying from garden architecture to fashion shows. The common denominator is of course that one should lift the user up from a context and create a new and cleaner experience of the surroundings. Architecturally speaking, one can talk about an elevated situation in a physical and mental sense. One is freed from a more “primitive” state in nature and lifted to a “pure” human-made.
Nature was in earlier times often associated with something uncontrollable and demonic, while the human-made was linked to a divine order. That is not the case today. One can argue that natural science has brought us to a recognition that the pure is rather to be found in nature, while the human-made has given us chaos unparalleled in historical context.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
The walkway is therefore just as much a subjective element as an objective tool, to see and experience nature. Subjective in the sense that it is up to everyone to take in the information we receive from nature through our senses, and objective in the sense that the walkway itself forms a common choice of direction and platform for the experience. “The eye of the beholder” is an apt expression for this duality and therefore we have chosen Okulus as the name of the installation.
The name oculus is Latin and means an eye. An ocular is the lens that makes up the magnifying glass in optical instruments such as microscopes and binoculars and enlarges the image formed by the objective’s focal point. At the same time, the oculus in classical architecture denotes a circular opening in a dome or wall, with the Pantheon in Rome as the most famous example.
The eye as a figure of thought is present in several layers in the project Okulus. Architecturally, it emphasizes how different positions and movements change the viewer’s perspective and interact with the art experience. The universally designed walkway gives an experience of a slow glide over the ground and invites you to take in the surroundings with a light and attentive gaze.
Okulus by Rintala Eggertsson Architects. Photograph by Martin Vinje.
Philosophically, this architecture can also show other types of spaces than the forest itself. Michel Foucault introduced the concept of heterotopias about places that are located on the outskirts of society’s productive and social order. Unlike utopias (non-places), heterotopias are concrete, but marginal places and buildings that are neither completely private nor completely public, neither open nor closed, neither completely regulated nor unregulated. In such places, boundaries can be experienced as temporarily porous, create space for what is different, and turn upside down on common perceptions.
Okulus is also an eye in the forest. On overview maps of the area, the architecture is an island edge around a small pond, where the water mirror is the pupil that looks up from the ground to the sky above it.
More information
Architects
Rintala Eggertsson Architects. Lead architects.- Dagur Eggertsson, Vibeke Jenssen, Nick Coates, Mads Øiern.
Curators
Harpefoss Art Arena, Eivind Slettmeås.
Contractors
Steinar Gran Svenningsen.
Dates
2023.
Location
Harpefoss, 61.576183, 9.852106, Oppland, Østlandet, Norway.
Photography
Martin Vinje.
Sami Rintala, Dagur Eggertsson, Vibeke Jenssen. Rintala Eggertsson Architects
Rintala Eggertsson Architects. A Norway architecture studio, based in Oslo, founded by Sami Rintala and Dagur Eggertsson, in 2007, which bases its activities around furniture design, public art, architecture and urban planning. In 2008 Eggertsson and Rintala were joined by Vibeke Jenssen who is now a full partner in the company. All three studied under Juhani Pallasmaa in Helsinki, and are informed by his phenomenological and cross-disciplinary thinking. Since its establishment, Rintala Eggertsson Architects have developed projects around the world and their work has been exhibited at the Maxxi Museum in Rome, the Victoria & Albert Museum in London, the National Art Museum of China and with the special project “Corte Del Forte” at the 2018 Venice Biennale.
The company has received prestigious awards over the years such as The Global award for Sustainable Architecture, the Wan 21 for 21 Award, Architizer A+Award, Travel & Leisure Award, American Architecture Award, and the International Architecture Award. Their projects and texts have been published in architecture magazines such as Abitare, Area, METALOCUS, Architectural Review, A+U, L'Architecture d'Aujourd'hui, D'A Magazine, AMC architecture, Detail, Domus, Topos, and Wallpaper as well as New York Times and Wall Street Journal.
Eggertsson and Rintala have taught architecture in Europe, Australia, and North America and in 2019 as Gensler Visiting Professors at Cornell University in New York.
The company has received prestigious awards over the years such as The Global award for Sustainable Architecture, the Wan 21 for 21 Award, Architizer A+Award, Travel & Leisure Award, American Architecture Award, and the International Architecture Award. Their projects and texts have been published in architecture magazines such as Abitare, Area, METALOCUS, Architectural Review, A+U, L'Architecture d'Aujourd'hui, D'A Magazine, AMC architecture, Detail, Domus, Topos, and Wallpaper as well as New York Times and Wall Street Journal.
Eggertsson and Rintala have taught architecture in Europe, Australia, and North America and in 2019 as Gensler Visiting Professors at Cornell University in New York.
Categories
Our selection
