In the city of Schoorl in the Netherlands stands Villa BW, a home designed by the Dutch architectural practice Mecanoo. The landscape, characterized by dunes leading to a lower polder terrain, embraces the volume, which stands out for its double curved roof and façade.

The three-story southeast-facing house forms a direct connection with the landscape from the ground and basement floors while reinforcing the enclosure with a curtain wall system. Inside, the spaces are organized around a curtain wall and an enclosed interior core, which houses all the services and facilities.
The relationship between the landscape and the house is expressed in the project by Mecanoo through the use of a continuous façade and roof cladding of multicolored glazed ceramic tiles. The monolithic presence of the house, accentuated by the sloping surfaces, contrasts with the function of the enclosure, which blends the building into the ever-changing landscape.

The multi-colored glazed tile cladding represents the transitions of the landscape from dunes to polder, the change in color of the soil layers from light to dark, and the evolution of the different seasons. The interplay of the different color tones provides a varied, multicolored, and natural façade and roof, the result is a unique and striking house.


Villa BW by Mecanoo. Photograph by Ossip Architectuurfotografie.
 

Project description by Mecanoo

Where the rolling dune landscape flows into the lower-lying polder terrain of the hinterland. The naturally sloping landscape embraces Villa BW, with a building volume characterised by a double-curved roof coupled with an unmistakable expression of the facade. The twisting roof is created as a result of two overlapping shapes. A gable roof is designed on the dune-side, also characteristic of the street scene on the Oorsprongweg. In contrast, a horizontal roofline is designed for the polder-side.

Connection with the landscape
The villa is constructed over three floors, with an additional level within the hood of the roof. Due to the natural course of the terrain and the replenishment of an embankment as a continuation of the dune landscape, the ground floor and basement level at -1 have a direct relationship with the surroundings. Facing southeast the connection with the landscape alongside the sloped garden is enhanced by enclosing two voids with a curtain wall system.


Villa BW by Mecanoo. Photograph by Ossip Architectuurfotografie.

The strong connection between the landscape and the house translates into the expression of the facade and roof cladding with the application of a single natural material, expressed through a custom ceramic tile covering that wraps the entire building. This customised multicoloured glazed tile cladding represents the transitions in the landscape, from dune landscape to polder, and the soil layers, from light to dark.

In the interior, all living spaces are organised around the curtain wall-enclosed voids and an enclosed wood-cladded core. The curtain wall provides transparency and daylight down to the basement levels. The enclosed element-feature of the interior from the basement to the hood of the building accommodates supporting functions, such as rising points and sanitary facilities. The interior design is completed by beautifully framed views of the surrounding countryside, utilising wooden frames passing through the traditional tile work.

Multicoloured tiling
The façade’s colour and appearance plays a part in the transition from dune to polder landscape. The monolithic presence of the building volume is accentuated through the sloping roof surfaces and exterior walls. These are covered with tiles of the same continuous material - multicoloured glazed ceramic tiles. The hue of these tiles forms a coherent whole, making a connection and blending the building into the transformative landscape. Colour use is consistent with the shades of the environment, ensuring that the villa is absorbed in the changing terrain. The dune and polder landscape in various seasons is mirrored in the design’s colour spectrum consisting of 5 shades of grey, green and blue.


Villa BW by Mecanoo. Photograph by Ossip Architectuurfotografie.

The glaze of the tiles is vibrant, glossy and has an iridescent effect, creating a pearlescent appearance on the tiles, also influencing the incidence of light on the appearance of the facade and roof. The interplay of different colour shades delivers a varied, multicoloured, natural façade and roof. To prevent repetition and flattening, there is sufficient variation. The mix of shades and the light conditions make the villa look different every time, resulting in a unique striking home.

The exact ratio of various multicoloured tiles was thoroughly studied through sampling. The enamel study was assessed on-site, based on colours, textures and degrees of gloss, using different light conditions. The tiles are oriented vertically, with vertical open joints continuing in one line on the surface of the roof. No repeating pattern is discernible in the façade surfaces with the variable curvature of the roof plane appearing smooth and less segmented.

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Cliente
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Private.

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Area
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308 sqm.

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Design.- 2021.
Realisation.- 2022.

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Schoorl, Netherlands.

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Photography
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Francine Houben (Holland 1955) began formulating the three fundamentals of her lifelong architectural vision while studying at the Delft University of Technology. It was in this crucible of higher learning that she began an architectural practice with two fellow students with the design of a groundbreaking social housing development. As a result, she graduated as architect with cum laude honours in 1984 and officially founded Mecanoo architecten with these same partners.

Francine has remained true to her architectural vision, Composition, Contrast, Complexity throughout her career. Always looking for inspiration and the secret of a specific location, Francine bases her work on both analyses and intuition. She enjoys interweaving social, technical, playful and humane aspects together in order to form a unique solution to each situation. Francine Houben combines the disciplines of architecture, urban planning and landscape architecture in an untraditional way; with sensitivity for light and beauty.

Her use of material is expressive. She is known as one of the most prolific architects in Europe today. Her wide-ranging portfolio comprises an intimate chapel built on the foundations of a former 19th century chapel in Rotterdam (2001) to Europe’s largest library in Birmingham (2013). Francine Houben’s work reveals a sensory aspect determined by form and space, a lavish use or subtle combinations of the most diverse materials, as well as planes of saturated colour. Francine’s contribution to the profession of architecture is widely recognized. She was granted lifelong membership to the Akademie der Künste, Berlin in 2010.

In 2008, she received the Veuve Clicquot Business Woman of the Year Award. Honorary fellowships to the American Institute of Architects and the Royal Architectural Institute of Canada, and an international fellowship to the Royal Institute of British Architects were granted to her in previous years. The past three decades have seen her cumulative effect on the profession of architecture. Francine lectures all over the world and takes part as a jury member in prestigious competitions.

Her commitment to research and education is evidenced in her instatement as professor in Architecture, Chair of Aesthetics of Mobility at the Delft University of Technology (2000), her professorship at the Universitá della Svizzera Italiania, Accademia di architettura, Switzerland (2000) and her appointment as visiting professor at Harvard (2007). Dedication to her alma mater is reflected in generous sponsorship of the UfD-Mecanoo Award for the best graduating student of the Delft University of Technology.

Francine Houben lives in Rotterdam, a modern city where the skyline is dotted with buildings designed by world renowned architects; including her award winning Montevideo Skyscraper (2005). It was in this dynamic city that she directed and curated the First International Architecture Biennale Rotterdam (2003), with the theme, ‘Mobility, a room with a view’. She has realised numerous signature projects throughout the Netherlands and Europe including Philips Business Innovation Centre, FiftyTwoDegrees in Nijmegen, (2005-2006), La Llotja Theatre and Conference Centre in Lleida, Spain (2009) and the Delft University of Technology Library (1999). Currently, she is expanding her architectural vision to other continents with the design of Taiwan’s largest theatre complex, The Wei-Wu-Ying Center for the Arts in Kaohsiung (2014), Dudley Municipal Center in Boston (USA) and Shenzhen Cultural Center (China). In 2011 the book Dutch Mountains was released, a chronicle of Francine Houben and eight special projects in five different countries.

Francine maintains an active presence in academia and culture, regularly publishing and giving lectures worldwide. She has performed in many academic and professional capacities throughout her career, including Chair of Architecture and Aesthetics of Mobility at Delft University of Technology, visiting professor at Harvard Graduate School of Design, and as director of the First International Architecture Biennale in Rotterdam.

Francine has received honorary fellowships from the Royal Institute of British Architects, the American Institute of Architects and the Royal Architectural Institute of Canada. In 2014 Francine was named Woman Architect of the Year by the Architects’ Journal and in November 2015 Queen Máxima of The Netherlands presented Francine with the Prins Bernhard Cultuurfonds Prize for her wide-ranging career. Francine was awarded Honorary Doctorates from the Université de Mons, Belgium (2017) and the Utrecht University (2016).

“Architecture must appeal to all the senses. Architecture is never a purely intellectual, conceptual, or visual game alone. Architecture is about combining all the individual elements into a single concept. What counts in the end is the arrangement of form and emotion.”

Francine Houben, architect/creative director Mecanoo Architecten.

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Published on: January 12, 2023
Cite: "A unique and changing house. Villa BW by Mecanoo" METALOCUS. Accessed
<http://www.metalocus.es/en/news/a-unique-and-changing-house-villa-bw-mecanoo> ISSN 1139-6415
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