OMA has gone one step further in the completion of its first tower in Tokyo and, together with Mori Building Co., Ltd., a leading urban developer, announced the opening date of the upcoming fall 2023 Toranomon Hills Station Tower (the Station Tower).

Located in Toranomon Hills “Global Business Center” near Kasumigaseki—adjacent to ARK Hills, a lifestyle and cultural centre, and within walking distance from Roppongi Hills “Cultural Heart of Tokyo” and Azabudai Hills “Modern Urban Village,” —the Station Tower stand at the terminus of Shintora-dori Avenue, Tokyo’s newly configured axial thoroughfare connecting Tokyo Bay to the city centre. The tower will add to, and connect, a series of freestanding mixed-use developments to establish Toranomon Hills as the new global hub of Tokyo.

The opening of the tower marks the completion of this new international urban centre and global business centre in Tokyo, which will also be a node in the multi-integrated transportation network. The project is OMA's first tower in Tokyo, and in Japan.
The Station Tower designed by OMA / Shohei Shigematsu is a mixed-use, high-rise tower spanning 49 floors and reaching 266 m in height. Comprised of offices, commercial spaces, hotels and an interactive communication facility TOKYO NODE, the tower will be integrated into the newly opened Tokyo Metro Hibiya Line station (2020) and function as a major transportation hub for Tokyo.
 
“Our first tower in Tokyo is dedicated to connections, to its high-rise neighbours and diverse neighbourhood networks. The Station Tower confronts and resonates with the three-dimensionality of Tokyo’s urban environment that steers people through stacks and layers of places and activities. It’s shaped by a central activity band that allows life around the tower to lead into, up and over, and through its potentially sobering scale.

Carved, bisected and shifted in form from base to top, it spatially and programmatically opens up to new links—to Shintora-dori, the bay area, the new pedestrian and green network of Toranomon Hills Area, the greater Tokyo Metro network, and the global network of creatives that will activate TOKYO NODE.”
Shohei Shigematsu, OMA Partner.


Toranomon Hills Station Tower by OMA. Image courtesy of OMA NY / Mori Building Co., Ltd.

The T-DECK, a large-scale pedestrian bridge, will emphatically link the tower to the diverse Toranomon Hills developments to improve circulation and forge a lively network of activities and greenery.

The bridge sectionally divides and defines two public zones at the tower base, an Upper Atrium and the Station Atrium below. The Station Atrium will integrate the development to the Tokyo Metro Hibiya Line. The Station Atrium, a three-story concourse flooded with natural light, will be the first of its kind in Tokyo. The public activity at the base will extend vertically to form a central band of special areas for tower tenants.

The top of the tower will be home to TOKYO NODE, a new type of facility devised together with Mori Building. A hybrid of flexible venue and innovative forum, it will be an interactive communication facility including halls, galleries, studio, garden, pool, and restaurants.

Together with Mori Tower (2014), Business Tower (2020), and Residential Tower (2022), the opening of the Station Tower will mark the continued evolution of Toranomon Hills—a 7.5 ha and approximately 800,000 m² new neighbourhood in Central Tokyo. Additional transportation infrastructure such as roads, bus terminals, subways, and pedestrian decks will be integrated in the future to complete the new international hub and global business centre comparable to the scale of Roppongi Hills.


Toranomon Hills Station Tower by OMA. Photograph by Frans Parthesius. Image courtesy of OMA NY / Mori Building Co., Ltd.
 

Project description by OMA

Tokyo is a large city that has been cultivating areas with distinct characters. The experience of the city is diverse and dynamic, like an à la carte–style dinner, where people share different dishes and make conversation across the table. But recent large-scale mixed-use developments across the different neighbourhoods seem to share an all too similar assembly of programs within an efficient container—a bento box as opposed to à la carte. The bento boxes have been multiplying, and what used to be a very diverse experience within the city is becoming increasingly homogeneous and predictable.

In the proliferation of the bento box, no matter how much architects try to differentiate the character of mixed-use buildings through form and facade, we’re faced with a dilemma: if the ingredients are the same, the experience within the container is inherently the same. How can we design a mixed-use building that embodies the maximum potential of the mix and stimulates an unexpected affair between the building and the city?

Our site lies inside Toranomon Hills “Global Business Center,” near Kasumigaseki, Japan’s hub, and adjacent to ARK Hills, a lifestyle and cultural centre, and within walking distance from Roppongi Hills “Cultural Heart of Tokyo” and Azabudai Hills “Modern Urban Village”. The tower will stand at the terminus of Shintora-dori Avenue, Tokyo’s newly configured axial thoroughfare connecting Tokyo Bay to the city centre. In the vicinity of the site, a series of freestanding mixed-use developments have begun to establish the Toranomon Hills Area as a place to live, work, and play. How can we make a tower dedicated to connections—including one that forms a new business network through mixed-use towers and reflects the energy of the surrounding neighbourhoods? How can the high-rise integrate public amenities into known office, hotel, and retail programs for an unexpected experience of the mixed-use?


Toranomon Hills Station Tower by OMA. Photograph by Frans Parthesius. Image courtesy of OMA NY / Mori Building Co., Ltd.

Our approach is a highly public interface to the tower. The core is lifted and split to either side of the tower’s base, opening up the heart of the building and drawing the public inward. The nature and activities of Shintora-dori Avenue extend into and through the tower via an elevated pedestrian bridge, emphatically linking the area’s towers together to create a network of activities and greenery.

The bridge sectionally divides the base into two retail zones. The lower zone“the Station Atrium” provides direct access to the new Hibiya Line subway station (Toranomon Hills Station), connecting the tower to the greater region. Within, a grand atrium and subway station concourse flooded with natural light, the first of its kind in Tokyo, provides an exciting sense of arrival.

The public activity at the base extends vertically to form a central band of special areas for tenants throughout the tower. The building is shaped to reveal the band from multiple vantage points, making it visible from anywhere in Tokyo. Two slabs sandwiching the central band are formed in inverted symmetry. The north slab begins wide at the base and narrows as it reaches the top in deference to the Imperial Palace. The south slab is narrowest at its base and widens as it rises, maximizing views of the Roppongi Hills skyline and Tokyo Tower.


Toranomon Hills Station Tower by OMA. Photograph by Frans Parthesius. Image courtesy of OMA NY / Mori Building Co., Ltd.

In balance with the highly public base, we capped the tower with an additional public amenity. “TOKYO NODE” is a new type of program we devised in collaboration with Mori Building—an interactive communication facility, a hybrid of flexible event space and an innovative forum. It anchors the tower as a global business centre that engages innovative and creative networks and disseminates new values and experiences in the area and beyond. On the roof, a landscaped terrace provides a lush garden with an infinity pool and a flexible event space that accommodates private or public gatherings.

By inserting highly public and dynamic environments at the base and at the top, the experience both within and around the tower is made less predictable, unboxing the bento box and remixing the mixed-use.

More information

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Architects
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OMA New York. Partner.- Shohei Shigematsu.
Associates.- Takeshi Mitsuda, Jake Sadler-Foster, Luke Willis.
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Project team
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Yuzaburo Tanaka, Sumit Sahdev, Yoshiki Matsuda, Anahita Tabrizi, Sergio Zapata, Timothy Tse, Yusef Ali Dennis, Stavros Voskaris, Tommaso Bernabo Silorata, Jackie Woon Bae, Eduardo Tazon Maigre, Tristan Zelic, Noam Dvir, Remy Bertin, Juan Pablo Zepeda, Mitchell Lorberau, Alan Song, Sukjoo Hong, Ken Chongsuwat, Caroline Corbett, Ninoslav Krgovic, Natasha Trice, Toru Okada, Timothy Ho, Andrea Zalewski, Alyssa Murasaki Saltzgaber, Chong Ying Pai, Minkoo Kang, Joanne Chen, Jeremy Kim, Daeho Lee, Mattia Alfieri, Tetsuo Kobayashi, Assaf Kimmel, Aishwarya Keshav, Danni Zhang, Yuriko Tanabe, Taro Kagami, Tomotsugu Ishida, Bom Chinburi, Jade Kwong, Phillip Denny, Miguel Darcy, Eugenia Bevz, Shary Tawil, Wesley Ho, Nicholas Solakian, Carly Dean, Elly Cho, Tamara Jamil, Matthew Davis, Darby Foreman.
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Collaborators
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Executive Architect.- Mori Building Co., Ltd., Kume Sekkei.
Structure.- Kume Sekkei.
Structure (competition).- Arup.
MEP/FP.- Kume Sekkei.
Façade.- Kume Sekkei, Arup Japan.
Bridge.- NEY & Partners.
Interior Lightning.- Arc Light Design.
Exterior Lighting.- L'Observatoire International.
Model.- Vincent de Rijk.
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General Contractor
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Kajima Corporation.
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Dimensions
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49 floors and reaching 266 m in height.
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Dates
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Design.- 2016
Completion.- Fall, 2023.
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Location
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1 Chome-22-12 Toranomon, Minato City, Tokyo 105-0001, Japan.
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Photography
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OMA NY / Mori Building Co., Ltd.
Model.- Frans Parthesius.
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Shohei Shigematsu born in Fukuoka Prefecture, Japan in 1973. In 1996 graduated from the Department of Architecture at Kyushu University. Studying at the Berlage Institute in Amsterdam. He became an associate since 2004.joined OMA in 1998 and became a partner in 2008.

He has led the office in New York since 2006. Sho's designs for cultural venues include the Quebec National Beaux Arts Museum and the Faena Arts Center in Miami Beach, as well as direct collaborations with artists, including Cai Guo Qiang, Marina Abramovic and Kanye West.

Sho is currently designing a number of luxury, high rise towers in San Francisco, New York, and Miami, as well as a mixed-use complex in Santa Monica. His engagement with urban conditions around the world include a new civic center in Bogota, Colombia; a post-Hurricane Sandy, urban water strategy for New Jersey; and a food hub in Louisville, Kentucky.

He is a design critic at the Harvard Graduate School of Design, where he is conducting a research studio entitled Alimentary Design, investigating the intersection of food, architecture and urbanism.
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Office for Metropolitan Architecture (OMA) is a leading international partnership practicing architecture, urbanism, and cultural analysis. OMA's buildings and masterplans around the world insist on intelligent forms while inventing new possibilities for content and everyday use. OMA is led by ten partners – Rem Koolhaas, Ellen van Loon, Reinier de Graaf, Shohei Shigematsu, Iyad Alsaka, David Gianotten, Chris van Duijn, Ippolito Pestellini Laparelli, Jason Long and Michael Kokora – and maintains offices in Rotterdam, New York, Beijing, Hong Kong, Doha and Dubai.

Responsible for OMA’s operations in America, OMA New York was established in 2001 and has since overseen the successful completion of several buildings across the country including Milstein Hall at Cornell University (2011); the Wyly Theater in Dallas (2009); the Seattle Central Library (2004); the IIT Campus Center in Chicago (2003); and Prada’s Epicenter in New York (2001). The office is currently overseeing the construction of three cultural projects, including the Musée National des Beaux-arts du Québec and the Faena Arts District in Miami Beach – both scheduled for completion in 2016 – as well as a studio expansion for artist Cai Guo Qiang in New York. The New York office has most recently been commissioned to design a number of residential towers in San Francisco, New York, and Miami, as well as two projects in Los Angeles; the Plaza at Santa Monica, a mixed use complex in Los Angeles, and the Wilshire Boulevard Temple.

OMA New York’s ongoing engagements with urban conditions around the world include a new civic center in Bogota, Colombia; a post-Hurricane Sandy, urban water strategy for New Jersey; the 11th Street Bridge Park and RFK Stadium-Armory Campus Masterplan in Washington, DC; and a food hub in West Louisville, Kentucky.

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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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Published on: February 3, 2023
Cite: "A new global hub in Tokyo will open in the Fall. Toranomon Hills Station Tower by OMA" METALOCUS. Accessed
<http://www.metalocus.es/en/news/a-new-global-hub-tokyo-will-open-fall-toranomon-hills-station-tower-oma> ISSN 1139-6415
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