Garcés-de Seta-Bonet Arquitectes built the Talbot-Wallis house in Villard-de-Lans, in the Roine-Alps region of south-eastern France, in 2016. The house was inspired by a housing complex in the "Les Lombards" area. The Talbot-Wallis House is ecological in its materials and also in its relationship with the mountain in which it is located, in order to have the least impact on its natural surroundings.

The studio designed an elongated floor plan in keeping with the nearby houses in the village and took advantage of the sloping terrain to gain a lower level on the south side. The Talbot-Wallis House was designed into two volumes divided by a conservatory, sown on three levels.
The house built by Garcés-de Seta-Bonet Arquitectes is a metal roof clad vertically with wood. This produces a contrast with the part of the greenhouse made of polycarbonate, providing great solar exposure at certain times of the day in this area. The smooth wooden south façade has a terrace projecting from the roof plane and offers views of the valley to the south of the house.

Inside, the floors are divided into a night zone above and a day zone below. The decoration is in keeping with the rest of the house, also using wood for the furniture and white walls.

Casa Talbot-Wallis by Garcés-de Seta-Bonet Arquitectes. Photograph by Adrià Goula.
 

Description of project by Garcés-de Seta-Bonet Arquitectes

The Les Lombards house complex in "Villard-de-Lans" has inspired a project in which the idea of aggregation is fundamental: the house unfolds on the site in a play of volumes like another fragment of the village. The terrain, which slopes down east-west over the "Vercors" valley, suggested the formalization of a linear house, elongated at the bottom of the plot, creating a quiet, sunny space facing southeast.

A prism with a rectangular base, landscape, and constant section, is articulated in three segments of slightly different orientations thanks to a double articulation.

The result is a relatively narrow construction, inspired by the traditional form of neighbouring buildings, which adapts easily to the level of the land.

As a result, the house gains a lower level at the southern end with minimal earthworks and optimal solar exposure.

The construction is made up of two volumes, corresponding to the workshop and the dwelling itself, connected by a "gate", which is connected by a "winter garden". A first, separate body, on the upper part of the site, is a carport. The roof ridge creates a horizontal line that subtly dialogues with the profile of the mountains. mountains.

The timber frame construction, used for its high ecological virtues, provides a light, dry and energy-efficient building, in keeping with the respectful choices made for the site in terms of volume and positioning on the plot.

A metal roof and vertical timber cladding define the external envelope of the house. The continuity of the façade and roof surfaces contrasts with the transparency of the polycarbonate winter garden.

As prescribed in the urban development plan for the area, the house is finished in the south with a contemporary interpretation of the "Pignon lauzé". It is a smooth wooden façade, like the whole house, which extends beyond the plane of the roof. The upper part of the pinion reinforces the homogeneous, linear form of the building, while the contact with the ground is resolved with a large linear opening that allows the living room to open onto the panoramic view to the south. The work on this traditional typological element is part of an architectural approach that, while respecting urban planning regulations, does not renounce the honest expression of the contemporary nature of the new building. At the north end, the roof of the workshop turns to open views to the west and avoids direct glances between neighbours.

The interiors, the night zone on the upper level, and the day zone on the lower level are articulated longitudinally in a sequence of spaces that vary greatly in shape and size. The ensemble is harmonized by the alternating use of two types of finishes (natural wood and white paint for walls and partitions, wood and concrete for floors).

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Architects
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Builder
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John Sauvajon.
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Area
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205 sqm.
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Dates
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April 2015 - June 2016.
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Location
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Villard-de-Lans, Roine-Alps region, France.
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Photography
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Jordi Garcés, Daria de Seta and Anna Bonet Architects.

Jordi Garcés. Born in Barcelona on June 25, 1945, and studied at the Superior Technical School of Architecture in Barcelona (Degree 1970). Worked, during his studies, in the offices of Martorell-Bohigas-Mackay and in the Workshop of Ricardo Bofill. Begins his professional activity in 1970 with Enric Soria, with whom he remains a partner until 1994. Professor of Projects in the Eina School of Barcelona from 1971 to 1973 and in the Superior Technical School of Architecture of Barcelona since 1974. He was a member of the Board of the College of Architects of Barcelona from 1978 to 1980.

Chair Professor of Projects since 1985. PhD in Architecture at the Polytechnic University of Catalunya in 1987. Full Profesor of Projects at the Superior Technical School of Architecture of Barcelona since 1988. Member of the Board of the FAD (Promotion of Decorative Arts) from 1990 to 1992. Consultant of the Mies van der Rohe from 1995. Consultant in the Organization of Presentations and Conferences for the Congress of the UIA 1996. Member of the Board of the “Ateneu Barcelonès” since November 2007.  Guest Professor, on various occasions, at the “Federal Polytechnic School of Lausanne, Switzerland”.

Daria de Seta y Anna Bonet Giné (respectively) co-direct and they are nowadays members of the study.


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Published on: September 26, 2022
Cite: "A cabin on the hillside. Talbot-Wallis House by Garcés-de Seta-Bonet " METALOCUS. Accessed
<http://www.metalocus.es/en/news/a-cabin-hillside-talbot-wallis-house-garces-de-seta-bonet> ISSN 1139-6415
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