Garcés-de Seta-Bonet Arquitectes built the Talbot-Wallis house in Villard-de-Lans, in the Roine-Alps region of south-eastern France, in 2016. The house was inspired by a housing complex in the "Les Lombards" area. The Talbot-Wallis House is ecological in its materials and also in its relationship with the mountain in which it is located, in order to have the least impact on its natural surroundings.

The studio designed an elongated floor plan in keeping with the nearby houses in the village and took advantage of the sloping terrain to gain a lower level on the south side. The Talbot-Wallis House was designed into two volumes divided by a conservatory, sown on three levels.
The house built by Garcés-de Seta-Bonet Arquitectes is a metal roof clad vertically with wood. This produces a contrast with the part of the greenhouse made of polycarbonate, providing great solar exposure at certain times of the day in this area. The smooth wooden south façade has a terrace projecting from the roof plane and offers views of the valley to the south of the house.

Inside, the floors are divided into a night zone above and a day zone below. The decoration is in keeping with the rest of the house, also using wood for the furniture and white walls.

Casa Talbot-Wallis by Garcés-de Seta-Bonet Arquitectes. Photograph by Adrià Goula.
 

Description of project by Garcés-de Seta-Bonet Arquitectes

The Les Lombards house complex in "Villard-de-Lans" has inspired a project in which the idea of aggregation is fundamental: the house unfolds on the site in a play of volumes like another fragment of the village. The terrain, which slopes down east-west over the "Vercors" valley, suggested the formalization of a linear house, elongated at the bottom of the plot, creating a quiet, sunny space facing southeast.

A prism with a rectangular base, landscape, and constant section, is articulated in three segments of slightly different orientations thanks to a double articulation.

The result is a relatively narrow construction, inspired by the traditional form of neighbouring buildings, which adapts easily to the level of the land.

As a result, the house gains a lower level at the southern end with minimal earthworks and optimal solar exposure.

The construction is made up of two volumes, corresponding to the workshop and the dwelling itself, connected by a "gate", which is connected by a "winter garden". A first, separate body, on the upper part of the site, is a carport. The roof ridge creates a horizontal line that subtly dialogues with the profile of the mountains. mountains.

The timber frame construction, used for its high ecological virtues, provides a light, dry and energy-efficient building, in keeping with the respectful choices made for the site in terms of volume and positioning on the plot.

A metal roof and vertical timber cladding define the external envelope of the house. The continuity of the façade and roof surfaces contrasts with the transparency of the polycarbonate winter garden.

As prescribed in the urban development plan for the area, the house is finished in the south with a contemporary interpretation of the "Pignon lauzé". It is a smooth wooden façade, like the whole house, which extends beyond the plane of the roof. The upper part of the pinion reinforces the homogeneous, linear form of the building, while the contact with the ground is resolved with a large linear opening that allows the living room to open onto the panoramic view to the south. The work on this traditional typological element is part of an architectural approach that, while respecting urban planning regulations, does not renounce the honest expression of the contemporary nature of the new building. At the north end, the roof of the workshop turns to open views to the west and avoids direct glances between neighbours.

The interiors, the night zone on the upper level, and the day zone on the lower level are articulated longitudinally in a sequence of spaces that vary greatly in shape and size. The ensemble is harmonized by the alternating use of two types of finishes (natural wood and white paint for walls and partitions, wood and concrete for floors).

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Architects
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Builder
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John Sauvajon.
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Area
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205 sqm.
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Dates
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April 2015 - June 2016.
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Location
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Villard-de-Lans, Roine-Alps region, France.
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Photography
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Jordi Garcés, Daria de Seta and Anna Bonet Architects. The 2011 partnership of Jordi Garcés, Daria de Seta, and Anna Bonet inaugurated a new era of international competitions and commissions that integrates and continues Jordi Garcés's already established career: the winning projects of the international competition for the New Maritime Station of Syracuse in Sicily (Italy) and the competition for the Renovation and Extension of the Palace of Justice in Strasbourg (France), as well as the new building annexed to the Picasso Museum in Barcelona and the recently completed studio building for the painter Arranz-Bravo, reflect a new professional complementarity from both a generational and cultural perspective.

Jordi Garcés. was born in Barcelona on June 25, 1945, and studied at the Barcelona School of Architecture. He has been an architect since 1970 (Barcelona School of Architecture).

He earned his PhD in Architecture from the Polytechnic University of Catalonia in 1987 and has been a professor of design at the ETSAB (National Technical University of Catalonia) since 1975. He has been a visiting professor or external expert since the 1995-96 academic year at the Ecole Polytechique Fédérale de Lausanne (Switzerland).

Of his body of work, the following stand out for their greater visibility: the Picasso Museum in Barcelona; the Navarre Art Museum in Pamplona; the Olympic Pavilion in the Vall d'Hebron in Barcelona; the Plaza Hotel in Barcelona; the Museum of Science and the Cosmos in Tenerife; and the headquarters of the Francisco Godia Foundation in Barcelona.

Daria de Seta has been an architect since 1998 (Faculty of Architecture in Naples). With a PhD in Architecture and Museography from the Polytechnic of Milan and the ETSA of Barcelona (2004), she has been a guest lecturer at various European universities and has taught on the Master's program "Spaces and Communication" at HEAD in Geneva, directed the Cours en Projet et Construction at L'HEPIA in Geneva, and is currently a professor of Projectes III and Global Project at Elisava.

After collaborating with Renzo Piano and MBM Architects (among others) and designing her own projects, she joined Jordi Garcés' studio in 2005.

She has always combined design practice with theoretical and critical activity, curating architecture and photography exhibitions and publishing articles in Italian and Spanish industry magazines. Her latest published book is Giuseppe Pagano. Vocabulary of Images, Lampreave & Millán, Madrid 2009.

 Anna Bonet Giné, architect since 2003 (Barcelona School of Architecture). After collaborating with various firms such as Dani Freixes i Varis Architects and MMBM, she joined Jordi Garcés' studio in 2007. In parallel, she is working on several of her own projects, such as the Porqueres Library, Casa Badrena, and some specific interventions at the Museum of the History of Catalonia (the latter in collaboration with Daria de Seta).

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Published on: September 26, 2022
Cite: "A cabin on the hillside. Talbot-Wallis House by Garcés-de Seta-Bonet " METALOCUS. Accessed
<http://www.metalocus.es/en/news/a-cabin-hillside-talbot-wallis-house-garces-de-seta-bonet> ISSN 1139-6415
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