Guillaume Ramillien Studio. Since 2008, Guillaume Ramillien's studio has been led by their voluntarism, generosity and innovation – projects on various scales, from architecture to those of objects and landscapes, continually nourishing their approach to the specificities of each of these different scales and, of course, their complementarity.
Guided by the notions of intermittency and finiteness of resources in the current context of climatic and ecological upheavals, their proposals strive to enhance the different forms of energy – human and natural – of the places where we operate, all while preserving their balance.
Guillaume Ramillien's studio work is based upon a particular sensitivity to the unique identities of the places under our consideration; a sensitivity fueled by the physical reality of the place, its atmosphere and materiality, and what the place reminds of, and suggests to us. They give a "high priority" to the notion of the environment – whether it be geological, biological, atmospheric or cultural – they consider architecture as an art of qualifying – and often fixing – the ecotones of anthropized environments. By enriching their values, they also view our architecture as an art of manipulating time and atmospheres created by the implementation of materials and energies with visible and invisible qualities – such as sensual, poetic and evocative ones.
Guided by the notions of intermittency and finiteness of resources in the current context of climatic and ecological upheavals, their proposals strive to enhance the different forms of energy – human and natural – of the places where we operate, all while preserving their balance.
Guillaume Ramillien's studio work is based upon a particular sensitivity to the unique identities of the places under our consideration; a sensitivity fueled by the physical reality of the place, its atmosphere and materiality, and what the place reminds of, and suggests to us. They give a "high priority" to the notion of the environment – whether it be geological, biological, atmospheric or cultural – they consider architecture as an art of qualifying – and often fixing – the ecotones of anthropized environments. By enriching their values, they also view our architecture as an art of manipulating time and atmospheres created by the implementation of materials and energies with visible and invisible qualities – such as sensual, poetic and evocative ones.
