The Art and Culture Development Foundation of the Republic of Uzbekistan (ACDF) announces the theme of the National Pavilion of Uzbekistan the Biennale di Venezia titled “Unbuild Together: Archaism vs. Modernity». The pavilion is curated by the architecture firm Studio KO.

In response to the theme of the exhibition, the pavilion addresses different horizons of Uzbekistan's architectural heritage as a potential tool for envisioning the future and a key element in challenging the concept of modernity. Bricks are the material they will focus on, the cornerstone of Uzbek architecture.
Studio KO designed “Unbuild Together: Archaism vs. Modernity” drawing on research that focuses on the ruins of qalas (old fortresses in Karakalpakstan), the heritage of the Khorezm civilization, and the many possibilities the land offers for building, especially with bricks.

Together with students and professors of architecture from Ajou University in Tashkent and associated artists, Studio KO will explore the materiality of bricks, earth, and clay. Through this collaboration that combines the experimentation of theoretical work with the students and a reinterpretation of the forms of brick manufacturing, its construction techniques, and its types of finishes, the spatial proposal of the Pavilion arises.


Toprak Kala fortress. Pavilion of the Republic of Uzbekistan at Venice Biennale 2023. Image courtesy of ACDF. Photograph by Vyacheslav Pak.

Certain bricks in the installation will be glazed by Uzbek artist and ceramics master Abdulvahid Bukhoriy, one of the few craftsmen to master the nearly lost Blue Bukhara ceramics technique.
 
"Uzbekistan is a country with a rich and diverse cultural heritage, and its ancient qalas (fortresses) and traditional craftsmanship are an important part of this legacy. The qalas, which are found throughout the country, are an enduring symbol of the resilience and strength of the Uzbek people, and are a testament to the country's long and varied history. By promoting their significance at the 18th International Architecture Exhibition – La Biennale di Venezia, we can help to raise awareness of the importance of cultural heritage preservation and encourage others to join us in this effort."
Saida Mirziyoyeva, Head of the Communications and Information Policy Section of the Administration of the President of the Republic of Uzbekistan.

"As we look towards the future, our ancient heritage can help us to rethink the trajectory of humanity and the role that architecture plays in shaping our collective destiny. By examining the architectural remains of past societies, we can gain insight into the values, beliefs, and technologies that shaped their worlds. This in turn can inform our own design choices and decision-making as we work to build a better future. Traditional Uzbek bricks made using centuries-old techniques are durable, sustainable, and beautiful. Manufactured from natural materials, they are still sturdy and can last millennia, making them a good choice for long-lasting building projects."
Gayane Umerova, Executive Director of the Art and Culture Development Foundation of the Republic of Uzbekistan.


Toprak Kala fortress. Pavilion of the Republic of Uzbekistan at Venice Biennale 2023. Image courtesy of ACDF. Photograph by Vyacheslav Pak.

"Unbuild Together: Archaism vs. Modernity"
The response to the theme "The Laboratory of the Future", can be read as an encounter of different horizons, allowing to take a cross look at the Uzbek architectural heritage, to delve into its past in order to find the necessary tools for the elaboration of tomorrow’s world. Unbuild together modernity, by questioning the notion of archaism.

The associated artists all have a poetic role accompanying our approach. A film in the core of the architectural installation by El Mehdi Azzam, diffusing its significance and emotion. A reduced model made by Miza Mucciarelli, as a mental comprehension of the lived experience. A photographic work by Emine Gözde Sevim, a sensitive eye of a shared experience.

It is about giving theoretical and practical tools to achieve this. From the ruins of the ancient qalas to the multiple possibilities that earth offers to build, especially the brick. From the mythical figure of the labyrinth to the constructed reality. As many elements to be reinterpreted in order to create a sensitive and poetic architectural proposal, reflecting a truly contemporary and contextual practice.


Curator Sophia Bengebara in Khiva. Pavilion of the Republic of Uzbekistan at Venice Biennale 2023. Image courtesy of ACDF. Photograph by Vyacheslav Pak.
 
"As we look towards the future, our ancient heritage can help us to rethink the current trajectory of global development and the role that architecture plays in shaping our collective destiny. By examining the architectural remains of past societies, we can gain insight into the values, beliefs, and technologies that shaped their worlds. This in turn can inform our own design choices and decision-making as we work to build a better and more sustainable future."
Gayane Umerova, Executive Director of the Art and Culture Development Foundation of the Republic of Uzbekistan.

More information

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Curator team
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Studio KO.- Karl Fournier, Olivier Marty, Jean-Baptiste Carisé, Sophia Bengebara.
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Collaborators
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Ajou University, Abdulvahid Bukhoriy, El Mehdi Azzam, Emine Gödze Sevim, Miza Mucciarelli, Irina Arzhantseva.
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Commissioner
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Art and Culture Development Foundation under the Cabinet of Ministers of the Republic of Uzbekistan.
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Dates
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May 20 to November 26, 2023.
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Location
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At the 18th International Architecture Exhibition La Biennale di Venezia. Pavilion of the Republic of Uzbekistan in Giardini, Venice, Italy.
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Photography
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Vyacheslav Pak, Emine G. Sevim, Kamila Rustambekova, Studio KO.
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Studio KO. Since meeting at the Beaux-Arts school of Architecture in Paris and the subsequent creation of their studio in 2000, Karl Fournier and Olivier Marty have applied their elementary assertion to every scale of their projects. Rooted in classical training, the duo asserts a global and immersive approach to their profession, from architecture to interior design and furniture design. At the heart of their approach is freedom without compromise and the need to create a unique narrative, the most in tune with the truth of the context.

Based in Paris and Marrakech, Studio KO creates contemporary public and residential architecture all over the world, inspired by the intelligence of places. Not confined to a grammar of styles or any systematic methods, the studio is defined by an attitude. An esteem for nature and existing cultures, the audacity of the broad aesthetic differences, and attention to craftsmanship and local skills, a permanent search for the rugged. For an architecture of oxymoron. Radical and archaic. An architecture with a sensibility that, from the foundations to the signature scent, reveals, without arrogance, its uniqueness and mystery.

At the beginning of each project, there is an encounter. Human, above all, from the initial conversation that takes place with a patron. Physical and sensory after, through the discovery of a site that imposes itself through its landscape and its social and economic fabric. Then comes the moment of dialogue between the elements and the experimentation with unknown territory. Working at the edge of archaeology leads architects to explore the site and its history in order to grasp its essence. This continued creative process allows Studio KO to find its way naturally. A prerequisite for the emergence of contemporary, appropriate and vivid forms.

Privileging primary and ancestral materials derived from the hand of man - stone, wood, metal, leather -, the studio creates spaces in constant tension. The purity of lines contrasts with the materiality of the textures, the rugged with the organic, the light with the dark, the sophisticated with the bare. The vernacular simplicity with a modernist spirit. The harsh and imposing exteriors of the private villas, mineral monoliths named with a single cryptic letter, contrast with sensual and transparent interiors that engage their proprietors in a symbiotic relationship with the environment.

Each of the projects lends itself to unique experimentation, to new encounters of textures, techniques and light. In a "here and now" that invites, relentlessly, the sensitivity and the humanity.
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Published on: May 14, 2023
Cite: ""Unbuild Together: Archaism vs. Modernity". Pavilion of the Republic of Uzbekistan at Venice Biennale 2023" METALOCUS. Accessed
<http://www.metalocus.es/en/news/unbuild-together-archaism-vs-modernity-pavilion-republic-uzbekistan-venice-biennale-2023> ISSN 1139-6415
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