E1027 – the Villa in Roquebrune Cap Martin built by Eileen Gray in collaboration with Jean Badovici between 1926 and 1929 – is currently undergoing extensive renovation.
Having fallen into dereliction in the 1990s, it was bought by the Conservatoire du Littoral and the township of Roquebrune to be saved as a national monument with the assistance of the charity ‘Friends of E1027'. Aram is proud to be donating furniture – such as the Bibendum chair, the eponymous E1027 adjustable table and the Rivoli table – to complement the renovation.
Part of the movie takes place in Gray’s authentic French villa, one of the first homes she designed. Producers are shooting some of the pic there as well. A Kickstarter campaign was launched to help restore the home with re-created Parisian interiors. Unfortunately only $6.646 were obtained. Production designer Anne Seibel, who earned an Oscar nom for her work on “Midnight in Paris, is working Emmanuelle Pucci to create the home’s aesthetic. Actress Shannyn Sossamon is acting Eileen Gray in the film, Vincent Perez plays the part of Le Corbusier and Alanis Morissette and Francesco Scianna are performing Maria Damia and Jean Badovici, Gray's lovers.
Summary
A Film by Mary McGuckian
The Price of Desire is the controversial story of how Eileen Gray’s influential contribution to 20th Century architecture and design was almost entirely effaced from history by the egotistical Le Corbusier… And of how her relationship with Jean Badovici (a fast friend and promoter of Le Corbusier), fuelled a life-long rift consigning her architectural legacy to a century of neglect and long-overdue recognition.
The film is set substantially in and around her most abiding work, the Villa E1027, now recognized by many as the first Modernist house ever constructed, and explores the events and details surrounding Le Corbusier’s effacement, defacement and eventual erasure of Gray’s very ownership of the actual physical house, thus establishing a more than pertinent metaphor for her loss of intellectual property right (or ‘Droit Moral’) over the villa she so lovingly created. The insidious re-attribution by omission of the villa by the chauvinistic men in her life strips Gray of her right to be recognized as the author of her own work – a telling story which resonates with women in the arts even today.
"The poverty of modern architecture stems from the atrophy of sensuality. Everything is dominated by reason in order to create amazement without proper research. We must mistrust pictorial elements if they are not assimilated by instinct. It is not a matter of simply constructing beautiful ensembles of lines, but above all, dwellings for people."
Eileen Gray