The Price of Desire is a film about Eileen Grays' Villa E1027 on the French coast, one of the first houses designed by Gray and also one of the first Modernist houses, despite the fact that she was not recognized as the author of her work. The film tells the story of how Le Corbusier defaced Gray's villa and even effaced her ownership.

E1027 – the Villa in Roquebrune Cap Martin built by Eileen Gray in collaboration with Jean Badovici between 1926 and 1929 – is currently undergoing extensive renovation.

Having fallen into dereliction in the 1990s, it was bought by the Conservatoire du Littoral and the township of Roquebrune to be saved as a national monument with the assistance of the charity ‘Friends of E1027'. Aram is proud to be donating furniture – such as the Bibendum chair, the eponymous E1027 adjustable table and the Rivoli table – to complement the renovation.

Part of the movie takes place in Gray’s authentic French villa, one of the first homes she designed. Producers are shooting some of the pic there as well. A Kickstarter campaign was launched to help restore the home with re-created Parisian interiors. Unfortunately only $6.646 were obtained. Production designer Anne Seibel, who earned an Oscar nom for her work on “Midnight in Paris, is working Emmanuelle Pucci to create the home’s aesthetic. Actress Shannyn Sossamon is acting Eileen Gray in the film, Vincent Perez plays the part of Le Corbusier and Alanis Morissette and Francesco Scianna are performing Maria Damia and Jean Badovici, Gray's lovers.

Summary
A Film by Mary McGuckian

The Price of Desire is the controversial story of how Eileen Gray’s influential contribution to 20th Century architecture and design was almost entirely effaced from history by the egotistical Le Corbusier… And of how her relationship with Jean Badovici (a fast friend and promoter of Le Corbusier), fuelled a life-long rift consigning her architectural legacy to a century of neglect and long-overdue recognition.

The film is set substantially in and around her most abiding work, the Villa E1027, now recognized by many as the first Modernist house ever constructed, and explores the events and details surrounding Le Corbusier’s effacement, defacement and eventual erasure of Gray’s very ownership of the actual physical house, thus establishing a more than pertinent metaphor for her loss of intellectual property right (or ‘Droit Moral’) over the villa she so lovingly created. The insidious re-attribution by omission of the villa by the chauvinistic men in her life strips Gray of her right to be recognized as the author of her own work – a telling story which resonates with women in the arts even today.

"The poverty of modern architecture stems from the atrophy of sensuality. Everything is dominated by reason in order to create amazement without proper research. We must mistrust pictorial elements if they are not assimilated by instinct. It is not a matter of simply constructing beautiful ensembles of lines, but above all, dwellings for people."

Eileen Gray

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Eileen Gray (1878-1976) is an architect and furniture designer born in Ireland. She is considered one of the most influential women of the 20s in those fields.

In 1901 she enrolled in drawing at the Slade School of Fine Arts in London, and during his visits to the Victoria and Alberto Museum he developed her admiration for the Asian works of lacquer and in 1902 she settled temporarily in Paris to continue her studies in drawing at the École Colarossi. Gray settled permanently in Paris in 1906. She practiced little as an architect due to the restrictions that women had at that time in the architecture profession. Among his scarce projects are Villa E-1027 and Villa Tempe á Pailla, on the Costa Azul.

She obtained more fame as an interior designer and furniture designer. Although after the Second World War was losing this reputation little by little. Only in her last years of life did she return to that fame when the designer Zeev Aram took control of the rights of her work and rediscovered it to the world.
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Charles Édouard Jeanneret-Gris was born in La Chaux-de-Fonds, Switzerland on October 6th, 1887. He is best known as Le Corbusier, one of the most important architects of the XX Century that together with Walter Gropius, Ludwig Mies van der Rohe, and Frank Lloyd Wright rise up as the fathers of Modern Architecture. In his long career, he worked in France, Germany, Switzerland, the United States, Argentina, India and Japan.

Jeanneret was admitted to the Art School of La Chaux-de-Fonds in 1902. He knew Charles l’Éplattenier, his first teacher, and he became interested in architecture. He built his first house, Villa Fallet, in 1906, and one year later he set out on his first great journey to Italy. From 1908-1909 he worked in Perret Bother’s Studio, where he focussed on the employment of the concrete, and from 1910-1911 he coincided with Mies van der Rohe in this studio in Berlin.

In 1917, Charles Édouard Jeanneret set up finally in Paris. The next year he met the painter Amedée Ozenfant and he displayed his first paintings and wrote his first book, Après le Cubismo. In 1919 he founded the magazine l´Esprit nouveau, where he published unnumbered articles, signing with the pseudonym Le Corbusier for the first time.

He opened his own Studio in 1922, in the number 35 of the rue de Sèvres. In this decade when his laboratory epoch started he carried out a great number of activities as a painter, essayist, and writer. But also as an architect, he planned some of the most recognizable icons of modern architecture and developed the principles of the free plan. Some of these works are the Villa Roche-Jeanneret, the Villa Savoye in Poissy, and the Siedlungweissenhof’s houses built in Stuttgart in 1927. It should be pointed out that at the same time; he set out the “five points” of the architecture.

Le Corbusier projected “The contemporary three million population city” in 1922 and in 1925 put forward the Voisin plan of Paris, which is one of his most important urban proposals. Three years later, in 1928, through his initiative, the CIAM was created and in 1929 he published his first edition of the Oeuvre Complète.

In the 30s, he collaborated with the magazine Plans and Prélude, where he became enthusiastic about urbanism and he started, in 1930, to elaborate the drawings of the “Radiant City” as a result of the “Green City” planned for Moscu, his project would be summarized in the “Radiant Villa”, which was enclosed with the projects for Amberes, Stockholm, and Paris. By 1931 he presented Argel, a proposal that composed the Obus Plan. And in 1933 the 4th CIAM passed and there he edited the Athens Document.

Le Corbusier, in 1943, developed the “Three Human Establishments Doctrine” and founded the Constructors Assembly for Architectural Renovation (ASCORAL). He made the project the Unite d´habitation of Marsella in 1952, which was the first one of a series of similar buildings. At the same time, the works of Chandigarh in India began, where he planned the main governmental buildings. Nevertheless, in the same decade, he worked in France too, in the Notre-Dame-du-Haut chapel in Ronchamp, in the convent of La Tourette in Éveux, Jaoul’s houses in Neuilly and the Unites d´habitation of Rézé-lès-Nantes, Briey-en-Forêt and Firminy.

He wrote and published his worldwide known study of the Modulor in 1948 followed by a second part in 1953. Meanwhile the next Le Corbusier’s books had a more autobiographic nature, among them the Le poème de l'angle droit (1955), l'Atelier de la recherche patiente (1960) and Mise aupoint (1966) stand out.

Le Corbusier, at the end of his life, created many projects that would not be built, for example, a calculus center for Olivetti in Rho, Milan; a congress in Strasbourg, the France embassy in Brasilia and a new hospital in Venice.

He died drowned on the 27th of August of 1965 in Roquebrune-Cap-Martin.

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Published on: October 25, 2013
Cite: "The Price of Desire" METALOCUS. Accessed
<http://www.metalocus.es/en/news/price-desire> ISSN 1139-6415
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