"Le Corbusier: An Atlas of Modern Landscapes", the largest exhibition ever produced in New York of the protean and influential oeuvre of Le Corbusier (Charles-Édouard Jeanneret, French, b. Switzerland, 1887–1965), encompasses his work as an architect, interior designer, artist, city planner, writer, and photographer, and is on view from June 15 through September 23, 2013.

Le Corbusier: An Atlas of Modern Landscapes is divided into five sections, and begins with one of four room-sized interiors built especially for the exhibition. Featuring original furniture, the interiors vividly present Le Corbusier’s concepts fo r domestic landscapes, and the notion of houses operating as machines to view landscapes. The first interior on view is the Cabanon of Le Corbusier from Roquebrune-Cap-Martin (1951–52), installed in the area outside the Tisch galleries. A cabin built on the coast of the gulf of Monte Carlo as a summer haven for Le Corbusier himself, the Cabanon’s interior dimensions are based on those of the Modulor, a system of harmonic proportions Le Corbusier had created in the 1940s. The Cabanaon features rustic elements—bark-covered exterior planks and furnit ure—crafted by the carpenter Charles Barberis.

From the Jura Mountains to the Wide World. The first section within the galleries is devoted to Le Corbusier’s early life, in his hometown of La Chaux-de-Fonds, Switzerland.

The Conquest of Paris. The second section focuses on Le Corbusier’s time in Paris, whose sites and monuments he drew tirelessly.

Responding to Landscape from Africa to the Americas. The third section focuses on the late 1920s, when Le Corbusier abandoned the prismatic forms he used in his houses of that decade and developed an architecture that was more attentive to landscape, echoing transformations in his painting style, which is represented here by a number of canvases. He greatly expanded the geographic range of his endeavors while continuing to work on his projects for Paris.

Chandigarh: A New Urban Landscape for India. After 1945 Le Corbusier would face new frustrations when the headquarters of the United Nations in New York were built by Wallace K. Harrison, based on sketches by Le Corbusier and Oscar Niemeyer.

Toward the Mediterranean, or the Eternal Return. During the last 15 years of his life, Le Corbusier appeared to achieve many of the objectives he had been pursuing for decades.

Le Corbusier: An Atlas of Modern Landscapes

Dates.- June 15–September 23, 2013
Venue.- Special Exhibitions Gallery, third floor. MoMA. 11 West 53 Street. New York, NY 10019-5497. USA.

This major exhibition draws on MoMA’s own collection, and extensively on exclusive loans from the Paris-based Le Corbusier Foundation. Following a path from his youth in the Swiss Jura mountains to his death on the shores of the French Riviera, the exhibition focuses on four types of landscapes, observed or conceived at different scales, and documented in all the genres Le Corbusier pursued during six decades: the landscape of found objects; the domestic landscape; the architectural landscape of the modern city; and the vast territories he planned. MoMA is the only U.S. venue for the exhibition, which will travel to Fundació "la Caixa" in Barcelona (January 29–May 11, 2014), and to Fundació "la Caixa" in Madrid (June 11–October 19, 2014). It is organized by guest curator Jean-Louis Cohen, Sheldon H. Solow Professor in the History of Architecture, Institute of Fine Arts, New York University, with Barry Bergdoll, The Philip Johnson Chief Curator of Architecture and Design at MoMA.

Read more
Read less

More information

Charles Édouard Jeanneret-Gris was born in La Chaux-de-Fonds, Switzerland on October 6th, 1887. He is best known as Le Corbusier, one of the most important architects of the XX Century that together with Walter Gropius, Ludwig Mies van der Rohe, and Frank Lloyd Wright rise up as the fathers of Modern Architecture. In his long career, he worked in France, Germany, Switzerland, the United States, Argentina, India and Japan.

Jeanneret was admitted to the Art School of La Chaux-de-Fonds in 1902. He knew Charles l’Éplattenier, his first teacher, and he became interested in architecture. He built his first house, Villa Fallet, in 1906, and one year later he set out on his first great journey to Italy. From 1908-1909 he worked in Perret Bother’s Studio, where he focussed on the employment of the concrete, and from 1910-1911 he coincided with Mies van der Rohe in this studio in Berlin.

In 1917, Charles Édouard Jeanneret set up finally in Paris. The next year he met the painter Amedée Ozenfant and he displayed his first paintings and wrote his first book, Après le Cubismo. In 1919 he founded the magazine l´Esprit nouveau, where he published unnumbered articles, signing with the pseudonym Le Corbusier for the first time.

He opened his own Studio in 1922, in the number 35 of the rue de Sèvres. In this decade when his laboratory epoch started he carried out a great number of activities as a painter, essayist, and writer. But also as an architect, he planned some of the most recognizable icons of modern architecture and developed the principles of the free plan. Some of these works are the Villa Roche-Jeanneret, the Villa Savoye in Poissy, and the Siedlungweissenhof’s houses built in Stuttgart in 1927. It should be pointed out that at the same time; he set out the “five points” of the architecture.

Le Corbusier projected “The contemporary three million population city” in 1922 and in 1925 put forward the Voisin plan of Paris, which is one of his most important urban proposals. Three years later, in 1928, through his initiative, the CIAM was created and in 1929 he published his first edition of the Oeuvre Complète.

In the 30s, he collaborated with the magazine Plans and Prélude, where he became enthusiastic about urbanism and he started, in 1930, to elaborate the drawings of the “Radiant City” as a result of the “Green City” planned for Moscu, his project would be summarized in the “Radiant Villa”, which was enclosed with the projects for Amberes, Stockholm, and Paris. By 1931 he presented Argel, a proposal that composed the Obus Plan. And in 1933 the 4th CIAM passed and there he edited the Athens Document.

Le Corbusier, in 1943, developed the “Three Human Establishments Doctrine” and founded the Constructors Assembly for Architectural Renovation (ASCORAL). He made the project the Unite d´habitation of Marsella in 1952, which was the first one of a series of similar buildings. At the same time, the works of Chandigarh in India began, where he planned the main governmental buildings. Nevertheless, in the same decade, he worked in France too, in the Notre-Dame-du-Haut chapel in Ronchamp, in the convent of La Tourette in Éveux, Jaoul’s houses in Neuilly and the Unites d´habitation of Rézé-lès-Nantes, Briey-en-Forêt and Firminy.

He wrote and published his worldwide known study of the Modulor in 1948 followed by a second part in 1953. Meanwhile the next Le Corbusier’s books had a more autobiographic nature, among them the Le poème de l'angle droit (1955), l'Atelier de la recherche patiente (1960) and Mise aupoint (1966) stand out.

Le Corbusier, at the end of his life, created many projects that would not be built, for example, a calculus center for Olivetti in Rho, Milan; a congress in Strasbourg, the France embassy in Brasilia and a new hospital in Venice.

He died drowned on the 27th of August of 1965 in Roquebrune-Cap-Martin.

Read more
Published on: June 16, 2013
Cite: "Le Corbusier: An Atlas of Modern Landscapes [II]" METALOCUS. Accessed
<http://www.metalocus.es/en/news/le-corbusier-atlas-modern-landscapes-ii> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...