MPavilion 2017 is now open in Melbourne’s Queen Victoria Gardens. The pavilion will be open daily 9am to 4pm from 3 October until 4 February 2018, during which time it will be used as a hub for a programme of talks, workshops, performances and installations. Initiated and commissioned by the Naomi Milgrom Foundation with support from the City of Melbourne, Victorian State Government through Creative Victoria and ANZ, MPavilion 2017 is the fourth annual architect-designed summer pavilion for Melbourne.

MPavilion 2017, designed by architects Rem Koolhaas and David Gianotten of OMA, have based their design on the design of clasical amphitheatres. The pavilion embraced by a hill of native plants opens todya in Melbourne's Queen Victoria Gardens. With this project, it is Rem Koolhaas’s first visit to Australia in nearly 40 years.
 

"Our design for MPavilion 2017 is intended to provoke all kinds of activities through its configurable nature and a materiality that relates to its direct surroundings," said Koolhaas and Gianotten, who first revealed their design in June. "We are happy that MPavilion can perform as a theatre of debate around the city and its development, and contribute to the ongoing civic discourse of Melbourne."
 

MPavilion 2017 is shaped by two tiered grandstands—one fixed and the other moveable—and covered by a floating roof structure. The rotating grandstand allows interaction from all angles and for the pavilion to open up to the garden and broader cityscape. Overhead, a two-metre-deep gridded, machine-like canopy with a protective translucent roof embeds advanced lighting technology for the series of free public events. Comprising static and dynamic elements, the 19×19-metre aluminium clad structure allows for multiple configurations that can generate unexpected programming, echoing the ideals of the typology of the traditional amphitheatre.
 

“It is a rare and privileged opportunity to have Rem Koolhaas and David Gianotten of OMA design MPavilion 2017, and a remarkable coup for MPavilion to be their first completed commission in Australia. Rem and David’s profound vision and insight has resulted in an extraordinary pavilion for Melbourne.” said Naomi Milgrom AO, chair of the Naomi Milgrom Foundation, who commissioned Rem Koolhaas and David Gianotten to design MPavilion 2017.

Together with hundreds of creative collaborators—both Australian and international—MPavilion presents a free, four-month program of events from 3 October 2017 to 4 February 2018. At the end of its time in Queen Victoria Gardens, the pavilion will be moved to a permanent site in Melbourne's central business district.

The MPavilion 2017 program features hundreds of free public events through the popular MTalks, MMeets, MMusic and MKids event series, plus the MProjects installation component. New this year is MPavilion’s special regional-focused program led by project manager and Charlie Perkins scholar Sarah Lynn Rees (Indigenous Architecture and Design Victoria/IADV), and devised in collaboration with Shepparton Art Museum and Geelong Gallery. Also new this year is a series of events—more than 30 in total—initiated through MPavilion’s inaugural public call for proposals in July 2017.

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Architects Arquitectos
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Rem Koolhaas, David Gianotten. OMA Australia’s regional director Paul Jones.
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Designers Team Equipo de diseño
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Design Development.- Laurence Bolhaar, Eve Hocheng, Paul Jones, Fedor Medek, Miguel Taborda
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Client Cliente
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Naomi Milgrom Foundation
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Builders
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Kane Construction
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Collaborators
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Engineers Arup. Building surveyors.- Gardener Group. Llandscape architects.- Tract
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Rem Koolhaas was born in Rotterdam in 1944. He began his career as a journalist, working for the Haagse Post, and as a set-designer in the Netherlands and Hollywood. He beganHe frequented the Architectural Association School in London and studied with Oswald Mathias Ungers at Cornell University. In 1978, he wrote Delirious New York: a retroactive manifesto for Manhattan, which has become a classic of contemporary architectural theory. In 1975 – together with Elia and Zoe Zenghelis and Madelon Vriesendorp – he founded OMA (Office for Metropolitan Architecture).

The most important works by Koolhaas and OMA, from its foundation until the mid-1990s, include the Netherlands Dance Theatre at The Hague, the Nexus Housing at Fukuoka in Japan, the Kunsthal in Rotterdam, the Grand Palais of Euralille and Lille, the Villa dall’Ava, the Très Grande Bibliothèque, the Jussieu library in Paris, the ZKM in Karlsruhe and the Seattle Public Library.

Together with Koolhaas’s reflections on contemporary society, these buildings appear in his second book, S,M,L,XL (1995), a volume of 1376 pages written as though it were a “novel about architecture”. Published in collaboration with the Canadian graphic designer, Bruce Mau, the book contains essays, manifestos, cartoons and travel diaries.

In 2005, with Mark Wigley and Ole Bouman, he was the founder to the prestigious Volume magazine, the result of a collaboration with Archis (Amsterdam), AMO and C-lab (Columbia University NY).

His built work includes the Qatar National Library and the Qatar Foundation Headquarters (2018), Fondation Galeries Lafayette in Paris (2018), Fondazione Prada in Milan (2015/2018), Garage Museum of Contemporary Art in Moscow (2015), the headquarters for China Central Television (CCTV) in Beijing (2012), Casa da Musica in Porto (2005), Seattle Central Library (2004), and the Netherlands Embassy in Berlin (2003). Current projects include the Taipei Performing Arts Centre, a new building for Axel Springer in Berlin, and the Factory in Manchester.

Koolhaas directed the 2014 Venice Architecture Biennale and is a professor at Harvard University, where he directs The Project on the City, a research programme on changes in urban conditions around the world. This programme has conducted research on the delta of the Pearl River in China (entitled Great Leap Forward) and on consumer society (The Harvard Design School Guide to Shopping). Taschen Verlag has published the results. Now is preparing a major exhibition for the Guggenheim museum to open in 2019 entitled Countryside: Future of the World.

Among the awards he has won in recent years, we mention here the prestigious Pritzker Architecture Prize (2000), the Praemium Imperiale (2003), the Royal Gold Medal (2004) and the Mies Van Der Rohe prize (2005). In 2008, Time mentioned him among the 100 most influential people of the planet.

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David Gianotten is the Managing Partner – Architect of OMA globally, responsible for the overall organizational and financial management, business strategy, and growth of the company in all markets, in addition to his own architectural portfolio.

As Partner-in-Charge, David currently oversees the design and construction of various projects including the Taipei Performing Arts Centre; the Prince Plaza Building in Shenzhen; the KataOMA resort in Bali; the New Museum for Western Australia in Perth; the masterplan of Rotterdam’s Feyenoord City and the design of the new 63,000 seat Stadium Feijenoord; and Amsterdam’s Bajes Kwartier, a conversion of a large 1960s prison complex into a new neighborhood with 1,350 apartments.

David led the design and realization of the MPavilion 2017 in Melbourne and the Shenzhen Stock Exchange headquarters. He was also responsible for the end stages of the CCTV headquarters in Beijing. David’s work has been published worldwide and several of his projects have received international awards, including the 2017 Melbourne Design Awards and the CTBUH Awards in 2013. David gives lectures around the world mainly related to his projects and on topics such as the future development of the architectural profession, the role of context within projects, and speed and risk in architecture.

David joined OMA in 2008, launched OMA's Hong Kong office in 2009, and became partner in 2010. He became OMA’s global Managing Partner – Architect in 2015 upon his return to the Netherlands after having led OMA’s portfolio in Asia for seven years. Before joining OMA, he was Principal Architect at SeARCH in the Netherlands.

David studied Architecture and Architectural Engineering at the Eindhoven University of Technology, where he has also served as a professor in the Architectural Urban Design and Engineering department since 2016. Additionally, he serves on the board of the Netherlands Asia Honors Summer School.

 
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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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Published on: October 3, 2017
Cite: "Opening. 2017 MPavilion by OMA - Rem Koolhaas & David Gianotten" METALOCUS. Accessed
<http://www.metalocus.es/en/news/opening-2017-mpavilion-oma-rem-koolhaas-david-gianotten> ISSN 1139-6415
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