Descripción del proyecto por Herzog & de Meuron Project description by Herzog & de Meuron
The Idea
A house for twentieth century art? Yes: A HOUSE, straightforward and specific. No abstract shape, because it could not be purer and more perfect than the Neue Nationalgalerie. Nor an organic, playful composition because it would be forever competing with Scharoun-like volumes. No contentiousness, no competition, no one-upmanship, yet no obsequiousness either, but rather a self-contained and self-evident shape and an architecture that is less about the architect as author and the contemporary moment and more about people and their encounter with art.
Matthäuskirche looks a little lost and uprooted today. We are building a neighborhood for it, like the buildings that used to line the street until they were destroyed. And we are interested in the material of the church—brick. It is a building material that can be interpreted as a digital field and yet, at the same time, there is something archaic about a brick wall.
A house as a built form has always existed and yet it eludes clear-cut fixation or programmatic classification. It is an open-ended shape, open to different uses and interpretations. Like the above-mentioned brick, the archaic shape of a house is a constituent of both contemporary digital culture and traditional civilizations of old.
The house for art of the 20th century looks very different from different sides. Is it a warehouse? A barn? Or maybe a railroad station? Isn’t it more like a temple with exactly the same gable proportions as the Alte Nationalgalerie by August Stüler? Whatever the case, it is a place to store things as in a warehouse, a place for provisions and supplies like a farm, and a place of encounter and connection like a railroad station. And—like a temple—it is also a place of quiet and contemplation for the perception not just of art but of oneself.
Monika Grütters, Minister of State for Culture, informed the members of the budget committee of the German Bundestag responsible for the cultural budget about the schedule and cost planning for the Museum of the 20th Century in Berlin. The calculation assumes construction costs of 364.2 million euros for the new building. On the basis of the now concrete plans, completion of the building is scheduled for 2026. The ground-breaking ceremony will take place in the coming weeks.
The Museum der Moderne will complement the Neue Nationalgalerie. Both buildings will form a location of appropriate size for 20th century art. The new building will create the conditions for displaying the internationally significant collection of the Nationalgalerie and accepting the offers of the collectors Marx, Pietzsch and Marzona. In the meantime, the artist Gerhard Richter has also agreed to make a large number of his works available for a Richter Hall in the new museum.
The museum of the 20th century is an independent architecture, like Mies's building and Scharoun's architecture. In addition to its function for the presentation of art, however, it also has another, very important task: connecting and crosslinking the surrounding buildings and exterior spaces to form an urban whole - a cultural forum for the 21st century. Together with the client and users, we have made decisive progress: large gates and entrances create a spatial link between the museum and the surrounding squares and street spaces. The East-West Boulevard is a public path through the building. The wide tympanum turns towards the Philharmonie and the Chamber Music Hall. The north façade is extensively glazed and allows direct views from the museum to Scharounplatz and Potsdamer Strasse. At the same time, the museum can be experienced from the outside. In short: the museum becomes part of life on the square, the heart of the Kulturforum.
El Museum der Moderne complementará a la Neue Nationalgalerie. Ambos edificios formarán un conjunto de tamaño adecuado para presentar el arte del siglo XX. El nuevo edificio creará las condiciones para exponer la gran colección de la Nationalgalerie y aceptar las propuestas de los coleccionistas Marx, Pietzsch y Marzona. Mientras tanto, con el artista Gerhard Richter también se llegó a un acuerdo para poder disponer de una gran cantidad de sus obras en un Richter Hall dentro del nuevo museo.
El museo del siglo XX es una arquitectura independiente, como el edificio de Mies y la arquitectura de Scharoun. Sin embargo, además de su función para la presentación del arte, también tiene otra tarea muy importante: conectar y reticular los edificios circundantes y los espacios exteriores para formar un conjunto urbano: un foro cultural para el siglo XXI. Junto con el cliente y los usuarios, hemos hecho un progreso decisivo: las grandes puertas y entradas crean un enlace espacial entre el museo y las plazas y espacios de las calles circundantes. El East-West Boulevard es un camino público a través del edificio. El amplio tímpano gira hacia la Filarmónica y el Salón de Música de Cámara. La fachada norte está ampliamente acristalada y permite vistas directas desde el museo a Scharounplatz y Potsdamer Strasse. Al mismo tiempo, el museo se puede experimentar desde el exterior. En resumen: el museo se convierte en parte de la vida en la plaza, el corazón del Kulturforum.
More information
Published on:
September 18, 2019
Cite: "The Museum der Moderne by Herzog & de Meuron, new step, moving forward" METALOCUS.
Accessed
<http://www.metalocus.es/en/news/museum-der-moderne-herzog-de-meuron-new-step-moving-forward>
ISSN 1139-6415
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