The museum of modern art completes first phase of major renovation and reveals final design for multi-year expansion and renovation project.
Project designed by Diller Scofidio + Renfro in collaboration with Gensler Will Increase Gallery Space to Showcase the Museum’s Renowned Collection and Enhance the Visitor Experience.

Below, Animation depicting the renovation and new construction at The Museum of Modern Art. © 2017 Diller Scofidio + Renfro
 

Description of the project by Diller Scofidio + Renfro

Glenn D. Lowry, Director of The Museum of Modern Art, today revealed the completed renovation of the east end of the Museum’s campus and unveiled the full design of a multi-year expansion project, developed by MoMA with architects Diller Scofidio + Renfro in collaboration with Gensler.

The goals for the project are threefold: to increase gallery space and allow the Museum to exhibit significantly more of its diverse collection in deeper and more interdisciplinary ways, to provide visitors with a more welcoming and comfortable experience, and to better connect the Museum to the urban fabric of midtown Manhattan.

The renovation of the east section, which began in February 2016 and is now complete, enhances galleries and public spaces on three floors. This initial phase of the project includes the reconfiguration of 1.400 m².

to create two spacious galleries on the third floor that allow more flexibility for installing the collection and special exhibitions; the extension of the historic Bauhaus staircase to the ground level to restore and enhance access to the second-floor galleries; and the addition of a new first-floor lounge facing The Abby Aldrich Rockefeller Sculpture Garden. Improvements also include renovations of the restrooms and the provision of an additional coat check at street level. On the second floor, Cafe 2 has been renovated, and is now adjacent to a new museum store and an espresso bar overlooking the Sculpture Garden.

The overall expansion, including the west side that is now under construction, will yield a net increase in MoMA’s gallery space of one third, to 16.300 m². The design optimizes current spaces to be more flexible and technologically sophisticated, and creates more areas for visitors to pause and reflect. It enlarges and opens up the main lobby into a light-filled, double-height space and creates intuitive circulation routes through the Museum, including a connector that seamlessly links the new galleries to the renovated east side of the building.
Thanks to the redesigned circulation, the new western portion of the Museum will be dedicated almost entirely to the display of art. The 30 percent increase in exhibition space includes a stack of vertically interlocking galleries of varying heights, some naturally lit, some equipped for performance and film.

The 4.650 m² of gallery space being added in the western portion of the building will enable MoMA to realize a long-held aspiration: to present significantly more of its collection through a series of fluid, interconnected narratives of modern and contemporary art across all mediums. The new galleries will provide an opportunity to reimagine the display of the Museum’s collection and showcase its depth, breadth, complexity, and diversity through a greater use of interdisciplinary installations, while also having rotating spaces devoted to specific mediums, including photography, architecture, and design. To mark the opening of the expanded MoMA in 2019, the entire Museum will be devoted to exhibitions and installations from the collection.

“The Museum of Modern Art’s renovation and expansion project will seek to reassure and surprise,” Glenn D. Lowry said. “Our curators and the architectural team have spent more than two years in conversations about the nature of our collection, the history of our installations, the continually changing nature of art, and our opportunities and responsibilities for engaging our audiences. The outcome of these discussions is a design that accommodates a global view and new perspectives on modern and contemporary art, and that embodies the metabolic and self-renewing nature of our institution.”

The expansion to the west end of the site will feature engaging new street-level galleries comprised of a dedicated Projects Room and a gallery for contemporary design, a new fully customized studio space for media, performance, and film, and a sixth-floor lounge with an outdoor terrace facing 53rd Street. The MoMA Design and Book Store will be lowered one level and made visible to the street through a dramatic glass wall, and the building will be more open and directly woven into the fabric of midtown Manhattan. The entire first floor will continue to be open to the public free of charge, including the new galleries. The existing galleries on the second, fourth, and fifth floors will be expanded westward through the new 53W53 building designed by Jean Nouvel, adding 1.100 m² square feet per floor.

Elizabeth Diller, founding partner of Diller Scofidio + Renfro, said, “This project has called on us to work across MoMA’s rich architectural history, incorporating the Museum’s existing building blocks into a comprehensible whole through careful and deliberate interventions into previous logics, as well as the construction of new logics that arise from MoMA’s current aspirations. This work has required the curiosity of an archeologist and the skill of a surgeon. The improvements will make the visitor experience more intuitive and relieve congestion, while a new circulation network will knit together the expansion spaces with the lobbies, the theaters, and the Sculpture Garden to create a contiguous, free public realm that bridges street to street and art to city.”

Throughout the construction process, MoMA will remain open and continue to present its exhibition program. The main lobby entrance on 53rd Street will close as of June 4, 2017, to accommodate construction, and visitors will be directed a few hundred feet east to the lobby of the Ronald S. and Jo Carole Lauder Building, which was the original entrance to the Museum.

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Architect
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Diller Scofidio + Renfro (DS+R), in collaboration with Gensler
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Design Team
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Design architect.- Diller Scofidio + Renfro (DS+R), in collaboration with Gensler
Construction manager.- Turner Construction Company
Retail consultant.- Lumsden Design
Lighting designer, public spaces.- Tillotson Design Associates
Lighting designer,gallery spaces.- Renfro Design Group
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Area
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Total existing museum.- 59.200 m²
Total after expansion.- 69.200 m²
Total existing gallery space.- 112.600 m²
Total new gallery space.- 16.300 m²
Existing public space.- 8.100 m²
Post-expansion public space.- 10.200 m²
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Cost
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$50 million for renovation and $400 million for expansion/new construction
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Adress
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11 West 53 Street, between Fifth and Sixth avenues
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Diller Scofidio + Renfro Studio. Founded in 1981, Diller Scofidio + Renfro (DS+R) is a design studio whose practice spans the fields of architecture, urban design, installation art, multi-media performance, digital media, and print. With a focus on cultural and civic projects, DS+R’s work addresses the changing role of institutions and the future of cities. The studio is based in New York and is comprised of over 100 architects, designers, artists and researchers, led by four partners--Elizabeth Diller, Ricardo Scofidio, Charles Renfro and Benjamin Gilmartin.

DS+R completed two of the largest architecture and planning initiatives in New York City’s recent history: the adaptive reuse of an obsolete, industrial rail infrastructure into the High Line, a 1.5 mile-long public park, and the transformation of Lincoln Center for the Performing Arts’ half-century-old campus. The studio is currently engaged in two more projects significant to New York, scheduled to open in 2019: The Shed, the first multi-arts center designed to commission, produce, and present all types of performing arts, visual arts, and popular culture, and the renovation and expansion of The Museum of Modern Art (MoMA). Most recently, the studio was also selected to design: Adelaide Contemporary, a new gallery and public sculpture park in South Australia; the Centre for Music, which will be a permanent home for the London Symphony Orchestra; and a new collection and research centre for the V&A in Queen Elizabeth Olympic Park.

Recent projects include the 35-acre Zaryadye Park adjacent to the Kremlin in Moscow; the Museum of Image & Sound on Copacabana Beach in Rio de Janeiro; The Broad, a contemporary art museum in Los Angeles; the Berkeley Art Museum and Pacific Film Archive at the University of California, Berkeley; the Roy and Diana Vagelos Education Center at Columbia University in New York; and The Juilliard School in Tianjin, China.

DS+R’s independent work includes the Blur Building, a pavilion made of fog on Lake Neuchâtel for the Swiss Expo; Exit, an immersive data-driven installation about human migration at the Palais de Tokyo in Paris; Charles James: Beyond Fashion at the Metropolitan Museum of Art in New York; Arbores Laetae, an animated micro-park for the Liverpool Biennial; Musings on a Glass Box at the Fondation Cartier pour l’art contemporain in Paris; and Pierre Chareau: Modern Architecture and Design at the Jewish Museum in New York. A major retrospective of DS+R’s work was mounted at the Whitney Museum of American Art in New York. Most recently, the studio designed two site-specific installations at the 2018 Venice Biennale and the Costume Institute’s Heavenly Bodies: Fashion and the Catholic Imagination exhibition at the Metropolitan Museum of Art in New York. DS+R also directed and produced The Mile-Long Opera: a biography of 7 o’clock, a free, choral performance featuring 1,000 singers atop the High Line, co-created with David Lang.

DS+R has authored several books: The High Line (Phaidon Press, 2015), Lincoln Center Inside Out: An Architectural Account (Damiani, 2013), Flesh: Architectural Probes (Princeton Architectural Press, 2011), Blur: The Making of Nothing (Harry N. Abrams, 2002), and Back to the Front: Tourisms of War (Princeton Architectural Press, 1996).

DS+R has been distinguished with the first MacArthur Foundation fellowship awarded in the field of architecture, Time Magazine's "100 Most Influential" list, the Smithsonian Institution's 2005 National Design Award, the Medal of Honor and the President's Award from AIA New York, and Wall Street Journal Magazine's 2017 Architecture Innovator of the Year Award. Ricardo Scofidio and Elizabeth Diller are fellows of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and are International Fellows at the Royal Institute of British Architects (RIBA).
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Elizabeth Diller, (Poland,1954), is a partner of Diller Scofidio + Renfro (DS+R). Alongside partner Ricardo Scofidio, Diller’s cross-genre work has been distinguished with TIME’s "100 Most Influential People" list and the first MacArthur Foundation fellowship awarded in the field of architecture.

Elizabeth Diller has also received the Wolf Prize in Architecture. Most recently, she led two cultural works significant to New York: The Shed and the expansion of MoMA. Diller also co-created, -directed and -produced The Mile-Long Opera, an immersive choral work staged on the High Line. Diller is a member of the UN Council on Urban Initiatives and a Professor of Architectural Design at Princeton University.

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Ricardo Scofidio, AIA (New York,1935), is a partner of Diller Scofidio + Renfro (DS+R). Alongside partner Elizabeth Diller, Ric’s cross-genre work has been distinguished with TIME’s "100 Most Influential People" list and the first MacArthur Foundation fellowship awarded in the field of architecture. He led the design of the High Line – the adaptive reuse of an obsolete, industrial rail infrastructure into a 1.5 mile-long public park, Blur Building – a pavilion made of fog on Lake Neuchâtel for the 2002 Swiss Expo, and contributed to the redesign of Lincoln Center for the Performing Arts in New York, and The Broad in Los Angeles.

Ric spearheads many of the studio’s independent works, including Soft Sell, a video installation in an abandoned porn theatre in Times Square; Tourisms: suitCase Studies, an investigation of American tourist attractions at the Walker Art Center in Minneapolis; and Musings on a Glass Box for the Fondation Cartier pour l’art contemporain in Paris. He is a Professor Emeritus at The Cooper Union School of Architecture.

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Charles Renfro, AIA (Baytown, Texas in 1964) joined Diller Scofidio + Renfro (DS+R) in 1997 and became a Partner in 2004. He led the design and construction of the studio’s first concert hall outside of the US - The Tianjin Juilliard School in China - as well as the studio's first public park outside of the US - Zaryadye Park in Moscow. Charles has also led the design of much of DS+R's academic portfolio, with projects completed at Stanford University, UC Berkeley, Brown University, the University of Chicago, and the recently completed Columbia Business School.

Charles is also leading the design of two projects in his native Texas: the renovation of Frank Lloyd Wright’s Kalita Humphreys Theater in Dallas, and Sarofim Hall, a new home for Rice University’s Visual Arts department in Houston. Charles is the Co-President of BOFFO, a nonprofit organization that supports the work of queer LGBTQ+ BIPOC artists and designers. He has twice been recognized with the "Out100" list and has also been distinguished as a notable LGBTQ leader by Crain's New York Business. He is a faculty member of the School of Visual Arts.

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Published on: June 2, 2017
Cite: "MoMA. 1st Step of Renovation and Expansion Project by Diller Scofidio + Renfro" METALOCUS. Accessed
<http://www.metalocus.es/en/news/moma-1st-step-renovation-and-expansion-project-diller-scofidio-renfro> ISSN 1139-6415
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