Mecanoo Architecten has completed the Palace of Justice in Cordoba, Spain. This is the effort of Mecanoo and local partner Ayesa, in time and on budget.

The design by  Mecanoo Architecten won the international competition back in 2006 but the crisis hold it back till 2014. Completed and officially opened in November last year.

"The new Palace of Justice in Córdoba is located in Arroyo del Moro which is characteristically dominated by anonymous housing blocks, products of the rapid urban development of 21st century Spanish cities. The blocks that characterize the urban fabric of the zone were not capable of generating public space or offering something new to the city, but collectively they form a compact and coherent urban identity.”

Description of project by Mecanoo Architecten

The new Palace of Justice in Córdoba is located in Arroyo del Moro which is characteristically dominated by anonymous housing blocks, products of the rapid urban development of 21st century Spanish cities. The blocks that characterize the urban fabric of the zone were not capable of generating public space or offering something new to the city, but collectively they form a compact and coherent urban identity. The addition of a public institution to the area creates the opportunity to upgrade the public realm and add a civic quality to this relatively new neighborhood.
 
This responsibility to strengthen the public identity informed the concept for the Palace of Justice. While the Cordoba city center is located south-east from the site, the building volume was condensed to create a generous entrance square to the north which connects it with the existing Huerta del Sordillo gardens. 
 
The massing strategy creates urban integration through fragmentation. It follows a similar strategy to the spontaneous growth process of medieval cities resulting in a volume which is carefully sculpted to adapt to the surrounding context. This results in a puzzle-like structure which hints its process of formation and emulates the experience of the dense historical center of Cordoba.
 
The vertical fractures that are introduced in the building mass create patios, relating the local courtyard typologies. These fractures provide natural light and ventilation in the central zones of the large building. One can say that the sustainability of the building is not achieved by expensive technological mechanisms but by an intelligent interpretation of the vernacular architecture.
 
The building is elevated two meters from the street level and is accessed by the sloping entrance square. This elevation gives a symbolic power to the building while solving problems of privacy and security created by the insertion of semi-open patios. Since the Palace is divided into several independent departments, the building requires several entrances that are positioned based on both internal and external hierarchies. You can access the building either from the main entrance square or smaller open patios carefully placed along the other 3 sides of the building. 
 
From the main entrance, the interior organization is easily recognizable. A central spine creates a circulation axis which connects to the various the programs of the building. This space spans through several floors across the length of the building and articulates each department. It also links the public circulation with the exterior patios.  The spine echoes the architectural language of the exterior massing, with multi-level day-lit voids creating sculptural atriums throughout the building.
 
The internal functions become more private higher up the building. At the level of the square, the courthouse features an open ground floor that contains the most public sections such as courtrooms, marriage registry and restaurant. High security offices are situated off the upper courtyards and the archives and jail cells are found below ground level.

Read more
Read less

More information

Label
Architects
Text

Mecanoo + AYESA.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Collaborators
Text

AYESA (energy).
AYESA (structural engineer).
AYESA (mechanical engineering).
AYESA (electrical engineer).
AYESA (lighting).
AYESA (fire safety).
AYESA (roof and facade).

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Promotor Owner / Developer
Text

Consejería de Justicia e Interior (Junta de Andalucía).

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Main contractor
Text

UTE ISOLUX CORSÁN-COPCISA.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Dates
Text

Diseño de proyecto Project Design.- 2006.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Area
Text

48,000 m².

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Venue
Text

Calle Isla Mallorca, Calle Isla Formentera, Calle Isla Gomera, Calle Cantabrico, Córdoba, Spain.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Programme
Text

Courthouse with 26 courtrooms, a wedding room, a Forensic Institute, offices, a cafe, an archive, a prison and a parking garage.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Photography
Text

Fernando Alda.

+ + copy Created with Sketch.
- + copy Created with Sketch.

Francine Houben (Holland 1955) began formulating the three fundamentals of her lifelong architectural vision while studying at the Delft University of Technology. It was in this crucible of higher learning that she began an architectural practice with two fellow students with the design of a groundbreaking social housing development. As a result, she graduated as architect with cum laude honours in 1984 and officially founded Mecanoo architecten with these same partners.

Francine has remained true to her architectural vision, Composition, Contrast, Complexity throughout her career. Always looking for inspiration and the secret of a specific location, Francine bases her work on both analyses and intuition. She enjoys interweaving social, technical, playful and humane aspects together in order to form a unique solution to each situation. Francine Houben combines the disciplines of architecture, urban planning and landscape architecture in an untraditional way; with sensitivity for light and beauty.

Her use of material is expressive. She is known as one of the most prolific architects in Europe today. Her wide-ranging portfolio comprises an intimate chapel built on the foundations of a former 19th century chapel in Rotterdam (2001) to Europe’s largest library in Birmingham (2013). Francine Houben’s work reveals a sensory aspect determined by form and space, a lavish use or subtle combinations of the most diverse materials, as well as planes of saturated colour. Francine’s contribution to the profession of architecture is widely recognized. She was granted lifelong membership to the Akademie der Künste, Berlin in 2010.

In 2008, she received the Veuve Clicquot Business Woman of the Year Award. Honorary fellowships to the American Institute of Architects and the Royal Architectural Institute of Canada, and an international fellowship to the Royal Institute of British Architects were granted to her in previous years. The past three decades have seen her cumulative effect on the profession of architecture. Francine lectures all over the world and takes part as a jury member in prestigious competitions.

Her commitment to research and education is evidenced in her instatement as professor in Architecture, Chair of Aesthetics of Mobility at the Delft University of Technology (2000), her professorship at the Universitá della Svizzera Italiania, Accademia di architettura, Switzerland (2000) and her appointment as visiting professor at Harvard (2007). Dedication to her alma mater is reflected in generous sponsorship of the UfD-Mecanoo Award for the best graduating student of the Delft University of Technology.

Francine Houben lives in Rotterdam, a modern city where the skyline is dotted with buildings designed by world renowned architects; including her award winning Montevideo Skyscraper (2005). It was in this dynamic city that she directed and curated the First International Architecture Biennale Rotterdam (2003), with the theme, ‘Mobility, a room with a view’. She has realised numerous signature projects throughout the Netherlands and Europe including Philips Business Innovation Centre, FiftyTwoDegrees in Nijmegen, (2005-2006), La Llotja Theatre and Conference Centre in Lleida, Spain (2009) and the Delft University of Technology Library (1999). Currently, she is expanding her architectural vision to other continents with the design of Taiwan’s largest theatre complex, The Wei-Wu-Ying Center for the Arts in Kaohsiung (2014), Dudley Municipal Center in Boston (USA) and Shenzhen Cultural Center (China). In 2011 the book Dutch Mountains was released, a chronicle of Francine Houben and eight special projects in five different countries.

Francine maintains an active presence in academia and culture, regularly publishing and giving lectures worldwide. She has performed in many academic and professional capacities throughout her career, including Chair of Architecture and Aesthetics of Mobility at Delft University of Technology, visiting professor at Harvard Graduate School of Design, and as director of the First International Architecture Biennale in Rotterdam.

Francine has received honorary fellowships from the Royal Institute of British Architects, the American Institute of Architects and the Royal Architectural Institute of Canada. In 2014 Francine was named Woman Architect of the Year by the Architects’ Journal and in November 2015 Queen Máxima of The Netherlands presented Francine with the Prins Bernhard Cultuurfonds Prize for her wide-ranging career. Francine was awarded Honorary Doctorates from the Université de Mons, Belgium (2017) and the Utrecht University (2016).

“Architecture must appeal to all the senses. Architecture is never a purely intellectual, conceptual, or visual game alone. Architecture is about combining all the individual elements into a single concept. What counts in the end is the arrangement of form and emotion.”

Francine Houben, architect/creative director Mecanoo Architecten.

Read more
Published on: January 24, 2018
Cite: "Mecanoo Architecten completed the Cordoba Palace of Justice" METALOCUS. Accessed
<http://www.metalocus.es/en/news/mecanoo-architecten-completed-cordoba-palace-justice> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...

Our selection

Outside vision, rendering. Image courtesy of Mecanoo
Façade detail. Namdaemun Office Building by Mecanoo. Photograph © Kyungsub Shin
New Shenzhen North Station Urban by Mecanoo
St. Gerlach Pavilion & Manor Farm by Mecanoo. Photograph by Mecanoo architecten
Communicative lighting façade, Contemporary Art Center by Nieto Sobejano Arquitectos. Photography © Roland Halbe