Office for Political Innovation (OFFPOLINN), the studio led by Andrés Jaque, was commissioned to design a different school, the Reggio School, located in one of the most exclusive areas of the capital, bordering the Moraleja area, in the urbanization of Encinar de los Reyes to the north of the municipal term of Madrid.

The project was accompanied by the commission to create an architectural space in which the different students awaken their own desire to explore and educate themselves. A building capable of generating a complete ecosystem of collective exploration, a hybrid with different climates, ecosystems, architectural traditions and regulations.
The design proposed by Andrés Jaque proposes a morphology that works as a set of pieces and situations that are stacked vertically according to the educational level of the students, accompanying a continuous process of maturation.

At lower levels, in contact with the ground, the youngest students; on the upper floors next to the water tanks and a greenhouse-garden, intermediate level students; and around an interior garden, the older students, on the second floor formalized as a large void, which functions as a social square, where students and teachers live together.

The creation and construction of the school followed a low-budget strategy, without renouncing the application of high-tech sustainable solutions that are only applicable in other places accompanied by large budgets. To do this, it is based on four principles.-

The vertical development of the project, to reduce the surface footprint of the building; the radical reduction of elements used in construction, reducing by 48% the material for facades, roofs and partitions; the use of a thick cork insulation envelope, a solution developed for the project by the architects; and, more thought and less material, through the study of the structures, it has been possible to significantly reduce the thickness of the reinforced concrete walls.


Reggio School by Andrés Jaque. Photograph by José Hevia.
 

Description of project by Andrés Jaque

The design of Reggio School is based on the idea that architectural environments can arouse in children a desire for exploration and inquiry. In this way, the building is thought of as a complex ecosystem that makes it possible for students to direct their own education through a process of self-driven collective experimentation— following pedagogical ideas that Loris Malaguzzi and parents in the Italian city of Reggio nell’Emilia developed to empower children’s capacity to deal with unpredictable challenges and potentials.

The design, construction and use of this building is intended to exceed the paradigm of sustainability to engage with ecology as an approach where environmental impact, more than-human alliances, material mobilization, collective governance and pedagogies intersect through architecture.

The stacking of diversity as an environment for self-education
Avoiding homogenization and unified standards, the architecture of the school aims to become a multiverse where the layered complexity of the environment becomes readable and experiential. It operates as an assemblage of different climates, ecosystems, architectural traditions, and regulations. Its vertical progression begins with a ground floor engaged with the terrain, where classrooms for younger students are placed.

Stacked on top of this, the higher levels are where students in intermediate classes coexist with reclaimed water and soil tanks that nourish an indoor garden reaching the uppermost levels under a greenhouse structure. Classrooms for older students are organized around this inner garden, as in a small village. This distribution of uses implies an ongoing maturity process that is translated into the growing capacity of students to explore the school ecosystem on their own and with their peers.



Reggio School by Andrés Jaque. Photograph by José Hevia.

A more-than-human assembly as the school’s heart
The second floor, formalized as a large void opened through landscape-scale arches to the surrounding ecosystems, is conceived as the school’s main social plaza. Here the architecture encourages teachers and students to participate in school government and to interact with the surrounding landscapes and territories. This 5,000 square feet (464 square meter) central area is over 26 feet (8 meter) high and conceived of as a cosmopolitical agora; a semi-enclosed space crisscrossed by the air tempered by the holm oak trees from the neighbouring countryside.

A network of ecologists and edaphologists designed small gardens specifically made to host and nurture communities of insects, butterflies, birds and bats. Here, mundane activities like exercising coexist with discussions about how the school is run as a community and what is the way to relate to the neighbouring streams and fields. Ultimately, this floor operates as a more-than-human summiting chamber where students and teachers can sense and attune to the ecosystems they are part of.

Visibility of mechanical systems as a pedagogical opportunity
As an alternative to architecture’s common efforts to hide mechanical systems, here all services are kept visible, so that the flows that keep the building active become an opportunity for students to interrogate how their bodies and social interactions depend on water, energy, and air exchanges and circulations. The building unapologetically allows pipes, conduits, wires and grilles to become part of its visual and material ecosystem.


Reggio School by Andrés Jaque. Photograph by José Hevia.

Thinning, skinning and make fluffy as an affordable environmental strategy
In the context of Southern Europe, where high-tech sustainable solutions are only available to high-budgeted, corporate or state-promoted buildings, this building develops a low budget strategy to reduce its environmental footprint based on the following design principles:

Verticality to reduce land occupation. Instead of opting for a horizontally expanding land occupation – as is the case for 90% of school designs – Reggio School is a compact vertical building. This design decision minimizes the building’s footprint, optimizes the overall need for foundations, and radically reduces its façade rate.

Radical reduction of the construction. No claddings, no drop ceilings, no raised technical floors, no wall lining, no ventilated façades are used in this building. The overall amount of material used in the facades, roofs and interior partitions of the building has been reduced by 48% just by replacing a big part of the construction by simple strategies of thermal insulation and mechanical systems distribution. The result presents a naked building where the non-edited visibility of its operating components defines its aesthetics.

A thick wrapping of living isolation. Cork wrapping is both thermal isolation and support to more-than-human life. 80% of the envelope of the building is externally covered by a 14.2 cm of projected 9,700 Kg/m3 dense cork. This natural solution, specifically developed by the Office for Political Innovation for this project, is used both in vertical and pitch parts of the building’s external volume to provide a thermal isolation of R-23.52, double that what Madrid’s regulations require. This adds to the passive 50% reduction of consumed energy when heating of the school’s interiors. Beyond this, the irregular surface of the cork projection is designed to allow organic material to accumulate, so that the envelope of the building will eventually become the habitat of numerous forms of microbiological fungi, vegetal and animal life.

More thinking, less material. Led by researcher and structural engineer Iago González Quelle, the team has shaped, analyzed and dimensioned the building’s structure so that the thickness of loading walls can be reduced an average of more than 150 mm compared to conventional reinforced concrete structures. Overall, this implied a 33% reduction in the embedded energy of the building’s structure.

More information

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Project team
Text
Roberto González García, Luis González Cabrera, Alberto Heras, Ismael Medina Manzano, Jesús Meseguer Cortés, Paola Pardo-Castillo, Rajvi Anandpara, Juan David Barreto, Inês Barros, Ludovica Battista, Shubhankar Bhajekar, Elise Durand, Drishti Gandhi, Maria Karagianni, Bansi Mehta, Alessandro Peja, Meeerati Rana, Mishti Shah, Saumil Shanghavi.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Collaborators
Text
Structural Engineering.- Iago González Quelle, Víctor García Rabadán (Qube Ingeniería de Estructuras).
Services Engineering.- Juan Antonio Posadas (JG Ingenieros).
Quantity Survey (Project).- Javier González Nieto, Javier Mach Cestero (Dirtec Arquitectos Técnicos).
Ecology and Edaphology.- Jorge Basarrate, Álvaro Mingo (Mingobasarrate).
Project Management.- Ángel David Moreno Casero, Carlos Peñalver Álvarez, Almudena Antón Vélez.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Area
Text
59,158.45 sq. ft.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Dates
Text
2022.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Location
Text
C/ San Enrique de Ossó, 48. El Encinar de los Reyes, 28055 Madrid.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Photography
+ + copy Created with Sketch.
- + copy Created with Sketch.

Andrés Jaque, holds a Ph.D. in architecture. He is the founder of the Office for Political Innovation and the Dean of the Graduate School of Architecture, Planning, and Preservation at Columbia University, New York.

In 2014 he received the Silver Lion at the 14th Mostra Internazionale di Architettura, Biennale di Venezia.

He is the author of award-winning projects such as Plasencia Clergy House (Dionisio Hernández Gil Prize), House in Never Never Land (Mies Van der Rohe European Union Award's finalist), TUPPER HOME (X Bienal Española de Arquitectura y Urbanismo), or ESCARAVOX (COAM Award 2013). He has also developed architectural performances as well as installations that question political frameworks through architectural practice; including IKEA Disobedients (MoMA Collection, 2011); PHANTOM. Mies as Rendered Society (Mies Barcelona Pavilion, 2012) or Superpowers of Ten (Lisbon Triennale, 2014).

Andrés Jaque is a Professor of Advanced Design at Columbia University's Graduate School of Architecture, Planning, and Preservation (GSAPP) and Visiting Professor at Princeton University's School of Architecture.

Read more
Published on: December 2, 2022
Cite: "An indoor ecosystem of collective exploration. Reggio School by Andrés Jaque / OFFPOLINN" METALOCUS. Accessed
<http://www.metalocus.es/en/news/indoor-ecosystem-collective-exploration-reggio-school-andres-jaque-offpolinn> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...