The Nieuwe Haagse Passage is situated in The Hague’s centre, next to two major department stores. The new passage, with an eye-catching facade, creates a new link between the two main retail streets of the Hague. It will create an important new vein in the shopping circuit of the Hague. The Nieuwe Haagse Passage also naturally extends the old passage, thus creating a new link to the high end segment in the north-west of the city centre.

De Passage (formerly Nieuwe Haagse Passage), designed by Bernard Tschumi Architects, is a new commercial building built around an interior passage that connects to the 19th-century passage at the north end and the busy Grotemarkstraat at the south. The complex contains a 200- room hotel and retail shopping on two levels in a 17,500-square-meter complex. The building’s distinctive blue and white tiles and free-form fenestration mediates between old and new in the historic city.

The project first responds to a singular imperative: to create a new urban passage, comparable to the historic Hague Passage to the north, as well as the great passages throughout Europe. The Passage expands on a great tradition with a variety of spatial configurations. Passageways are not identical: their ceiling heights, colors, openness, and pedestrian traffic all vary. They can be wide or tight. There is no homogenous configuration (in marked contrast with the 20th-century enclosed shopping mall, whose typology is similar, no matter where on the globe you are located).

The blue of the tiles was originally suggested as a way to bring a sense of light and openness into the passage interior. The tiles are light blue—close in color to a blue sky on a sunny day—which, in combination with the white tiles, gives a clean, airy feel to the space, drawing customers in from the bustle of the streets. The use of ceramic tiles is also a nod to Dutch history, suggesting the tin-glazed Delftware tiles that were ubiquitous in 17th- and 18th-century architecture in The Netherlands. The strategy appropriates them in a contemporary way that references the traditional signifi cance of The Hague as the internationally recognized home of Dutch culture.

Description of project by Bernard Tschumi Architects

After more than five years’ incubation, our project for a hotel and shopping center in The Hague evolved with the developer’s economic constraints. As the site became increasingly smaller and the program became less ambitious, the architectural imperative also became more specialized: to create a new urban passage, comparable to the historic Hague Passage to the north, as well as the great passages throughout Europe. We wanted to approach the project as a building that was incontrovertibly Dutch, but also had an international flavor—a combination in keeping with the role of The Hague among other European cities.

The “passage” has a great tradition with a variety of spatial configurations. Passageways are not identical: their ceiling heights, colors, openness, and pedestrian traffic all vary. They can be wide or tight. There is no homogenous configuration (in marked contrast with the 20th-century enclosed shopping mall, whose typology is similar, no matter where on the globe you are located).

The blue of the tiles was originally suggested as a way to bring a sense of light and openness into the passage interior. The tiles are light blue—close in color to a blue sky on a sunny day—which, in combination with the white tiles, will give a clean, airy feel to the space, drawing customers in from the bustle of the streets.

The use of ceramic tiles is also a nod to Dutch history, suggesting the tin-glazed Delftware tiles that were ubiquitous in 17th- and 18th-century architecture in The Netherlands. Our strategy appropriates them in a contemporary way that references the traditional significance of The Hague as the internationally recognized home of Dutch culture. The particular shade of blue used could also be viewed as an oblique reference to the original light-blue flag of Prince William of Orange.

CREDITS. TECHNICAL SHEET.-

Architectural Team.- Bernard Tschumi Architects: Bernard Tschumi, Joel Rutten, Christopher Lee, Dominic Leong, Athanasios Manis, Paul-Arthur Heller, Colin Spoelman, Paula Tomisaki, Mathieu Crabouillet, Angie Co, John Eastridge, Alan Kusov, Nefeli Chatzimina.
Consultants.- Civil Engineer: Corsmit Raadgevend Ingenieursbureau bv (J.J.M. Font Freide). Architect of Record (Design Development): B+M Den Haag bv. Architect of Record (Construction Documents): htv Bouwtechniek (Robert de Goeij). Facade Consultant (Spuistraat Facade Renovation): Rappange & Partners
Construction Administration: Neervoort Bouwmanagement & Consultancy (Harry G.A).

Client.- Multi Vastgoed and AM Real Estate Development in collaboration with T+T Design and the Municipality of The Hague.
Program.- Public passage, commercial shopping center, and 4-star hotel. Commercial shopping center featuring a public passage and 118-room 4-star hotel situated on the site of the former Marks and Spencer in the
center of The Hague.
Site Area.- 3500 m²
Floor Area.- Shops: 17,500 m² (10,500 m²/Hotel: 5,700 m²/Other: 1,300 m²)
Public Passage.- 540 m²
Maximum Building Height.- 29.35 m (hotel parapet); 9.00 m (glass-covered passage).
Cost.- € 28M
Design.- 2005 - 2010
Construction.- July 2011 - September 2014.
Public Opening.- September 18, 2014.
Exterior Facade Material.- Custom-color, frost-resistant glazed ceramic tiles.

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Bernard Tschumi was born in Lausanne, Switzerland, on January 25, 1944. He holds dual nationality, inherited from his French mother and his father, the renowned Swiss architect Jean Tschumi. He studied architecture at the Swiss Federal Institute of Technology (ETH) in Zurich. His early years were spent moving between Zurich and Paris, where he experienced the May 1968 protests firsthand.

After completing his studies that same year, he began teaching at the Architectural Association in London, then led by Albin Boyarsky, a pivotal figure in shaping the critical approach to architectural education and practice that Tschumi would later implement. This period placed him in an environment where he interacted with a generation of outstanding architects.

He later taught at prestigious institutions such as Princeton University and The Cooper Union in New York. Between 1988 and 2003, he served as dean of the Graduate School of Architecture, Planning, and Preservation at Columbia University, leaving an indelible mark on the education of architects and the intellectual discourse of the discipline. He continues to teach at Columbia today.

His theoretical work, writings, and both conceptual and built projects have been fundamental in redefining the relationship between architecture and theory. He explores the interplay between space, movement, and events as dynamic forces that shape spatial relationships and urban experiences.

Tschumi is widely recognized for his influential books, including The Manhattan Transcripts—a project developed through four exhibitions between New York and London—first published in 1978 and reissued in 1994 following an exhibition at MoMA. Another key publication, Architecture and Disjunction, further develops his interest in an architecture that transcends mere form and function, engaging instead with spatial dynamics, narrative structures, and urban events, ultimately redefining the concept of place.

His early theoretical ideas were materialized in one of his most iconic projects: Parc de la Villette in Paris. After winning the competition in 1982, the project evolved over the following years with the construction of multiple folies, culminating in 1998. Here, Tschumi developed his concept of spatial relationships within an architectural landscape that activates the interaction between individuals, space, and the city.

Tschumi is the founder and director of Bernard Tschumi Architects, with offices in New York and Paris. Beyond his work at La Villette, his most notable projects include the Acropolis Museum in Athens, the Le Fresnoy Contemporary Arts Center in France, and the Vacheron-Constantin headquarters in Geneva. His architecture consistently explores spatial fragmentation and sensory experience, challenging conventional notions of architectural composition.

His work has been recognized with prestigious accolades, including the Grand Prix National d’Architecture in France (1996), multiple awards from the American Institute of Architects, and the National Endowment for the Arts. He is an international member of the Royal Institute of British Architects in England and the Collège International de Philosophie in France. Additionally, he has been honored as an Officer of both the Légion d’Honneur and the Ordre des Arts et des Lettres.

Tschumi’s work has been exhibited in major museums and biennials worldwide, including the Museum of Modern Art in New York, the Venice Architecture Biennale, the Netherlands Architecture Institute in Rotterdam, and the Centre Pompidou in Paris.

His legacy continues to shape architectural practice and thought on a global scale.

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Published on: January 22, 2015
Cite: "De Passage by Bernard Tschumi Architects" METALOCUS. Accessed
<http://www.metalocus.es/en/news/de-passage-bernard-tschumi-architects> ISSN 1139-6415
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