Beijing based MAD Architects has started construction work on the 570,000 square meter Quzhou Sports Campus in China, where the architecture firm was commissioned to design a large cultural and sport complex.

Quzhou is a city in western Zhejiang province, China. Sitting on the upper course of the Qiantang River, it borders Hangzhou to the north, Jinhua to the east, Lishui to the southeast, and the provinces of Fujian, Jiangxi and Anhui to the south, southwest and northwest respectively.

The large urban park, designed by MAD Architects, includes a 30,000-person stadium, a 10,000-person gymnasium, a natatorium, outdoor auxiliary training grounds, athlete service and experience center, a science and technology museum, and “children’s place.”

MAD Architects is developing the project in collaboration with PWP Landscape Architecture, EADG, and structural consultant Schlaich Bergermann Partner.
The buildings complex was designed to be embedded within the ground, according to the architects:
 
“whereby the façade disappears into the terrain, covered by greenery so that it becomes the landscape itself.

While contours engrave curves into the surface, some function as pedestrian walkways. Thus, the sloping façade naturally serves as a new place for citizens to engage in exercise, and offers the opportunity to ‘climb’ the architecture. The lawn also provides a place where people can relax after their sports, introducing a new public green space in the city.”

Break ground began recently. The first phase of the project is slated to be completed in 2021. Upon its completion, the architects report, the Quzhou Sports Campus will become the largest earth shelter building complex in the world.
 

Project description by MAD Architects

Competitive sports has a history that is practically as old as human civilization. Born from humanity being faced with the great unknown, brought on by physical nature, it became a means for one to reflect on their own existence and cognition of function, proving their physical capabilities and striving to explore and further push one’s limits. To some extent, the competitive spirit it represents catalyzed modern society – between people, between enterprises, between cities and between countries – becoming a catalyst for progress and positive growth, but it has also brought on some disadvantages.

When designing a stadium (or several stadiums), the building should convey the essence of “a place where people gather and engage in exercise”, masking the strength and muscle of the arena. Furthermore, the design should be derived from the architect’s vision for the city, bringing both the competition among sports stars and the physical activity of people’s daily lives, together. The buildings and the architectural techniques should dissolve into human behaviour and humanity’s greater spiritual pursuits, to inspire the birth of a new urban civilization.

MAD Architects, led by Ma Yansong, is building a vanishing stadium as part of its larger “Quzhou Sports Campus” project. Located in Quzhou, in China’s Zhejiang province, the park covers an area of 570,000 square meters, of which the total building area of the stadium complex and supporting facilities is 390,000 square meters. The park includes a 30,000-person capacity stadium, a 10,000-person capacity gymnasium, a natatorium, outdoor auxiliary training grounds, athlete service and experience center, as well as a science and technology museum and children’s place.

The project’s overall design has been finalized and is now under construction, with the first phase, the stadium, to be completed in 2021. Upon its entire completion, “Quzhou Sports Campus” will become the world’s largest earth shelter building complex.

Quzhou is a well-known cultural city with a long history and beautiful natural scenery, with 71.5% of its land covered in forest. The site of the project itself has natural slopes and lush vegetation. MAD’s scheme for the sports park takes into consideration the plot’s existing characteristics by respecting them to the fullest, regarding the culture of the city, the relationship between its buildings, and the relationship between the buildings and the city boundaries.

The buildings are embedded into the ground, whereby the façade disappears into the terrain, covered by greenery so that it becomes the landscape itself. While contours engrave curves into the surface, some function as pedestrian walkways. Thus, the sloping façade naturally serves as a new place for citizens to engage in exercise, and offers the opportunity to ‘climb’ the architecture. The lawn also provides a place where people can relax after their sports, introducing a new public green space in the city.

The colossal sports venues and expansive park have been imagined as a cohesive scene, whereby the winding trails compliment the sloping land. Envisioned as an earth landscape, the three dimensionality of the design is scattered and softly layered. Throughout the campus, there are multiple platforms integrated for people to enjoy the park’s beauty from different perspectives. At the same time, the skylights of the various athletic facilities not only introduce natural light into the interior spaces of the buildings, but also serve to function as alternative lookout points for citizens once they have traversed the buildings to their peak, breaking the boundaries between indoor and outdoor.

30,000-seat Stadium

The enormity of the 30,000-seat capacity stadium is hidden. The volume of the grandstand structure recedes into the landscape so that its function disappears. Hovering above is a rain cover, that with outstanding visual effect, abandons the stereotypical design it would typically adopt. This is achieved through the material selection and the actual design of the structural nodes themselves, that while satisfying the practical functions of a rain cover, also achieves a new aesthetic purpose. It becomes an installation, such as clouds appear light and floating above the grandstand, that forms a reflection of the neighboring lake. For citizens jogging or walking the grounds, it creates a perfect transcendental harmony with its surroundings.

A Mountainous 10,000-seat Gymnasium

The internal dome of the gymnasium hides the design details inside the structure. The smooth roof encompasses a concrete shell that spans 130 meters. The sports lighting is integrated and embedded into the ceiling structure, ensuring simple but complete expression of the building’s structural beauty and performance. In addition, the rigorous design of the gymnasium has taken on special considerations in regards to its acoustics.

Swimming Pool

The design of the natatorium sees each key function of the space conceived as a separate bubble. Three bubbles are combined and aligned on an the axis that runs through their center, forming the overall space and structure of the building, creating a sense of sequence and feeling of continuous space. The perfect circular shape of the sphere, while referencing the building’s function – echoing the elements of water – has been applied for economic reasons, minimizing the cost of the structure. It is simple and pure in form, and eliminates the need to consider a new design logic for the interior.

The lighting details of the facility have also been carefully taken into account. The arc-curve arrangement has been determined on the basis of ensuring the lighting function. Echoing the simple and pure interior design concept, it emphasizes a sense of sequence, tracing the lines of the domed roof. Simultaneously, natural light is introduced into the interior through circular apertures in the ceiling.

Building an Earth Landscape

In planning the expansive sports campus, MAD has integrated many pedestrian walkways that interlace with one another, inviting citizens to leisurely explore the park. A large number of bicycle paths have also been introduced, acting as an extension of the urban roads through an express lane that allows daily commuters to pass through the park and its forested areas, and experience the beauty of nature.

A fitness bike path surrounds the perimeter of the park, providing exercise areas and different pedestrian and bike routes that encourage low-carbon travel. The idea is to create a sports park that is not an enclosed theme park, but rather a place that is truly integrated into the city and the daily lives of its citizens.

Eventually, all complicated technical details and challenges will disappear into human behavior and its appeals for aesthetics. Using imagination as a driving force, the complex, while dedicated to competitive sports and training, will also become a place for leisure activities for the public. The buildings are integrated into the terrain, transcending practicality, functionality and expressing aesthetic appeal. They are a statement of competition and everyday life, and also an expression of art.

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Ma Yansong is a Beijing-born architect (1975) recognized as an important voice in a new generation of architects. He graduated from the Beijing Institute of Civil Engineering and Architecture. Ma attended Yale University after receiving the American Institute of Architects Scholarship for Advanced Architecture Research in 2001 and holds a master's degree in Architecture from Yale. 

He shares his knowledge as an adjunct professor at the Beijing University of Civil Engineering and Architecture, Tsinghua University, and the University of Southern California. Ma Yansong's journey is a continuous narrative unfolding, exploring innovation and pushing the boundaries of what we perceive as the built environment.

Since the founding of MAD in 2004, his works in architecture and art have been widely published and exhibited. Ma Yansong was awarded the 2006 Architecture League Young Architects Award. In 2008 he was selected as one of the twenty most influential Young Architects today by ICON magazine and Fast Company named him one of the ten most creative people in architecture in 2009. In 2010 he became the first architect from China to receive a RIBA fellowship.

“I work with emotion and with the context. When I design a building, I close my eyes and feel as if I saw a virtual world which lays half way between the city, the nature and the land. It goes from large scale to small scale. Many things travel in front of my eyes; I feel them and try to find the way to express my feelings. The language I use is the least important of it all. It does not matter whether they are straight lines, curves... I only intend for people to feel the same or to find something unexpected” says Ma Yansong. “MAD is an attitude, a posture towards architecture, towards society. Through our work we want people to be inspired by a place through local nature, time and space”, he states.

Photograph by Daniel J.Allen

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mad is a Beijing-based architecture design office dedicated to creating innovative projects. Founded by Ma Yansong in 2004, MAD Architects is led by Ma Yansong, Dang Qun, and Yosuke Hayano. It is committed to developing futuristic, organic, technologically advanced designs that embody a contemporary interpretation of the Eastern affinity for nature. With a vision for the city of the future based on the spiritual and emotional needs of residents, MAD endeavours to create a balance between humanity, the city, and the environment.

MAD's projects encompass urban planning, urban complexes, municipal buildings, museums, theatres, concert halls, and housing, as well as art and design. Their projects are located in China, Canada, France, Italy, Japan, the Netherlands, and the United States. In 2006, MAD won the design competition for the Absolute Towers in Mississauga, Canada. Through this, MAD became the first Chinese architecture firm to build a significant high-rise project abroad. In 2014, MAD was selected as the principal designer for the Lucas Museum of Narrative Art in Los Angeles, USA, becoming the first China-based architecture firm to design an overseas cultural landmark. MAD’s signature cultural projects include Ordos Museum (2011, China), Harbin Opera House (2015, China), Tunnel of Light (2018, Japan), China Philharmonic Concert Hall (under construction), Yiwu Grand Theater (under construction), FENIX Museum of Migration in Rotterdam (under construction), Cloudscape of Haikou (2021, China), and Shenzhen Bay Culture Square (under construction). Other urban projects include the Clover House kindergarten (2015, Japan), Chaoyang Park Plaza (2017, China), China Entrepreneur Forum Conference Centre (2021, China), Jiaxing Train Station (under construction), Quzhou Sports Campus (under construction), and Nanjing Zendai Himalayas Center (under construction), among others.

While practising architecture, MAD documents and discusses its reflections on architecture, culture, and arts through publications, architectural exhibitions, as well as academic lectures and presentations. MAD’s publications include Mad Dinner, Bright City, MA YANSONG: From (Global) Modernity to (Local) Tradition, Shanshui City, and MAD X. MAD has organized and participated in several contemporary art and design exhibitions, including MAD X, a solo exhibition at the Centre Pompidou in 2019; Shanshui City, at UCCA in 2014; Feelings are Facts, a spatial experience exhibition with artist Ólafur Eliasson at UCCA in 2010; and MAD in China, a solo exhibition at the Danish Architectural Center, Copenhagen in 2007. MAD has participated in significant exhibitions at several iterations of the Venice Architecture Biennale and Milan Design Week. MAD has also participated in exhibitions at the Victoria and Albert Museum (London), the Louisiana Museum of Modern Art (Copenhagen), and MAXXI (Rome). An array of MAD’s architecture models have been acquired by the Centre Pompidou and M+ Museum (Hong Kong) as part of their permanent collections.

MAD has offices in Beijing (China), Jiaxing (China), Los Angeles (USA), and Rome (Italy).

Ma Yansong, Yosuke Hayano and Qun Dand.

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Published on: April 24, 2020
Cite: "Construction Underway on “Quzhou Sports Campus” by MAD Architects" METALOCUS. Accessed
<http://www.metalocus.es/en/news/construction-underway-quzhou-sports-campus-mad-architects> ISSN 1139-6415
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