Although the building resembles a Georgian townhouse, to create enough space in the new Centre, on a tricky plot, a basement was built under the building's pre-existing footprint and a new above ground side extension was added, complemented by the ground floor. and first of the current building. The set has three contemporary exhibition spaces of different scale and sensation adapted to the creations.
The Gilbert & George Centre by SIRS Architects. Photograph by Prudence Cuming.
Our aim was to invigorate the area's historic fabric, paying homage to both the artists’ pioneering spirit and profound reverence for London's rich and diverse cultural legacy, seeking to immerse visitors in the unique world of Gilbert & George through every detail. Gilbert & George have always thrived on having their voice heard and putting a distinctive stamp on their environment and the creation of their very own arts Centre represents the ultimate fulfilment of their artistic vision “art for all”."
Project prioritizes the sustainable use of energy, water and natural resources. Passive design principles included the reduction of ultraviolet light and solar radiation entering the building, while active ones are the use of a climate-compensated digital BMS system or energy-saving LED lighting with presence detection and automated control.
The Gilbert & George Centre by SIRS Architects. Photograph by Prudence Cuming.
The Gilbert & George Centre by SIRS Architects. Photograph by Prudence Cuming.
Description of project by SIRS Architects
SIRS Architects have converted a former industrial building in London’s East End into Gilbert & George’s art foundation, breathing new life into the historic fabric of the area and seeking to immerse visitors in the unique realm of Gilbert & George.
The East End, located just beyond the boundary of the City of London, has long been a refuge for social minorities and immigrants, shaping a symbiotic yet unequal relationship with the city. Industries such as brewing, textile dyeing, tanning and metalworking, as well as entertainment venues like playhouses, pleasure gardens, circuses and music halls, were prohibited within the city walls but thrived in the fringe area, attracting wealthy visitors to an otherwise squalid and overcrowded neighbourhood in the early 18th century. These public spaces became platforms for protest, dissent, religious nonconformism, trade unions, reformists, and revolutionaries. The stark contrast between opulent wealth and grim poverty was captured by Defoe and Dickens and depicted by Hogarth and Dore. Spitalfields were mainly fields until the late 17th century when streets were laid out.
The Gilbert and George Centre can today be found on the slender 18th century Heneage Street, just a stone's throw from Gilbert & George's current home and studio on Fournier Street, which is situated in the Brick Lane and Fournier Street Conservation Area. Upon arrival, visitors are greeted by a hand-forged wrought iron gate, designed by the artist duo themselves, before entering through a secluded, cobbled courtyard. A dimly lit reception area - resembling the artists nearby Georgian home - leads visitors to three contemporary exhibition spaces of different scale and feel that have been tailored to suit the artists' largescale creations.
The Gilbert & George Centre by SIRS Architects. Photograph by Prudence Cuming.
The Centre has been thoughtfully converted from an early 19th-century former brewery building and the design philosophy reflects the artists' profound appreciation for London's architectural heritage. The building's restoration preserved many of its original features, some of which can be seen in a homely panelled reception area that showcases hand-crafted furniture and cast-iron components. Visitors can browse through a selection of the artist's publications, posters and prints and the leafy external courtyard features a film room that provides an introduction to the "World of Gilbert & George". By combining historic and contemporary elements, the project honours the building's industrial past and aligns with the artists' vision of architectural spaces and art display, seeking to immerse visitors in the unique realm of Gilbert & George through every detail.
To create sufficient space for the Centre's transformation on a restricted site, a basement level was built under the pre-existing footprint of the building and a new above-ground side extension was added. The underground level was constructed using a complex top-down methodology that involved striking the perimeter of 37 neighbouring parties, making it one of the UK’s largest party-wall awards at the time.
The Gilbert & George Centre by SIRS Architects. Photograph by Prudence Cuming.
The building's design prioritises sustainable use of energy, water and material resources, taking into account socio-economic and lifecycle factors. Passive design principles included reducing the admittance of UV light and solar radiation into the building, incorporating high thermal mass into the building structure for stable internal conditions and using a high-performance, air-tight building envelope to minimise energy demands for heating and cooling. To reduce the carbon footprint, a range of active design principles were adopted, including the use of a digital BMS system with weather compensation, low-energy LED lighting with presence detection and automated control, an optimized recirculation ventilation system and the use of harvested rainwater for horticultural irrigation. The building features permeable courtyard paving to support sustainable urban drainage, locally sourced and recycled materials, minimised demolition and the re-use of original site material. Collaboration with local companies & craftsmen in addition to in-house art storage facilities aims to reduce the impact of shipping.
The Gilbert & George Centre aims to become a leading cultural institution in London and a hub for research and scholarship on the art of Gilbert & George, with a commitment to accessibility for all members of the community.
The Centre will open to the public on 1 April 2023 with the inaugural exhibition of "THE PARADISICAL PICTURES", coinciding with the unveiling of the artists' latest show "THE CORPSING PICTURES" at White Cube Mason’s Yard on March 29.
