The Architectural Review has shared with us the winners of the 2012 ar+d (the Architectural Review + d line) Emerging Architecture Award for young professionals under the age of 45. Engaging with an emerging generation of architects, the ar+d Awards capture a spirit of creative resilience and present a unique insight into the critical preoccupations that will shape the future of architecture.

The Friendship Centre Urbana, Gaibandha, Bangladesh

In an irascible terrain that alternates between emerald green rice paddies and swirling, churning flood waters, a new project called the Friendship Centre seems like a woven terracotta raft that has been swept out from a remote village in a distant time, and now lies stranded on the flood plains that surround the small town of Gaibandha in the north of Bangladesh.

With 50 per cent of the population of the area engaged in agriculture, the town is encircled by fields and mounds with homesteads, a perennial image of rural Bangladesh. The region is also not far from many well-known Buddhist brick monasteries dating to the eighth century and earlier.

A few miles east of Gaibandha and the project site flows the mighty river Brahmaputra-Jamuna, which streams down from Tibet carrying and depositing silts and sands as it braids the Bangladesh delta with intertwined channels and that delicate land-form, the char, created by fresh silt deposits. People in that region have always lived with the Janus-faced river, receiving at the same time the blessings of the alluvial soil and brunt of the seasonal deluges.

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Kashef Mahboob Chowdhury was born in Dhaka, the son of a civil engineer, growing up in Bangladesh and the Middle East before graduating in architecture from the Bangladesh University of Engineering and Technology (BUET) in 1995. In 2006, he attended the Glenn Murcutt Masterclass in Sydney. After working with architect Uttam Kumar Saha, he established the practice URABANA in partnership in 1995 and from 2004 has continued as the sole Principal of the firm. Chowdhury is married to Rajrupa Chowdhury, an Indian classical musician of the instrument Sarod. They have a son.

Kashef Chowdhury has a studio based practice whose works find root in history with strong emphasis on climate, materials and context - both natural and human. Projects in the studio are given extended time for research so as to reach a level of innovation and original expression. Works range from conversion of ship and low cost raised settlements in 'chars' to training centre, mosque, art gallery, museum, residences and multi-family housing to corporate head offices. Chowdhury has been a visiting faculty at the North South University and BRAC University, both in Bangladesh and has been a juror in final year crits in universities in Dhaka. He was twice finalist in the Aga Khan Award for Architecture and has won first prize in Architectural Review's AR+D Emerging Architecture Award 2012.

Kashef Mahboob Chowdhury takes an active interest in art and in 2004 presented a lecture series 'Aspects of Contemporary Art in Germany' at the Goethe Institut, Dhaka. He has worked as a professional photographer and has held seven solo exhibitions. He has designed and published three books: Around Dhaka, 2004; Plot Number Fifty Six, 2009 and The Night of Fifteen November, 2011 - a photographic and recorded account of some survivors of the cyclone SIDR in the coastal areas of Bangladesh.
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Published on: November 26, 2012
Cite: "Winners of the 2012 ar+d Emerging Awards [II]" METALOCUS. Accessed
<http://www.metalocus.es/en/news/winners-2012-ard-emerging-awards-ii> ISSN 1139-6415
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