Japanese architect Kengo Kuma and Portuguese studio OODA have been selected to transform a former slaughterhouse in Porto.
Kengo Kuma and OODA have paired up to develop these old facilities into a cultural centre, which will feature art galleries and a library beneath a sweeping ceramic-clad roof. Known as the ‘Matadouro’, the existing cluster of buildings is located in Campanhã area, in close proximity to the home stadium of soccer club FC porto, and was previously considered as one of the area's major economic contributors.

This urban area, since its closure in 1990, has had a great urban growth with a motorway constructed around the buildings, isolating them from the rest of the city. The new project, as result of this competition, seek reconnect the 20,500 square-metre slaughterhouse with Porto and "re-establish the site's importance in the city's cultural, business and social network".

"With this proposal we intend to reactivate, reinvent, and engage the local history and memory of the city. In order to achieve this goal, it is essential to create a structure that will have a strong sense of presence from afar," said the statement, by the practices.

The initial scheme involves creating a canopy that stretches across the site, uniting the complex,  in swathes of red-hued ceramic tiles in a visual nod to the material palette of local houses. The roof will also be punctuated by numerous glass panels, intended by the architects to behave as a "second skin" that lets daylight filter through to the building's interiors and simultaneously illuminates the area at night.  Renderings are showing the former will abattoir overhauled to contain several new leisure spaces, including an art gallery, museum, cafes and an extensive library with dramatic floor-to-ceiling shelving for books.

The complex will be reached via two options: a greenery-lined outdoor walkway that offers visitors views across the eastern parts of the city, or can be accessed at street level through two public squares that will also be used for events.

Earlier this year Kengo Kuma's pratice also unveiled its design for an new aquatics centre on Copenhagen's Waterfront, which will feature indoor pools built by brick pyramids. The Japanese studio designed a similar renovation in Shipyard 1862 complex, in Shanghai.
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Lead architect
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Kengo Kuma & Associates – Kengo Kuma/Yuki Ikeguchi (partner in charge), Rita Topa (project architect) Jagoda Krawczyk, Andrea Toccolini, Jack Ryan, Ifan Yim
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Associate architect
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OODA – Diogo Brito/Rodrigo Vilas-Boas/Francisco Lencastre (partners), João Styliano, Luis Choupina, Inês Monteiro, José Pedro Maia, Jiahong Huang, Ugne Stankaityte, Ruta Simutyte, Ondrej Jezbera Joana Valinho, André Veiga, Giulia Kaiser
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Engineering design
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Ejiri Structural
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Engineers Construction
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Mota-Engil
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Social strategy architects
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ESC – Tiago Sá, Alberto Cumerlato, Filippo Lorenzi, Larissa Lira
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Kengo Kuma was born in Yokohama (Kanagawa, Japan) in 1954. He studied architecture at the University of Tokyo, finishing his degree in 1979. In 1987, he opened the "Spatial Design Studio". In 1990 he founded "Kengo Kuma & Associates" and extended the study to Europe (Paris, France) in 2008. Since 1985 and until 2009, has taught as a visiting professor and holder at the universities of Columbia, Keio, Illinois and Tokyo.

Notable projects include Japan National Stadium (2019), V&A Dundee (2019), Odunpazari Modern Art Museum (2019), and The Suntory Museum of Art (2007).

Kengo Kuma proposes architecture that opens up new relationships between nature, technology, and human beings. His major publications include Zen Shigoto(The complete works, Daiwa S hobo)Ten Sen Men (“point, line, plane”, IwanamiShoten), Makeru Kenchiku (Architecture of Defeat, Iwanami Shoten), Shizen na Kenchiku(Natural Architecture, Iwanami Shinsho), Chii sana Kenchiku (Small Architecture, IwanamiShinsho) and many others.

Main Awards:

· 2011 The Minister of Education, Culture, Sports, Science and Technology's Art Encouragement Prize for "Yusuhara Wooden Bridge Museum."
· 2010 Mainichi Art Award for “Nezu Museum.”
· 2009 "Decoration Officier de L'Ordre des Arts et des Lettres" (France).
· 2008 Energy Performance + Architecture Award (France). Bois Magazine International Wood Architecture Award (France).
· 2002 Spirit of Nature Wood Architecture Award (Finland).
· 2001 Togo Murano Award for “Nakagawa-machi Bato Hiroshige Museum.”
· 1997 Architectural Institute of Japan Award for “Noh Stage in the Forest”. First Place, AIA DuPONT Benedictus Award for “Water/Glass” (USA).

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OODA (Oporto Office for Design and Architecture) was founded in 2010 by Diogo Brito, Rodrigo Vilas-Boas and Francisco Lencastre, and later expanded with the addition of João Jesus and Julião Pinto Leite. With offices in Porto and Lisbon, OODA is made up of a diverse team of over 50 architects of various nationalities and stands out for its creative and analytical approach.

In its architectural practice, OODA challenges conventional processes to create projects that are highly tailored to context and program, covering a wide range of typologies, from single-family homes to large hotels, institutional buildings, museums and religious spaces, at scales ranging from master plans to interior design.

OODA’s work process is based on understanding the context of each project, guiding a design journey that begins and ends on-site, and combining various references and formal languages. A variety of design research and development techniques are used, ranging from hand drawings to digital 3D models and physical mock-ups, supported by a mock-up workshop equipped with 3D printing and CNC technologies.

Collaboration is key at OODA. Its horizontal structure promotes open communication and joint problem-solving, creating a dynamic and collaborative work environment, internationally recognized with several awards and publications.

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Published on: May 31, 2018
Cite: "Kengo Kuma + OODA to convert Porto slaughterhouse into a new cultural complex" METALOCUS. Accessed
<http://www.metalocus.es/en/news/kengo-kuma-ooda-convert-porto-slaughterhouse-a-new-cultural-complex> ISSN 1139-6415
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