The De Walvis office building in Bickerseiland, a neighborhood in the center of Amsterdam, has been refurbished by KAAN Architecten to give it a more modern, industrial look in keeping with the progression and growth of the neighborhood in which it stands, full of companies in the high-tech, advertising and media sectors.

The work on the original building, part of Amsterdam's urban development project of the early 1960s, has transformed its appearance into an elegant and sophisticated sculptural form.
Inspired by the work of artist Donald Judd, KAAN Architecten has, through visual effects, separated the floors of De Walvis, giving a horizontal emphasis to the exterior of the building that contrasts the interior openings and the fluidity of the program for possible future modifications.

KAAN Architecten's refurbished building, De Walvis, still stands out in its surroundings today with its clean lines and envelope. In addition, the regeneration of the building has received the BREEAM Excellent certificate, a rating system that assesses sustainability and minimal environmental impact.
 

Description of project by KAAN Architecten

In historical Amsterdam, the office building De Walvis on Bickerseiland has been stripped down to its bones and completely revitalised by KAAN Architecten. The client Maarsen Groep requested a "hip and industrial feel" that would leave everyone in awe and fit with their envisaged future tenants from the advertising, media, and tech sector. Confident interventions in the structure have resulted in a sleek and elegant sculptural form.

De Walvis is a building with a history. It was part of Amsterdam's urbanisation project of the early 1960s, forced upon local residents despite their protests. Property developer F.H. Gaus announced that Bickerseiland would become a Little Manhattan. Ultimately, this became a turning point in municipal planning policies, shifting from upscaling to community-based building. The current architectural manifestation has turned the building from an intruder into a pleasant neighbour.

With circa 10,000 sqm gross floor area, De Walvis is a typical office building of the rationalist style that emerged in the 1950s-60s. It was designed by architect W.F. Lugthart (1921-1999), known mostly for his Diaconessenziekenhuis in Eindhoven, the first Dutch hospital built by 'stacking floors'. The neighbourhood did not consider De Walvis – ‘The Whale’ in Dutch, named after the old shipyard nearby – an improvement architecturally and sooner saw it as a threat to their community.

Inspired by the work of artist Donald Judd and drawing on their earlier work, KAAN Architecten has optically separated the floors of De Walvis. However, this strong horizontal emphasis is flexible on the interior since some openings have been left in the floors to potentially link them in the future. The floors now extend about a metre beyond the original building and consist of solid-looking dark bands that are actually light, hollow metal constructions.  

Recessed bands of triple glazing further optimise the effect of 'floating' floors on each storey – the windows seem to go from floor to ceiling and have almost invisible vertical rebates. To avoid a sense of fragility, portholes have been incorporated into the glazing in a tight rhythm, at eye-level per floor, and all easily opened. These round pivot windows could be seen as a reference to the area's maritime history, though they also recall the pivot windows of the old building.

The load-bearing structure of De Walvis dictated a rather meagre 3 metres per storey, which meant that the necessary technical facilities could not be hidden away in the floors and ceilings. By keeping each storey as open as possible, the building appears much lighter than before – and the big windows, the views over the neighbourhood and the daylight pouring in help to achieve this lightness. This effect is heightened at night when the interior lights are on. Light, space and sightlines – these were the seeds of the early design, alongside functional clarity and elegant facades.  

Additional design decisions that radically impact the sense of spatiality include setting back the ground floor lobby, richly clad in marble and appearing to detach the building from its footing, and removing entirely the heavy entablature that previously pressed down on De Walvis, giving the building plumpness.

De Walvis is still a prominent building in its surroundings, though the high-density housing on the other side of Westerdok puts this into perspective. KAAN Architecten has introduced clear lines into the building: with the load-bearing columns mostly hidden within the envelope, the protruding floors are its most expressive facet. This horizontality is the soul of the structure.
 
The building's regeneration has been awarded the BREEAM Excellent certificate, an internationally recognised points-based rating system that scores the sustainability and minimal environmental impact of a building.

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Architects
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KAAN Architecten.- Kees Kaan, Vincent Panhuysen, Dikkie Scipio.
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Project team
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Rita Alessio, Andreas Alevras, Sebastiaan Buitenhuis, Timo Cardol, Alice Colombo, Paolo Faleschini, Michael Geensen, Joost Harteveld, Nicki van Loon, Hana Mohar, Jennifer Nam, Laura Ospina, Katarzyna Seweryn, Christian Sluijmer, Joeri Spijkers, Aldo Trim, Ziwei Zhu.
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Collaborators
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Structural engineer.- Pieters Bouwtechniek, Amsterdam. Technical installations advisor, supervision installations.- Huygen Installatie adviseurs, Utrecht. Mechanical and plumbing installations engineer.- Klimaatservice Holland, Hardinxveld. Electrical installations engineer.- Van den Pol Elektrotechniek, Amersfoort. Building physics, fire safety and acoustics advisor.- DGMR, Arnhem. Building costs advisor.- Skaal, Amsterdam. BREEAM advisor.- DGMR, Arnhem. Sustainability advisor.- Laneco, Ede.
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Client
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Maarsen Groep, Amsterdam.
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Builder
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General contractor.- Dura Vermeer Onderhoud en Renovatie Midden West, Utrecht. Construction manager.- Aronsohn Raadgevende Ingenieurs, Eindhoven.
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Area
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10,400 sqm.
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Dates
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Design phase.- 2017 - January 2019. Construction phase.- March 2019 - July 2020.
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Location
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Grote Bickersstraat 74-76, Amsterdam, The Netherlands.
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Photography
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Sebastian van Damme. Dominique Panhuysen.
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KAAN Architecten is a Dutch architectural firm based in Rotterdam, São Paulo, and Paris, with over 30 years of experience in a wide range of scales and typologies. Kees Kaan, Vincent Panhuysen and Dikkie Scipio founded KAAN Architecten in 2014.

Through a collaborative and analytical design approach, KAAN Architecten promotes quality, pragmatism, and the Dutch building traditions of sustainability and welfare. This is further refined by merging practical and academic expertise, which supports their response to the increasingly challenging complexities and contradictions of the built environment.

Led by Kees Kaan, Vincent Panhuysen and Dikkie Scipio, the firm comprises an international team of architects, landscape architects, urban planners, engineers, and graphic designers. KAAN Architecten believes that cross-pollination between projects and disciplines fosters the essential critical discourse within the firm.

Since its establishment, KAAN Architecten has engaged in a diverse array of projects within both the public and private sectors. Over time, project teams have evolved to become progressively multidisciplinary and dynamic. Their unwavering focus is on fostering a culture of continual evolution, recognising this paramount approach in a profession that undergoes rapid transformation.

At the heart of KAAN Architecten’s philosophy is the belief that all projects acquire distinctive character through an architecturally curated layered dialogue involving all stakeholders. This approach extends to developing enduring relationships with clients, consultants, and partners. In this collaborative journey, each project becomes an opportunity for meaningful engagement, achieving architectural solutions that resonate with the diverse voices and perspectives involved.

· From 1988 until 2013, Kees Kaan was the founding partner of Claus en Kaan Architecten. Kaan graduated from the Faculty of Architecture at TU Delft in 1987. Since 2006 he has been a professor of Architectural Design at TU Delft and initiator of the Complex Projects Chair, launched in 2012. The Chair's research focuses on large-scale projects that characterise this era of rapid global urbanisation. In 2019 Kaan was appointed Chairman of the Architecture Department. Moreover, he has been a Principal Investigator at Amsterdam Institute for Advanced Metropolitan Solutions (AMS) since 2016. Kees Kaan is a lecturer and member of various juries and boards in the Netherlands and abroad. Numerous books and exhibitions have been dedicated to his body of work. In June 2024, Kees Kaan was officially inducted as a member of the Académie d'Architecture.

· Vincent Panhuysen brings expertise and vision to each project he undertakes. His impact on the architectural landscape is profound, with a diverse portfolio encompassing court buildings, university centres, governmental and cultural institutions, crematoriums, and apartment complexes. Panhuysen's approach to design is marked by a deep commitment to the entire process, from conceptualisation to construction. While he values functionality and clarity, his architectural ethos transcends passing trends, emphasising a timeless elegance rooted in relaxed functionalism. Central to his design philosophy is a dedication to creating spaces that prioritise spaciousness and clear organisation, hallmarks evident in the work of KAAN Architecten. His role as a visiting professor at Delft University of Technology further underscores his commitment to shaping the future of architecture through education and mentorship. For his special and careful guidance in the renovation of the Provinciehuis of North-Brabant, Vincent Panhuysen was awarded the "Commissarispenning", a medal of merit from the Commissioner of the King Wim van de Donk, in 2015.

· Dikkie Scipio has been trained in various disciplines. She holds a master’s degree in applied arts, industrial, and interior design from the Royal Academy of Arts in The Hague and afterward qualified as an architect at the Rotterdam Academy of Architecture. Simultaneously, she owned a gallery in Amsterdam and a design studio in Utrecht. Scipio’s training allows her to lead work, ranging from large-scale master plans in urbanism and architecture to furniture and interior design, from the initial concept to execution. She is an expert in managing complex projects and processes, with a particular focus on museums and heritage renovation. Scipio is also a writer, columnist, international lecturer, and a member of several boards and juries. As a spokeswoman for integrated art and craftsmanship in architecture, her views have been featured in many publications and documentaries. Since 2019, she has been a professor at the Münster University of Applied Sciences, where she holds a chair in Architectural Design. In 2023 Dikkie Scipio was recognised as Woman Architect of the Year by the Prix des Femmes Architectes.



KAAN Architecten ©Casper Rila

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Published on: June 8, 2021
Cite: "An intruder becomes a pleasant neighbour. De Walvis by KAAN Architecten" METALOCUS. Accessed
<http://www.metalocus.es/en/news/intruder-becomes-a-pleasant-neighbour-de-walvis-kaan-architecten> ISSN 1139-6415
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