Reina & Asociados, led by the architect Francisco Reina Fernández-Trujillo, has projected the renovation of the basins of the Mudejar Palace of the Real Alcázar of Seville, Spain, also known as the Pedro I Palace. The main objective is to reopen the public of said space with the purpose of including a new recreational space.

The projection has an extensive study regarding the patrimonial quality of the structure. In this way and respecting the previous conditions, the intervention will add elements that improve the layout of the visit.
It isn't the first time that the Mudéjar Palace of the Real Alcázar faces a restoration, since historically both Alfonso X and Pedro I have contributed or subtracted elements from previous cultures. An example is the liquidation of Almohad elements giving relevance to the Gothic motifs and the construction of the basement that would serve both as a cellar and as a support for the structure itself. However, in the 16th century and under the reign of Felipe II, the idea arose of linking the vaulted area of ​​the basement with the Renaissance gardens. In this way, ventilation and lighting were improved.

However, the passage of time has caused its use to be limited to a rubble warehouse. From the architectural and archaeological interventions, Reina & Asociados recovers the hollow areas and gives way to the natural stone cladding that it has. The relationship between the warehouses and the exterior gardens improves the natural light, which is also reinforced by a system of hidden lights that add warmth to the place.

 

Description of project by Reina & Asociados

The proposal contemplates the refurbishment of the basement spaces of the Palacio del Rey don Pedro with the aim of welcoming in the near future a selection of pieces of different types belonging to the archaeological collection of the Alcázar, the result of the research carried out in the last years.

The construction of the Mudéjar Palace supposes the destruction of previous Almohad buildings, including the southern wall of the complex that, partially dismantled, serves as a containment to the ground levels. On this front, the building exceeds the limits of the Islamic precinct and saves through a basal body the variable unevenness existing with the old orchards and corrals -current gardens- located outside the walls, constructing the sequence of vaulted spaces that are the object of the present action.  

It will be at the end of the XVI century - during the reign of Felipe II - when the most significant transformation of these spaces takes place, modifying its initial storage function or cellar for a more playful use intensely linked with the Renaissance gardens. This operation, which was part of a general reorganization and reorganization of the entire sector of the west gardens and Huerta de la Alcoba, involved the reform of the primitive holes -perforations of small dimension, like loopholes- by larger holes that made possible a more fluid connection with the exterior, improving the ventilation of the ships. Subsequently, the space returns to secondary or service functions until its recent use as a collection or service area. At the beginning of the 20th century it received the contribution of rubble and other materials that raise its level of pavement, which has allowed, after its archaeological excavation, the recovery of a lower band of original coatings.

The basement is currently a valuable and hidden container, essential to understand the construction of the Mudéjar Palace and its relationship with the gardens and historic gardens over time. The practical absence of coatings allows the vision of the rich textures of its Mudejar brick factories, meticulously consolidated and restored during the works.  

The heritage quality of the container directs the design effort to the recovery of walls and vaults and the execution of a new floor that is superimposed or floats on the original levels, a technical surface that hides the necessary facilities to condition the spaces and adapt them to the visit public. This unitary plane of amber cream natural stone of small format and neutral tone, is removed on the perimeter to reveal the original remains of floors and baseboards. The recovery and restoration of the existing gaps establishes conceptual ties with the intervention carried out in the 16th century in which the relationship of the buildings with the gardens intensifies.  

The natural lighting of the rooms through said openings - now glazed - is complemented by an indirect system directed towards the coatings preserved at the base of the walls, generating a warm and enveloping atmosphere, integrating the new pavement with the historic factories.

Read more
Read less

More information

Label
Architects
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Project team
Text
Architect.- Francisco Reina Fernández-Trujillo. Direction of Execution .- J. Manuel Macías Bernal.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Collaborators
Text
Architects.- Mercedes Sánchez González, Olga Valderas Grisalvo, Celia Jiménez Bellido. Technical Architect.- Victor Baztán Cascales. Archaeologist.- Miguel Ángel Tabales Rodríguez.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Builder
Text
ESTUCO Y DECORACIÓN MARVE, S.L.
+ + copy Created with Sketch.
- + copy Created with Sketch.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Area
Text
280 sqm.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Dates
Text
Project.- 2016. Works.- 2018.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Location
Text
Seville, Andalusia, Spain.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Photography
Text
+ + copy Created with Sketch.
- + copy Created with Sketch.
Francisco Reina (Cádiz, 1964) is an architect from the Higher Technical School of Architecture of Seville since 1989 and a Master in "Architectural and Urban Intervention" from the Higher Center of Architecture, Madrid 1992. He is a professor of Architectural Projects at the ETSAS since 1996.

In 2009 he founded the architecture studio Reina & Asociados together with the architects Olga Valderas and Mercedes Sánchez. His professional activity, seeking an agreement with teaching and research, has been directed mainly to heritage intervention and has been published in specialized publications. The renovation and building works have been combined with heritage actions in the Archaeological Complexes and Enclaves of Itálica, Carmona, Carteia, Baelo Claudia and the Roman Theater of Cádiz, the Castle of Jimena de la Frontera (Cádiz) and, currently, in the Real Artillery Factory, General Archive of the Indies and the Real Alcázar of Seville.

His career has been the subject of various recognitions, including the Andalusia Architecture Prize 2022 in the category of Conservation, Renovation and Enhancement of Built Heritage Architecture; the Architecture & Society Award from the Official College of Architects of Seville in the Architectural Design category in 2022 and, in 2020, in the City, Landscape and Territory category; He was a finalist in the 2009 Intervention in Spanish Architectural Heritage Award from the Higher Council of Colleges of Architects of Spain. His work has been selected in the Spanish Biennials of Architecture and Urbanism XIV and XVI.

 
Read more
Published on: January 25, 2021
Cite: "Heritage renovation. Basins of the Mudéjar Palace of Real Alcázar de Sevilla by Reina & Asociados" METALOCUS. Accessed
<http://www.metalocus.es/en/news/heritage-renovation-basins-mudejar-palace-real-alcazar-de-sevilla-reina-asociados> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...