An old abandoned pharmaceutical factory on the outskirts of the Chinese city of Zi Bo has lived a long history of transformations since its opening in the mid-twentieth century. After decades of being abandoned, the place has emerged as a museum of contemporary art thanks to its intrinsic qualities, which have attracted artists and made the civic community to gather around a common interest.

The Chinese practice of ARCHSTUDIO, led by the architect Han Wenqiang, signs this rehabilitation of an abandoned factory into a contemporary art museum. The intervention, in addition to enabling the building to its new function, means a reflection on the current situation of the Chinese architectural heritage and the conservation of its historical buildings. In the last years, the country has experienced a construction boom, leaving many old buildings relegated to the background or being demolished. Understanding the project within this context, the rehabilitation of the factory consists on a defense through art, towards these historic buildings that still have many important qualities that can promote a wider urban richness.

The existing building is wrapped with a milky translucent glass band. This external filter creates a new indoor/outdoor viewing relationship, fostering a more flexible and changing abstract interior. This corridor/continuous hall consists as well on the space of communication between the rooms of the museum. The interior of the building combines the properties of the original walls of the factory new modern fixtures, with lighting devices and displays.

Description of the Project by ARCHSTUDIO

Project Background: There’s a dilapidated industrial factory, not far from Zibo train station, is located behind the bustling downtown. The industrial factory was established in 1943, and it was originally a pharmaceutical factory. However, as the developing of urbanization, the factory was forced to stop and move to new district. All the equipment had been removed, only left a empty factory. After abandoned for years, the factory is now have the turn of fortune’s wheel. The factory had it potential of long-span structure and its earthy texture. It became a desirable place to visit for many artists. Thus, the factory transforms the industrial relic to the contemporary art museum. The reconstruction area is a rectangle shape about 3800 sq./m, include 3 factory and a few unequal-sized storage. It was hardly to see some trees and plant, because there is a civil air defense facility under the concrete floor.

Design Concept: Base on the decentralized structure of the industrial factors and the character of the enclosed exterior; a design lay emphasis on the relationship between exterior and interior, enhanse human interaction with the artistic environment, and to endow the factory with life by its commonality, and flexibility. Creating a traffic path by adding a translucent hallway which connect the interior and exterior of the factory, and it changed the mechanical impression. The sensually curved glassed hallway became a multi-function media, included book store, tea room, art studio, and discussion room etc. as part as the display. Coated glass and gray patterned steel panel lay on the interior and exterior floor, creating a harmony horizontal line. As the visitor walking into the hallway, they will see the scenario that can evolve repeatedly. The building maximized retained the original characteristics of traditional industry design, and interspersed with modern lighting and display walls. Outside, the laid dry and cobblestone grouting with partial tree planting complete the whole environment which acted in cooperation with the interior space.

Significance of the project: With the development of economy and the rapid expansion of urbanization in China, some new building and environment have been created day by day, and the more and more old traditional building have been demolished; However, the buildings still have multifarious methods to make then show its significant and value to the city; and art can be a power that can making change to reality. A contemporary art space should not only served as a gallery, but also need to be a space that embodied multi-functional activity, and serve for more people. Letting cities more “convince”, making art more “lifestyle”.

CREDITS. DATA SHEET.- 

Design team.- Han Wen qiang, Cong Xiao, Huang Tao.

Location.- Shan Dong Province, Zi Bo city.
Dates.- 11.2014 > 10.2015.
Surface.- 3.795 sqm.

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Han Wenqiang, was born in Dalian, Liaoning, China. He graduated from the Architecture School of Central Academy of Fine Arts in 2005, and since then he has been teaching there. Combing his teaching, he founded 2010 his office in Beijing ARCHSTUDIO.

He mainly researches contemporary architectural and interior environments based on traditional cultural backgrounds. He advocates carefully reading the particular requirements and constraints of every specific project during the design practice, constantly breakthrough and challenging limitations, and continuously deepening the whole process from concept to construction details as well as transforming the relationship between the inside and the outside, the old and the new, the artificial and the natural. He devotes to making the space to be the communication medium between people and people, people and environment, so as to create a livable life.

His major projects include Tea House in Hutong, Waterside Buddist Shrine, Organic Farm, etc. His works have won Building of The Year by Archdaily, LEAF Awards, Interior Design’s Best of Year Awards, Taiwan Interior Design Gold Award, etc. His works have been invited to participate in different exhibitions, such as Contemporary Architecture in China, Harvard, The Gwangju Design Biennale in South Korea,  10x100 - An Exhibition of 100 Architects for the 10th Anniversary of UED, etc.

Awards.-

2019 Architizer A+Awards—Jury
2018 FA Emerging Architect Award—Winner
2018, 2017 Building of the Year by Archdaily;
2017 Wood Design & Building Awards;
2017 The 8th IIDA Global Excellence Awards;
2017, 2015 Interior Design’s Best of Year Awards;
2016 LEAF Awards;
2016 A+ Awards by Architizer;
2016 The 12th Annual Hospitality Design Awards;
2016 American Architecture Prize - Architecture Renovation Silver Award;
2015 Taiwan Interior Design Award - Commercial Space Gold Award, The TID Award of Residential Space, The TID Award of Public Space;
2015 Contract magazine The 37th Annual Interior Awards - Restaurant Category and Exhibition Category;
2015 Asia Pacific Interior Design Awards - Leisure & Entertainment Space Gold Award, Food Space Gold Award and Living Space Silver Award;
2015 CIDA China Interior Design Award - Residential Award.

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Published on: October 7, 2015
Cite: "The Great Wall Museum of Fine Art by ARCHSTUDIO" METALOCUS. Accessed
<http://www.metalocus.es/en/news/great-wall-museum-fine-art-archstudio> ISSN 1139-6415
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