Inspired by the Buddhist Centers for its design, this space is not only a living example of good architectural design but does also unit the surrounding towns under a common goal: to advance.

A rural training centre inspired by one of the country’s oldest urban archaeological sites.

The Centre was created to train staff of an NGO working with people inhabiting nearby chars, or riverine islands. Offices, a library, meeting rooms, and prayer and tea rooms are included in pavilion-like buildings surrounded by courts and pools. The Centre is also rented out for meetings, training, and conferences for income generation.

The local hand-made brick construction has been inspired by the monastic aesthetic of the 3rd century BC ruins of Mahasthangahr, the earliest urban archaeological site yet found in Bangladesh. Structural elements are of reinforced concrete and finishes also include timber and stone. The naturally ventilated structures have green roofs.

The Centre is located in an agricultural area susceptible to flooding and earthquakes, and whose low-bearing soil has a low bearing capacity. As a result, an embankment has been constructed with a water run-off pumping facility. Constructed and finished primarily of one material - local hand-made bricks - the spaces are woven out of pavilions, courtyards, pools and greens, corridors and shadows.

The Friendship Centre is divided into two sections, the outer Ka block for the offices, library and training classrooms and the inner Kha block for the residential section. At a time, 80 people can be trained here in four separate classrooms. Simplicity is the intent, monastic is the feel.

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Architect
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Status
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Recipient.
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Dates
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Design.- 2008-2010.
Award Cycle.- 2014-2016.
Complexion.- 2011.
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Client
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Venue
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Gaibandha, Bangladesh.
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Size
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Site area.- 9210 m².
Built area.- 2897 m².
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Photography
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Rajesh Vora.
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Kashef Mahboob Chowdhury was born in Dhaka, the son of a civil engineer, growing up in Bangladesh and the Middle East before graduating in architecture from the Bangladesh University of Engineering and Technology (BUET) in 1995. In 2006, he attended the Glenn Murcutt Masterclass in Sydney. After working with architect Uttam Kumar Saha, he established the practice URABANA in partnership in 1995 and from 2004 has continued as the sole Principal of the firm. Chowdhury is married to Rajrupa Chowdhury, an Indian classical musician of the instrument Sarod. They have a son.

Kashef Chowdhury has a studio based practice whose works find root in history with strong emphasis on climate, materials and context - both natural and human. Projects in the studio are given extended time for research so as to reach a level of innovation and original expression. Works range from conversion of ship and low cost raised settlements in 'chars' to training centre, mosque, art gallery, museum, residences and multi-family housing to corporate head offices. Chowdhury has been a visiting faculty at the North South University and BRAC University, both in Bangladesh and has been a juror in final year crits in universities in Dhaka. He was twice finalist in the Aga Khan Award for Architecture and has won first prize in Architectural Review's AR+D Emerging Architecture Award 2012.

Kashef Mahboob Chowdhury takes an active interest in art and in 2004 presented a lecture series 'Aspects of Contemporary Art in Germany' at the Goethe Institut, Dhaka. He has worked as a professional photographer and has held seven solo exhibitions. He has designed and published three books: Around Dhaka, 2004; Plot Number Fifty Six, 2009 and The Night of Fifteen November, 2011 - a photographic and recorded account of some survivors of the cyclone SIDR in the coastal areas of Bangladesh.
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Published on: October 11, 2016
Cite: "Friendship Centre by Kashef Mahboob Chowdhury/Urbana" METALOCUS. Accessed
<http://www.metalocus.es/en/news/friendship-centre-kashef-mahboob-chowdhuryurbana> ISSN 1139-6415
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