The Madrid gallery La Caja Negra presents the exhibition 'Frank Gehry & The LA Art Scene' until February 9, showing the influences that the architect of Canadian origin (Toronto, 1929) has had throughout his life from artists such as Jasper Johns, Claes Oldenburg, Robert Rauschenberg, Ed Ruscha and Richard Serra.
Frank Gehry shared the creative stage in California during the 1960s, a context deeply determined by the sculpture that was engraved in his work, in his design process and in the final result of his works. The exhibition presents a series of architect's lithographs accompanied by pieces by the artists of that time in Los Angeles.
 
Frank Gehry
John Baldessari
Sophie Calle
Jasper Johns
Ellsworth Kelly
Roy Lichtenstein
Bruce Nauman
Claes Oldenburg
Robert Rausenberg
Ed Ruscha
Richard Serra

 
In the long documentary-interview that Sydney Pollack realized on Frank Gehry (Sketches of Frank Gehry, 2005) the keys of the work of the architect can be appreciated. It is very revealing the influence of the art scene of the City of Los Angeles as a catalyst for their work. He emphasizes the importance that his friendship with key artists of that scene as Robert Rauschenberg, Claes Oldenburg or Ed Ruscha had on his architectural work.

According to Gehry, this influence was decisive in defining his spirit and his methodology. The importance of the cardboard model or the sketch as the basis of work and almost untouched final work. It is possible that the architecture of Gehry has so much to do with sculpture because of that origin, closer to the artists than the architects.

Frank Gehry (Toronto, 1929) is considered one of the most important architects in the world, and is internationally known for his personal architecture, which incorporates new forms and materials and is especially sensitive to the environment. The Guggenheim Museum Bilbao is one of his best known works, within an important set of works related to museums such as the Vitra Museum, the Columbia Exhibition Center, the Weisman Art Museum or the Louis Vuitton Foundation, Gehry has been awarded with the most prestigious awards in the field of architecture, such as the Pritzker, which was awarded in 1989 or the Imperial Japanese Prize, which was awarded in 1992. He received the Prince of Asturias Award in 2014. Currently, his The studio is located in Los Angeles and Gehry continues to design and direct projects around the world.

In parallel to his activity as an architect he has developed a significant work in the plastic arts, especially in the field of drawing and sculpture. The relationship of his architectural work with the model and sketch is crucial, hence the importance of this double facet. Sometimes, Gehry himself has ironised about the origin of his inspiration: "Inspiration is in that paper basket. Look inside there; think of the caverns, the spaces, the textures that this paper basket contains. "The alteration of the geometric order and its deconstruction in fluid structures is established as the principle of its work.

During the decade of the 60s, in Los Angeles, he became involved in the Californian artistic scene establishing friendship with artists like Ed Ruscha, Richard Serra, Claes Oldenburg, Larry Bell, Ron Davis, Robert Rauschenberg and Jasper Johns. "Those artists did not feel tied by tradition, they did not leave a school, they were not in the most orthodox sense, they were profound intellectuals, they did what they wanted, they manipulated the materials, they had no borders," explains Gehry. As a result of that, it was the materials that became his means of expression: he began to use "poor materials" such as cardboard -influence of Rauschenberg-, the corrugated metal sheet or the henhouse mesh. Gehry should have wanted to transmit this feeling of novelty and freedom in architecture.

The exhibition presents a set of lithographs by the artist, mostly related to architecture or design projects. And as a context of his work, a room where works by artists from his environment in Los Angeles such as John Baldessari, Sophie Calle, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Bruce Nauman, Robert Rausenberg, Claes Oldenburg, Ed Ruscha and Richard Serra.
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GALERÍA LA CAJA NEGRA. Fernando VI, 17-2 Izq. 28004 Madrid. Spain
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25 November 2017 - 9 February 2018
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Frank Owen Gehry, was born in 1929 in Toronto (Canada), but adopted American nationality after moving to Los Angeles in 1947 with his parents. He graduated in Architecture in 1954 from the University of Baja California and began working in the studio of Victor Gruen. After completing his military service, he studied Urban Planning at Harvard and returned to Gruen’s office. He moved to Paris in 1961 with his wife and two daughters, where he worked for a year with André Rémondet. In 1962, he opened his own studio –Frank O. Gehry and Associates– in Los Angeles, from which he has worked on projects in America, Europe and Asia for five decades now.

He rose to prominence in the 70s for his buildings with sculptural forms that combine unusual industrial materials such as titanium and glass. During this same period, he began to develop a role as a designer of furniture with his Easy Edges collection, conceived as a low-cost range comprising fourteen pieces made out of cardboard, subsequently followed by the more artistic range, Experimental Edges. Since the late 80s, the name of Frank Gehry has been associated with the deconstructionist movement, characterized by fragmentation and the rupture of a linear design process, resulting in buildings with a striking visual appearance. The Guggenheim Museum in Bilbao (1997) and the Nationale-Nederlanden building in Prague (1996), known as the Dancing House, may be considered among the most prominent examples of this formal language. Likewise noteworthy among his works are the Aerospace Museum of California (1984), the Vitra Design Museum in Weil am Rhein, Germany (1989), the Frederick Weisman Art Museum in Minneapolis (1993), the DZ Bank building in Berlin (1998), the Gehry Tower in Hannover (2001), the Massachusetts Institute of Technology Stata Center in Cambridge (2003), the Walt Disney Concert Hall (2003) and the Maggie's Centre in Dundee, Scotland (2003). Gehry has also worked on a museum of contemporary art in Paris for the Louis Vuitton Foundation, the design of his first playground in New York, at the southern tip of the island of Manhattan known as The Battery, and the remodelling and recovery of Mayer Park in Lisbon, which included the restoration of the Capitolio Theatre. In Spain, 2006 saw the opening of the Herederos del Marqués de Riscal winery in Elciego (Álava), and he has also designed the Sagrera Tower in Barcelona.

His work has been the subject of numerous case studies and, in 2006, the film director Sydney Pollack released the documentary Sketches of Frank Gehry, presented at Cannes. In that same year, he presented his project for the new Guggenheim Museum in Abu Dhabi. In 2008, he designed the Serpentine Gallery Pavilion in Hyde Park, London. The first residential building in Asia designed by Gehry, the Opus Hong Kong tower, was opened in 2012. He is currently working on the design of the Eisenhower Memorial to be built in Washington; on the West Campus that Facebook is to build in Menlo Park, California and on the project of a residential tower in Berlin, which will become the tallest skyscraper in the city.

His designs have received over one hundred awards around the world. Noteworthy among the distinctions he has received are more than a dozen honorary degrees, the Arnold W. Brunner Memorial Prize (USA, 1977), the Pritzker Prize (1989), the Wolf Prize in Arts (Israel, 1992), the Praemium Imperiale (Japan, 1992), the Dorothy and Lillian Gish Prize (1994), the Friedrich Kiesler Prize (Austria, 1998), and the Twenty Five Year Award from the American Institute of Architects (2012). He also holds the National Medal of Arts (USA, 1998), the Lotos Medal of Merit (USA, 1999), the Gold Medal of the American Institute of Architects (1999), and the Royal Gold Medal for the promotion of architecture (2000), awarded by the Queen of England. Gehry has been a member of the Pritzker Prize Jury and of institutions such as the American Academy of Arts and Letters, the American Academy of Arts and Sciences, the US National Design Academy and the Royal Academy of Arts.

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Published on: December 19, 2017
Cite: "‘Frank Gehry & The LA Art Scene’ in La Caja Negra" METALOCUS. Accessed
<http://www.metalocus.es/en/news/frank-gehry-la-art-scene-la-caja-negra> ISSN 1139-6415
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