John Baldessari
Sophie Calle
Jasper Johns
Ellsworth Kelly
Roy Lichtenstein
Bruce Nauman
Claes Oldenburg
Robert Rausenberg
Ed Ruscha
Richard Serra
According to Gehry, this influence was decisive in defining his spirit and his methodology. The importance of the cardboard model or the sketch as the basis of work and almost untouched final work. It is possible that the architecture of Gehry has so much to do with sculpture because of that origin, closer to the artists than the architects.
Frank Gehry (Toronto, 1929) is considered one of the most important architects in the world, and is internationally known for his personal architecture, which incorporates new forms and materials and is especially sensitive to the environment. The Guggenheim Museum Bilbao is one of his best known works, within an important set of works related to museums such as the Vitra Museum, the Columbia Exhibition Center, the Weisman Art Museum or the Louis Vuitton Foundation, Gehry has been awarded with the most prestigious awards in the field of architecture, such as the Pritzker, which was awarded in 1989 or the Imperial Japanese Prize, which was awarded in 1992. He received the Prince of Asturias Award in 2014. Currently, his The studio is located in Los Angeles and Gehry continues to design and direct projects around the world.
In parallel to his activity as an architect he has developed a significant work in the plastic arts, especially in the field of drawing and sculpture. The relationship of his architectural work with the model and sketch is crucial, hence the importance of this double facet. Sometimes, Gehry himself has ironised about the origin of his inspiration: "Inspiration is in that paper basket. Look inside there; think of the caverns, the spaces, the textures that this paper basket contains. "The alteration of the geometric order and its deconstruction in fluid structures is established as the principle of its work.
During the decade of the 60s, in Los Angeles, he became involved in the Californian artistic scene establishing friendship with artists like Ed Ruscha, Richard Serra, Claes Oldenburg, Larry Bell, Ron Davis, Robert Rauschenberg and Jasper Johns. "Those artists did not feel tied by tradition, they did not leave a school, they were not in the most orthodox sense, they were profound intellectuals, they did what they wanted, they manipulated the materials, they had no borders," explains Gehry. As a result of that, it was the materials that became his means of expression: he began to use "poor materials" such as cardboard -influence of Rauschenberg-, the corrugated metal sheet or the henhouse mesh. Gehry should have wanted to transmit this feeling of novelty and freedom in architecture.
The exhibition presents a set of lithographs by the artist, mostly related to architecture or design projects. And as a context of his work, a room where works by artists from his environment in Los Angeles such as John Baldessari, Sophie Calle, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Bruce Nauman, Robert Rausenberg, Claes Oldenburg, Ed Ruscha and Richard Serra.