Ismael Medina Manzano opts for flexible spaces that enhance domestic life, social relationships and local traditions, adapting to the changing needs of the inhabitants.
The curved glazed ceramic wall becomes one of the central pieces of the project, interrupting the original layout of the apartment. The wall becomes a functional organizer, transforming the apartment into an adaptable and multifunctional space. Its visual appeal arises from the use of materials, such as sandstone, that recall the local environment and its traditions.
The use of San Sebastian sandstone, a material linked to the culture and geological context of the region, offers a visual connection with the local landscape, as well as promoting the use of local materials instead of relying on imported materials.
Unplanned domestic prototype by Ismael Medina Manzano. Photograph by Hiperfocal.
Project description by Ismael Medina Manzano
Unplanned Domestic Prototype [PROT/USRBL/SE0] emerges as a critical investigation into the transformative potential of a 60 m² apartment located in a building constructed in 1966, part of Spain's 1959 Stabilization Plan. This plan, driven by the country's post-war economic recovery, promoted minimal, standardized, and compartmentalized housing to optimize the "efficiency" of domestic spaces. These apartments, designed under the strict ideals of the nuclear family model, embodied a rigid, uniform, and limited approach to habitation, with closed spaces and fixed functionalities.
In response to this legacy, Unplanned Domestic Prototype [PROT/USRBL/SE0] challenges the principles of standardization and reimagines the potential of living spaces in the 21st century. Rather than perpetuating the static nature of its original design, the project seeks to multiply and integrate architectural possibilities. The space becomes a platform for diverse activities and domestic agents, enabling more flexible and pluralistic coexistence. It celebrates the diversity of social relationships, local traditions, and the growing fluidity of domestic life. This approach advocates for flexible environments that can evolve over time to meet the changing needs of present and future inhabitants.
A central intervention in the project is the glazed ceramic curved wall with a 175-degree arc, an element that disrupts the rigid layout of the original apartment. This wall serves not only as a functional organizer of space but also as a material statement resonating with the local context and its traditions. Beyond its visual appeal, the wall redefines the logistical conventions of domestic storage and transforms the apartment into an adaptable, multifunctional space. It integrates a series of cupboards, cabinets, kitchen furniture, bathroom fixtures, shelves, and closets, each maximizing the use of available space. At one vertex, the wall merges with a mirrored showcase that conceals conventional appliances, enhancing the sense of fluidity and openness in the space.
One of the project's most remarkable elements is the use of San Sebastián sandstone, a material deeply connected to the region's geological and cultural context. The stone not only provides a tactile and visual link to the local landscape but also represents a critical commitment to the geopolitics of materials. Instead of relying on imported materials like marble or stone from international quarries, the project elevates this local, often modest, material to a central role in the intervention. Its irregular form, shaped by local extraction methods, compels reflection on the more aggressive extractivist practices associated with global supply chains. By exposing the raw, unpolished texture of the stone, the design invites deeper contemplation on how materials are sourced and the labor and environmental implications of their extraction.
Integrating this geological narrative into the domestic space challenges the conventional conception of polished, highly finished surfaces in architecture. The sandstone, with its rough texture and visible layers, serves as a tangible reminder of the local land and the extraction processes that shaped it. Its presence in the design evokes questions about sustainability, resource extraction ethics, and the impact of global trade on local landscapes. This approach offers a new understanding of materials, not as commodities to be hidden but as integral parts of the architectural experience that provoke reflection and engagement with the broader world.
The choice of sandstone transcends mere functionality; it embodies a deeper conceptual approach rooted in the geopolitics of materials. By integrating this material, traditionally seen as an honest and humble stone, the project elevates it to a central feature of the intervention, much like how marble from international quarries might be treated. This shift is achieved by using local quarries and more responsible extraction processes, which redefine the material’s significance.
The irregular and undefined form of the sandstone, in contrast to the smooth, uniform finishes typically associated with high-end materials, forces a reflection on extraction methods. Rather than concealing the rawness of the material beneath polished surfaces and sharp cuts, the stone’s natural imperfections are celebrated, encouraging a dialogue about the more aggressive, extractivist practices often hidden behind more polished materials. This approach challenges the conventional treatment of materials in architecture and asks the viewer to reconsider the ethics of material sourcing and the impacts of global supply chains.
Thus, the use of local sandstone in this project goes beyond simple material selection; it is an act of architectural and ethical transparency, emphasizing the importance of responsible sourcing, local heritage, and sustainable building practices. The material embodies the project's commitment to reducing its environmental impact while fostering a deeper connection to the place and the broader socio-political context.
The project further reinforces this connection to the environment by incorporating mobile devices and locally sourced materials throughout the space. An adjustable-height island made from repurposed national granite and discarded structures from local carpentry workshops adds flexibility and adaptability. These elements can be relocated within the space to accommodate various social assemblies, fostering interaction and collaboration. Additionally, other local materials, such as reused tree roots for stools, aluminum and steel joinery from nearby metal industries, and chairs made from recycled aluminum tubes from a local restaurant, underline the project's commitment to its productive landscape.
In essence, Unplanned Domestic Prototype [PROT/USRBL/SE0] is an experimental response to the challenges of contemporary housing renovation. It creates a framework for questioning how we inhabit spaces today, offering not a definitive answer but a provocation. The project challenges conventional notions of domesticity, promoting a form of architecture that embraces diversity and remains open to continual redefinition. By deeply engaging with local materials and their histories, the prototype acts as a platform for reflecting on the political, economic, and environmental narratives that shape how we build and inhabit our world.
