Paula Parente Pinto (Porto, 1971) has a degree in Fine Arts: Sculpture, Faculty of Fine Arts of Porto (1998); Master (pre-Bologna) in Architecture and Urban Culture, Polytechnic University of Catalonia, Barcelona, Spain (2004); PhD in Visual and Cultural Studies, University of Rochester, NY, USA (2016).
She has worked in historical research and as an independent curator in several exhibitions, including: “Puzzle Group: Collective painting = individual painting” at Centro de Artes e Espectáculos (Figueira da Foz, 2011); “Ângelo de Sousa: Still the sculptures” at Guarda’s Municipal Theatre Gallery (Guarda, 2012); “Guido Guidi / Carlo Scarpa: Tomba Brion” at Centro Cultural de Belém (Lisbon, 2014-15); “I never did an exhibition of drawings” with unpublished work by Albuquerque Mendes at CAAA Centre for Art and Architecture Affairs (Guimarães, 2015-16); “Stefano Serafin: art in a state of war”, an exhibition about 100 years since the destruction of museums during the First World War, which was held until June 2017 at José de Guimarães International Centre for the Arts (Guimarães).
She has worked in historical research and as an independent curator in several exhibitions, including: “Puzzle Group: Collective painting = individual painting” at Centro de Artes e Espectáculos (Figueira da Foz, 2011); “Ângelo de Sousa: Still the sculptures” at Guarda’s Municipal Theatre Gallery (Guarda, 2012); “Guido Guidi / Carlo Scarpa: Tomba Brion” at Centro Cultural de Belém (Lisbon, 2014-15); “I never did an exhibition of drawings” with unpublished work by Albuquerque Mendes at CAAA Centre for Art and Architecture Affairs (Guimarães, 2015-16); “Stefano Serafin: art in a state of war”, an exhibition about 100 years since the destruction of museums during the First World War, which was held until June 2017 at José de Guimarães International Centre for the Arts (Guimarães).
