The inaugural exhibition to be held at the Zaha Hadid Foundation, "Zaha Hadid: Reimagining London", opened to the public on Wednesday 8 June at the site of the globally renowned architect’s former office in Clerkenwell.

This exhibition delves into the collections and archives of the Foundation. Uncovering rare and unseen works, including personal sketchbooks, from over forty years of practice, the exhibition reveals Hadid’s radical reinventions of London.
Hadid was one of the most influential architects of the past decades. She was the first woman to be awarded the Pritzker Architecture Prize and the first and only solo woman to be awarded the Royal Gold Medal for architecture. Born in Baghdad, Iraq, Hadid emigrated to London in 1972 to study at the Architectural Association (AA) and lived and worked in the city for the rest of her life. Despite the phenomenal range and scale of building projects that Zaha Hadid Architects has realized across the globe since the 1990s, relatively few projects came to fruition in the city she adopted as home in her lifetime. And yet from her student years, Hadid was profoundly inspired by London’s complex cityscape. This exhibition assembles her visions for London for the first time.

From the outset, with her student diploma project, Malevich’s Tektonik (1976–77), a drive for architectural experimentation propelled her throughout her career. Hadid drew together influences from twentieth-century Russian Suprematism and the early architectural avant-garde, with design methods at the forefront of contemporary technological innovation. Her designs both slice through and layer on top of London’s dense urban fabric. The new and the old coexist in dynamic equilibrium.

Hadid’s visions for London are expressed through a wide variety of media. Paintings, drawings, collages, and models reveal her distinctive thought process and innovative design methods, shown in projects ranging from utopian imaginings to competition entries and finished buildings. For Hadid, London was all about ‘potentials’. Her bridges are suspended across the Thames like spaceships and skyscrapers are plunged underground. Anchoring this exhibition is London 2066 (1991), a large-scale painting envisioning London 75 years into the future. In this painting, Hadid proposes a radical rethinking of the city: the centre of London is stretched eastwards and its arteries flow in new directions. This expansion of the metropolis eastwards is realized in the iconic London Aquatics Centre, built for the 2012 Olympic Games.

Zaha Hadid: Reimagining London is curated by the students from the Courtauld Institute of Art’s MA Programme Curating the Art Museum, and organized in collaboration with the Zaha Hadid Foundation. The Foundation’s Director, Professor Paul Greenhalgh says: ‘our aim is to facilitate the work of architects, designers, artists, scholars, and the general public alike, in order to advance knowledge across the creative sector. This exhibition by the Courtauld’s MA Curating students is the first in a series of creative collaborations with educational partners.’

The exhibition will be accompanied by a programme of live events, including a late evening opening in conjunction with the London Festival of Architecture, an In Conversation with renowned British architect Nigel Coates, and a panel discussion on the intersection between architecture and gender.

More information

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Zaha Hadid Foundation, 10 Bowling Green Lane, London, EC1R 0BQ, UK.
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8 June – 2 July 2022.
Opening Hours: Tuesday–Saturday, 11am–5.30pm.
Free admission.
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Zaha Hadid, (Bagdad, 31 October 1950 – Miami, 31 March 2016) founder of Zaha Hadid Architects, was awarded the Pritzker Architecture Prize (considered to be the Nobel Prize of architecture) in 2004 and is internationally known for both her theoretical and academic work.

Each of her dynamic and innovative projects builds on over thirty years of revolutionary exploration and research in the interrelated fields of urbanism, architecture and design. Hadid’s interest lies in the rigorous interface between architecture, landscape and geology as her practice integrates natural topography and human-made systems, leading to experimentation with cutting-edge technologies. Such a process often results in unexpected and dynamic architectural forms.

Education: Hadid studied architecture at the Architectural Association from 1972 and was awarded the Diploma Prize in 1977.

Teaching: She became a partner of the Office for Metropolitan Architecture, taught at the AA with OMA collaborators Rem Koolhaas and Elia Zenghelis, and later led her own studio at the AA until 1987. Since then she has held the Kenzo Tange Chair at the Graduate School of Design, Harvard University; the Sullivan Chair at the University of Illinois, School of Architecture, Chicago; guest professorships at the Hochschule für Bildende Künste in Hamburg; the Knolton School of Architecture, Ohio and the Masters Studio at Columbia University, New York. In addition, she was made Honorary Member of the American Academy of Arts and Letters, Fellow of the American Institute of Architecture and Commander of the British Empire, 2002. She is currently Professor at the University of Applied Arts in Vienna, Austria and was the Eero Saarinen Visiting Professor of Architectural Design at Yale University, New Haven, Connecticut.

Awards: Zaha Hadid’s work of the past 30 years was the subject of critically-acclaimed retrospective exhibitions at New York’s Solomon R. Guggenheim Museum in 2006, London’s Design Museum in 2007 and the Palazzo della Ragione, Padua, Italy in 2009. Her recently completed projects include the MAXXI Museum in Rome; which won the Stirling award in 2010. Hadid’s outstanding contribution to the architectural profession continues to be acknowledged by the most world’s most respected institutions. She received the prestigious ‘Praemium Imperiale’ from the Japan Art Association in 2009, and in 2010, the Stirling Prize – one of architecture’s highest accolades – from the Royal Institute of British Architects. Other recent awards include UNESCO naming Hadid as an ‘Artist for Peace’ at a ceremony in their Paris headquarters last year. Also in 2010, the Republic of France named Hadid as ‘Commandeur de l’Ordre des Arts et des Lettres’ in recognition of her services to architecture, and TIME magazine included her in their 2010 list of the ‘100 Most Influential People in the World’. This year’s ‘Time 100’ is divided into four categories: Leaders, Thinkers, Artists and Heroes – with Hadid ranking top of the Thinkers category.

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Published on: June 18, 2022
Cite: "Zaha Hadid: Reimagining London. Envisioning London 75 years into the future" METALOCUS. Accessed
<http://www.metalocus.es/en/news/zaha-hadid-reimagining-london-envisioning-london-75-years-future> ISSN 1139-6415
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