From the outset, with her student diploma project, Malevich’s Tektonik (1976–77), a drive for architectural experimentation propelled her throughout her career. Hadid drew together influences from twentieth-century Russian Suprematism and the early architectural avant-garde, with design methods at the forefront of contemporary technological innovation. Her designs both slice through and layer on top of London’s dense urban fabric. The new and the old coexist in dynamic equilibrium.
Hadid’s visions for London are expressed through a wide variety of media. Paintings, drawings, collages, and models reveal her distinctive thought process and innovative design methods, shown in projects ranging from utopian imaginings to competition entries and finished buildings. For Hadid, London was all about ‘potentials’. Her bridges are suspended across the Thames like spaceships and skyscrapers are plunged underground. Anchoring this exhibition is London 2066 (1991), a large-scale painting envisioning London 75 years into the future. In this painting, Hadid proposes a radical rethinking of the city: the centre of London is stretched eastwards and its arteries flow in new directions. This expansion of the metropolis eastwards is realized in the iconic London Aquatics Centre, built for the 2012 Olympic Games.
Zaha Hadid: Reimagining London is curated by the students from the Courtauld Institute of Art’s MA Programme Curating the Art Museum, and organized in collaboration with the Zaha Hadid Foundation. The Foundation’s Director, Professor Paul Greenhalgh says: ‘our aim is to facilitate the work of architects, designers, artists, scholars, and the general public alike, in order to advance knowledge across the creative sector. This exhibition by the Courtauld’s MA Curating students is the first in a series of creative collaborations with educational partners.’
The exhibition will be accompanied by a programme of live events, including a late evening opening in conjunction with the London Festival of Architecture, an In Conversation with renowned British architect Nigel Coates, and a panel discussion on the intersection between architecture and gender.