The Valencian studio Fran Silvestre Arquitectos will start up the execution of its research project for the port area of the Marina de Valencia. It is an infrastructure that produces sustainable energy for the self-sufficiency of the port.

The project, on which Fran Silvestre Arquitectos has been researching for more than ten years with the collaboration of the Polytechnic University of Valencia (UPV) and the Technological Institute of Energy (ITE), will be carried out in the coming years, with Financial support from Net de Guerrers.

The Tower, with a height of 170 meters, will contain in its interior approximately one thousand wind mills of vertical axis allowed in the interior of the cities thanks to which they are covered and to which they are silent. It also has a continuous wrapping grid on the facade to avoid a possible danger to birds while protecting the propellers.

The project aims to make the Wind Tower a center for research into alternative energies in urban environments, as well as an important visual reference in the city of Valencia.

Description of project by Fran Silvestre Arquitectos

A landmark which modifies its proportions depending on the viewpoint and the effect of the sunlight; revealing an element in a constant evolution. An engraved tower devoted to the wind.

The building combines renewable energy it which feeds the city and its facilities with electricity, without needing other resources. Taking advantage of the possibilities that it suggests, much as for its construction as for its shape

Its stillness contrasts with the mobility of the shadows, its firmness emphasizes the strength of the wind to which it frames.

An emblem which reveals the intense light and the powerful wind to appraise the positive view of a society which has always taken advantage of the surrounding elements.

The plan view is designed by means of three vertical communication cores connected two abreast, trying to solve the commitment between the desire to be part of the landscape and the will to trap the wind.

This geometry is repeated in the ways which integrate the structure within its surroundings; the open Podium towards the pedestrian access, where there are the Conference Hall with one hundred people capacity, the Children Library, the Parvis (Atrium) and the services area.

The tower proposes a suggesting route. The ground floor incites to come in through a shadowed exterior space whose deck acts as a Belvedere on the garden. The program is distributed so that the traffic between the entering and leaving visitors do not pass each other. By using one of the communication cores to move upward, another to go down and the third one to use in case of emergency and to maintenance.

In each one of the communication cores, an staircase and two panoramic lifts, which encompass different views of the scenery, are displayed; cores whose night view emphasizes the slender character of the building. Once up, the cafeteria proportions maximize the perimeter of contact with the outside, making an all directions view of the scenery possible. The cafeteria is disposed in two levels with two different atmospheres. The deck is shaped as a one hundred and seventy meters high observation deck, where the city can be observed.

The arrangement of the vertical communications and the fact that they are connected bestow it with a good structural performance. The pressure of the wind is always dimmed by a rigid nucleus, whereas the orientation and the shape of the geometry allow it to change the prevailing wind into power. The vertical axis wind turbines are arranged in the curve areas which connect the communication cores. Both the wind turbines and the panoramic lifts are covered by an openwork metallic skin which being permeable to the wind together with the views confer a monolithic appearance to the structure. The construction is developed in an obvious and simple way thanks to the fast-speed climbing casings which make possible to materialize the built as an icon.

Structure proposes a wind turbine system of vertical axe, meanwhile its deep foundations based on pilings, most characteristic of buildings in height, allows the incorporation of geothermal energy. The volume presents wide surfaces in contact with the exterior. Here, the vertical areas constitute the support for the photovoltaic panel, taking advantage of its constant exposure to solar radiation. Besides, the podium’s horizontal surface is used in the obtaining of thermoelectric energy.

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Fran Silvestre Arquitectos is a Valencia-based studio founded in 2005 by architect Fran Silvestre. The firm consists of a multidisciplinary team of over 50 professionals and operates in the former workshop of sculptor Andreu Alfaro, a 7,000 m² space. Its work focuses on residential, cultural, corporate, and public projects worldwide, characterized by formal purity, modulation, serialization, and the innovative use of materials and technologies.

Fran Silvestre was born on July 5, 1976, and graduated in Architecture from the Escuela Técnica Superior de Arquitectura de Valencia in 2001. A year later, he specialized in urban planning at the Technische Universiteit Eindhoven (TU/e) in the Netherlands. His training was enriched by a scholarship to work with Portuguese architect and Pritzker Prize laureate Álvaro Siza in Porto, with whom he has maintained collaborations ever since. Simultaneously, he has developed a strong academic career: he has been a professor in the Projects Department at the Polytechnic University of Valencia (UPV) since 2006 and at the European University since 2009. In 2011, he was deputy director of the Valencia School of Architecture, and in 2018, he received the Víctor L. Regnier Chair at Kansas State University (KSU) in the United States. He currently also directs the MArch Postgraduate School in Architecture and Design.

Throughout his career, Silvestre has received numerous awards, including the Fundación Caja de Arquitectos Prize (2001), the Colegio de Arquitectos COACV Prize (2010), and the Red Dot Design Award (2013). In 2012, he was named Ambassador of Spanish Architecture in the United States by the Ministry of Culture and Sports. He has also won the NYCxDESIGN Award (2016), the German Design Award in multiple editions (2016, 2020, 2021, and 2024), the IF Design Award (2021), and the Delta Bronze Award from the ADI Awards (2024).

His work has been exhibited at institutions such as the MoMA in New York and the Museu Serralves in Porto, and published in magazines like Architectural Record, GA Houses, On-Diseño, and Interni. In addition, publishers such as Phaidon, Taschen, and Thames & Hudson have featured his work, with a notable monograph published by Rizzoli in New York, written by critic Philip Jodidio.

Fran Silvestre Arquitectos’ projects are located in various countries, including China, the United States, Brazil, Thailand, Egypt, Croatia, Italy, Australia, Austria, Mexico, and Spain. Notable works include Casa Atrium (2009), Casa de la Ladera de un Castillo (2010), Casa del Acantilado (Alicante), Casa Balint (Valencia), Casa in Hollywood Hills (Los Angeles), the Zibo Master Plan (China), the Hotel-Boutique in Vis (Croatia), and the Eolic Tower (Valencia).

The studio's architecture is influenced by Álvaro Siza and sculptor Andreu Alfaro. According to critic David Cohn, Fran Silvestre’s work does not seek a lost authenticity or geometric perfection but instead creates environments that elevate everyday life through precise and innovative design.

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Published on: March 15, 2019
Cite: "Wind tower in the harbor by Fran Silvestre Arquitectos" METALOCUS. Accessed
<http://www.metalocus.es/en/news/wind-tower-harbor-fran-silvestre-arquitectos> ISSN 1139-6415
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