The Smithsonian National Museum of African American History and Culture in Washington D.C. is crowned the Beazley Design of the Year 2017. The project is the culmination of a decades-long struggle to recognise the importance of the black community in the social fabric of American life. Further category winners on the night include a high-performance hijab by Nike, a stairclimbing wheelchair and ink manufactured from air pollution.
The National Museum of African American History and Culture, designed by Adjaye Associates, The Freelon Group, Davis Brody Bond, and SmithGroupJJR for the Smithsonian Institution, has been named the winner of the Beazley Design of the Year award. The annual prize and exhibition curated and hosted by the Design Museum in London has included previous winners such as IKEA and UNHCR’s Better Shelter, the London 2012 Olympic Torch and the Barack Obama Hope poster. Now in its tenth year, the award was presented at an exclusive dinner held inside the stunning central atrium of the Design Museum in Kensington.

Selected as the winner of the Architecture category, the landmark project designed by the recently knighted Sir David Adjaye overcame the other five category winners to claim the overall award.

2017 saw Adjaye knighted by Her Majesty the Queen for services to Architecture, following the previous award of an OBE in 2007. In 2017 he was also recognised as one of the 100 most influential people of the year by TIME magazine.

Architecture and overall winner.-
Smithsonian National Museum of African American History and Culture in Washington D.C.
Designers.- Adjaye Associates, The Freelon Group, Davis Brody Bond, SmithGroupJJR for the Smithsonian Institution
 
The museum was inaugurated by President Obama in September 2016 and is a long-awaited symbol for the African American contribution to the nation’s history and identity. The museum houses galleries, administrative spaces, theatre space and collections storage space. Sir David Adjaye’s approach created a meaningful relationship to this unique site as well as a strong conceptual resonance with America’s longstanding African heritage. The 313,000-square-foot building comprises a three-tiered structure covered in bronze plates. Designed to shade the glazed facades behind, the filigree cladding is patterned to reference the history of African American craftsmanship.

Category winners.-
Digital category winner.-
Rapid Liquid Printing
Designers.- MIT Self-Assembly Lab (Bjorn Sparrman, Kate Hajash, Shokofeh Darbari, Mattis Koh, Schendy Kernizan, Jared Laucks & Skylar Tibbits) in collaboration with Christophe Guberan, and Steelcase (Yuka Hiyoshi, Rob Poel, Markus McKenna, Paul Noll, Sharon Tracy, Edward Vander Bilt, Chris Norman & Charlie Forslund)

Rapid Liquid printing (RLP) physically draws in 3D space within a gel suspension, and enables the creation of large scale, customized products made of real-world materials. 3D printing hasn’t taken off as a mainstream manufacturing process as it is too slow compared to conventional processes, is limited by scale and the materials are typically low-quality. RLP addresses these limitations: it is incredibly fast (producing structures in a matter of minutes), designed for large scale products (you can print an entire piece of furniture) and uses real-world, industrial-grade materials.

Fashion category winner.-
Nike Pro Hijab
Designers.- Rachel Henry, Baron Brandt, Megan Saalfeld and Brogan Terrell for Nike

Nike has worked alongside a team of athletes to develop a single-layer stretchy high-performance Hijab that could change the face of sport for Muslim women. Inspired by Sarah Attar’s win for Saudi Arabia at the 2012 Olympics, it was unveiled two days before International Women’s Day.

Graphics category winner.-
‘Fractured Lands’, The New York Times Magazine, 14 August 2016
Designers.- Jake Silverstein, Editor-in-Chief, Gail Bichler, Design Director, and Matt Willey, Art Director, for The New York Times Magazine
 
The Fractured Lands issue contained a single, very long (42 thousand word), nonfiction narrative by Scott Anderson and 20 photographs by Paolo Pellegrin. The product of some 18 months of reporting, it tells the story of the catastrophe that has fractured the Arab world since the invasion of Iraq 13 years ago, leading to the rise of ISIS and the global refugee crisis. The story gives the reader a visceral sense of how it all unfolded, through the eyes of six characters in Egypt, Libya, Syria, Iraq and Iraqi Kurdistan.

Product category winner.-
AIR-INK
Designers.- Graviky Labs
 
AIR-INK is the first commercially available ink made from air pollution. The clean-tech company has industrialized the process of capturing and recycling air pollution emissions into advanced pigments and inks.

Transport category winner.-
Scewo
Designers.- Thomas Gemperle, Adrien Weber, Naomi Stieger, Stella Mühlhaus, Bernhard Winter, Pascal Buholzer at the Swiss Federal Institute of Technology.
 
Scewo is a stairclimbing mobility device that will allow disabled persons to be more flexible and independently reach locations that were previously inaccessible. Scewo is a stairclimbing mobility device developed by a group of students at the Swiss Federal Institute of Technology. Using a retractable set of rubber tracks, the wheelchair can safely and smoothly travel both up and down stairs, while an extra pair of wheels at the rear of the chair allows users to raise the chair up so that they can engage with others at eye level.

In addition, visitors were able to vote for their favourite designs on the Design Museum website and in the gallery. The Nike Pro Hijab, a sports performance Hijab that was unveiled two days before International Women’s Day, received the most votes from the public.

The six category winners along with the further 56 other nominations are on display at the Design Museum until 18 February.

The awards presented at the ceremony are designed by Carmody Groarke and Micha Weidmann Studio.

More information

David Adjaye was born in Dar es Salaam, Tanzania, in 1966. The son of a Ghanaian diplomat who has lived in Tanzania, Egypt, Yemen, and Lebanon before moving to Britain at the age of nine, he led a privileged life and was privately educated. He earned his BA at London South Bank University, before graduating with an MA in 1993 from the Royal College of Art. In 1993, the same year of graduation, Adjaye won the RIBA Bronze Medal, a prize offered for RIBA Part 1 projects, normally won by students who have only completed a bachelor's degree.

Previously a unit tutor at the Architectural Association, he was also a lecturer at the Royal College of Art. After very short terms of work with the architectural studios of David Chipperfield (London) and Eduardo Souto de Moura (Porto), Adjaye established a practice with William Russell in 1994 called Adjaye & Russell, based in North London. This office was disbanded in 2000 and Adjaye established his own eponymous studio at this point.

Recent works include the Museum of Contemporary Art in Denver, the Nobel Peace Centre in Oslo, and the Skolkovo Moscow School of Management completed in 2010. On April 15, 2009, he was selected in a competition to design the $500 million National Museum of African American History and Culture, part of the Smithsonian in Washington, D.C., planned to open in 2015. His design features a crown motif from Yoruba sculpture.

Alongside his international commissions, Adjayes work spans exhibitions, private homes, and artist collaborations. He built homes for the designer Alexander McQueen, artist Jake Chapman, photographer Juergen Teller, actor Ewan McGregor, and artists Tim Noble and Sue Webster. For artist Chris Ofili, he designed a new studio and a beach house in Port of Spain. He worked with Ofili to create an environment for the Upper Room, which was later acquired by Tate Britain and caused a nationwide media debate. He also collaborated with artist Olafur Eliasson to create a light installation, Your black horizon, at the 2005 Venice Biennale. He has also worked on the art project Sankalpa with director Shekhar Kapur. Adjaye coauthored two seasons of BBC's Dreamspaces television series and hosts a BBC radio program. In June 2005, he presented the documentary, Building Africa: Architecture of a Continent. In 2008, he participated in Manifesta 7.

In February 2009, the cancellation or postponement of four projects in Europe and Asia forced the firm to enter into a Company Voluntary Arrangement (CVA), a deal to stave off insolvency proceedings which prevents financial collapse by rescheduling debts – estimated at about £1m – to creditors.

Adjaye currently holds a Visiting Professor post at Princeton University School of Architecture. He was the first Louis Kahn visiting professor at the University of Pennsylvania, and was the Kenzo Tange Professor in Architecture at Harvard Graduate School of Design. In addition, he is a RIBA Chartered Member, an AIA Honorary Fellow, a Foreign Honorary Member of the American Academy of Arts and Letters, and a Senior Fellow of the Design Futures Council. He also serves as member of the Advisory Boards of the Barcelona Institute of Architecture and the London School of Economics Cities programme.

The studio's first solo exhibition: "David Adjaye: Making Public Buildings" was shown at the Whitechapel Gallery in London in January 2006, with Thames and Hudson publishing the catalogue of the same name. This followed their 2005 publication of Adjaye's first book entitled "David Adjaye Houses".

http://www.adjaye.com

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Published on: January 26, 2018
Cite: "Washington Museum by Sir David Adjaye named best design of 2017" METALOCUS. Accessed
<http://www.metalocus.es/en/news/washington-museum-sir-david-adjaye-named-best-design-2017> ISSN 1139-6415
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