Kaan Architecten has extended a 19th century school to create the Utopia building, a new Library and Academy for Performing Arts. The new bulding has opened its doors to the Flemish city of Aalst, Belgium, following an open competition launched in 2015 by the City Council.
Utopia building is named after the book by Thomas Moore, which was first printed in Aalst. The new 8.000 square-meter brick structure designde by Kaan Architecten incorporates a striking historic building from the second half of the Nineteenth century originally a Pupilenschool – a school for the children of soldiers to be taught until they were old enough to join the army.

The project proposed demolished two sides of the existing block on the triangular site, mantaining the old school building and integrating it, creating three public spaces around it.
 

Description of project by KAAN Architecten

The city chose to establish a Public-Private Partnership (PPP) based on a Design & Build contract. The project was assigned to the team consisting of Van Roey as main contractor and KAAN Architecten as architect that worked in close collaboration.

Taking its cue from Thomas More’s acclaimed book “Utopia”, first printed by prominent Aalst citizen Dirk Martens, the new building has been slotted into the urban fabric to enhance the characteristic irregular streets and intimate spaces of the city center, and to interact with them. Three new squares have been created alongside Esplanadestraat, Graanmarkt and Peperstraat.

The so-called Pupillenschool, a building from 1880 was formerly a school where children of soldiers were educated until the age of 16 when they could register for a regiment. It has been embedded into KAAN Architecten’s design and is now the cornerstone of the new building. Both outside and inside, the historic façades blend perfectly with the generous spaces, while the brickwork dialogues with light gray concrete elements.

Utopia, the city, and its residents are inextricably linked, and can gaze at each other through tall and wide openings, carefully sliced out of the brickwork. The entrance to the building is located on an intimate square between the reading café and the auditorium. Moving through the wide hall, the open interior landscape of the building unfolds from floor to ceiling, and cantilevered into the space are several thick concrete floors that appear to float. Hanging at varying heights, each level features bookshelves and reading tables, while looking into the atrium and towards the brick façade of the pre-existing building. Moreover, a 11.50 meter high bookcase stretches towards the ceiling, filled with books donated by each Aalst resident.

The concrete structures seem to be supported by books. The bookcases are pushed up against concrete discs which allow the floors to cantilever out without extra support. Mimicking the treads, the stairs zig-zag upwards, giving the staircase a sculptural presence at the periphery of the magnificent atrium and reading room. The ceilings have been minimalized to the point of being almost undetectable. All the technical systems are concealed behind a stretched metal-coloured mesh that softens the strong daylight and creates a pleasant atmosphere during the day.

Apart from the ground floor auditorium, the Academy for Performing Arts is housed on the first two floors, flanking the reading atrium. Within the new building, the ballet room, rehearsal studios and teaching spaces have windows as tall and wide as the rooms themselves, providing a view onto the city and a glimpse inwards from the city, while giving expression to the façade composition. Using the same expressive language, the railings of the former Pupillenschool’s windows have been removed and the windowsills of the piano nobile have been significantly lowered.

Acoustics was a fundamental design tool for KAAN Architecten: the reading in the Library should not be disrupted by music lessons and play’s rehearsals. Suspended concrete floors replace the original wooden floors, doors are transformed into sound barriers, and double glazed windows capture each single piano note.

Much of the building’s exterior consists of new brickwork. The predominant colours of the Flemish city were studied and the architects chose a dark brick called “Red Aalst”. To accentuate Utopia’s duality, these long flat bricks (50 x 10 x 4 centimeters) have been laid in horizontal format to complement the vertically-oriented old school façades.

Utopia’s openness also exudes sustainability. The building has achieved an BREEAM Excellent rating: materials and labour were locally sourced, low-energy machines were used for construction, solar panels, geothermal heat and LED lighting have been integrated in the design, rainwater is recuperated and buffered, and 230.000 bricks were chipped away and reused elsewhere.

The desire of KAAN Architecten to interact with the urban fabric has been achieved: Utopia is already a reference point in Aalst city center, with citizens eager to enjoy and welcome a new landmark in their everyday lives.

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Architects
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KAAN Architecten. Kees Kaan, Vincent Panhuysen, Dikkie Scipio.
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Project team
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Bas Barendse, Tjerk de Boer, Sebastiaan Buitenhuis, Sebastian van Damme, Paolo Faleschini, Raluca Firicel, Narine Gyulkhasyan, Joost Harteveld, Walter Hoogerwerf, Martina Margini, Giuseppe Mazzaglia, Kevin Park, Giulia Rapizza
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Collaborators
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Advisor construction.- UTIL Struktuurstudies, Schaarbeek (Belgium)
Advisor technical installations.- Studiebureau R. Boydens NV, Brugge Sint-Michiels (Belgium)
Water & electrical installations.- Studiebureau R. Boydens NV, Brugge Sint-Michiels (Belgium)
Fire control.- ABT, Delft (Netherlands)
Acoustics.- Tractebel Engineering SA, Brussels (Belgium)
Sustainability.- Studiebureau R. Boydens NV, Brugge Sint-Michiels (Belgium)
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Client
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Autonoom Gemeentebedrijf Stadsontwikkeling Aalst (AGSA)
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Main contractor
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Groep Van Roey NV, Rijkevorsel (Belgium)
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Area
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8309 sqm + 235 sqm (bike parking)
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Dates
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Design phase.- March 2016 - May 2018
Construction phase.- August 2016 - May 2018
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Venue
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Utopia 1, Aalst (Belgium)
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KAAN Architecten is a Dutch architectural firm based in Rotterdam, São Paulo, and Paris, with over 30 years of experience in a wide range of scales and typologies. Kees Kaan, Vincent Panhuysen and Dikkie Scipio founded KAAN Architecten in 2014.

Through a collaborative and analytical design approach, KAAN Architecten promotes quality, pragmatism, and the Dutch building traditions of sustainability and welfare. This is further refined by merging practical and academic expertise, which supports their response to the increasingly challenging complexities and contradictions of the built environment.

Led by Kees Kaan, Vincent Panhuysen and Dikkie Scipio, the firm comprises an international team of architects, landscape architects, urban planners, engineers, and graphic designers. KAAN Architecten believes that cross-pollination between projects and disciplines fosters the essential critical discourse within the firm.

Since its establishment, KAAN Architecten has engaged in a diverse array of projects within both the public and private sectors. Over time, project teams have evolved to become progressively multidisciplinary and dynamic. Their unwavering focus is on fostering a culture of continual evolution, recognising this paramount approach in a profession that undergoes rapid transformation.

At the heart of KAAN Architecten’s philosophy is the belief that all projects acquire distinctive character through an architecturally curated layered dialogue involving all stakeholders. This approach extends to developing enduring relationships with clients, consultants, and partners. In this collaborative journey, each project becomes an opportunity for meaningful engagement, achieving architectural solutions that resonate with the diverse voices and perspectives involved.

· From 1988 until 2013, Kees Kaan was the founding partner of Claus en Kaan Architecten. Kaan graduated from the Faculty of Architecture at TU Delft in 1987. Since 2006 he has been a professor of Architectural Design at TU Delft and initiator of the Complex Projects Chair, launched in 2012. The Chair's research focuses on large-scale projects that characterise this era of rapid global urbanisation. In 2019 Kaan was appointed Chairman of the Architecture Department. Moreover, he has been a Principal Investigator at Amsterdam Institute for Advanced Metropolitan Solutions (AMS) since 2016. Kees Kaan is a lecturer and member of various juries and boards in the Netherlands and abroad. Numerous books and exhibitions have been dedicated to his body of work. In June 2024, Kees Kaan was officially inducted as a member of the Académie d'Architecture.

· Vincent Panhuysen brings expertise and vision to each project he undertakes. His impact on the architectural landscape is profound, with a diverse portfolio encompassing court buildings, university centres, governmental and cultural institutions, crematoriums, and apartment complexes. Panhuysen's approach to design is marked by a deep commitment to the entire process, from conceptualisation to construction. While he values functionality and clarity, his architectural ethos transcends passing trends, emphasising a timeless elegance rooted in relaxed functionalism. Central to his design philosophy is a dedication to creating spaces that prioritise spaciousness and clear organisation, hallmarks evident in the work of KAAN Architecten. His role as a visiting professor at Delft University of Technology further underscores his commitment to shaping the future of architecture through education and mentorship. For his special and careful guidance in the renovation of the Provinciehuis of North-Brabant, Vincent Panhuysen was awarded the "Commissarispenning", a medal of merit from the Commissioner of the King Wim van de Donk, in 2015.

· Dikkie Scipio has been trained in various disciplines. She holds a master’s degree in applied arts, industrial, and interior design from the Royal Academy of Arts in The Hague and afterward qualified as an architect at the Rotterdam Academy of Architecture. Simultaneously, she owned a gallery in Amsterdam and a design studio in Utrecht. Scipio’s training allows her to lead work, ranging from large-scale master plans in urbanism and architecture to furniture and interior design, from the initial concept to execution. She is an expert in managing complex projects and processes, with a particular focus on museums and heritage renovation. Scipio is also a writer, columnist, international lecturer, and a member of several boards and juries. As a spokeswoman for integrated art and craftsmanship in architecture, her views have been featured in many publications and documentaries. Since 2019, she has been a professor at the Münster University of Applied Sciences, where she holds a chair in Architectural Design. In 2023 Dikkie Scipio was recognised as Woman Architect of the Year by the Prix des Femmes Architectes.



KAAN Architecten ©Casper Rila

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Published on: August 22, 2018
Cite: "Utopia – Library and Academy for Performing Arts by KAAN Architecten" METALOCUS. Accessed
<http://www.metalocus.es/en/news/utopia-library-and-academy-performing-arts-kaan-architecten> ISSN 1139-6415
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