Architecture firm Diller Scofidio + Renfro has completed work on the United States Olympic and Paralympic Museum (USOPM) in Colorado Springs, Colorado.

The complex, located in downtown Colorado Springs, is composed of four steel-covered volumes arranged in a pinwheel formation that contain the galleries, an auditorium and events space.

The 5,600-square-meter museum complex opens this week, around a spiralling ramp to make it one of the most accessible museums in the world.

The complex was designed by Diller Scofidio + Renfro with accessibility at its forefront due to its relationship to the United States Paralympic organization, and is organized as a four-lobed gallery complex that descends from the top floor down via a continuous ramp configuration.
 
Regarding the accessibility elements of the project, the architects write that "from the earliest stages of design, the team consulted a committee of Paralympic athletes and persons with disabilities to ensure that, from entrance to exit, all visitors with or without disabilities could tour the USOPM facility together and share a common path."

Further, the building's 2,000-square-foot, 130-seat theater is designed with two rows of removable seating so that "a full Paralympic hockey team to sit together" during presentations. The theater sits opposite the main museum structure, with the two masses connected by a shared terrace.

The four volumes are wrapped in a steel superstructure that appears to fold over glazing on the ground floor, with vertical windows extending to the top of the building.

Project description by Diller Scofidio + Renfro

The US Olympic and Paralympic Museum is a tribute to the Olympic and Paralympic movements with Team USA athletes at the center of the experience. The 60,000 square foot museum is located at the base of the Rocky Mountains in Colorado Springs, home of the United States Olympic Training Center. The museum will act as an anchor the new City for Champions District, forming a new axis bridging downtown Colorado Springs to the America the Beautiful Park to the west.

The 60,000 sf building features 20,000 sf of galleries, a state-of-the-art theater, event space and cafe. Inspired by the energy and grace of the Team USA athletes and the organizations inclusive values, the building’s dynamic spiraling form allows visitors to descend the galleries in one continuous path. This main organization structure enables the museum to rank amongst the most accessible museums in the world, ensuring visitors with and without disabilities can smoothly share the same common experience.

Plaza

A terraced hardscape plaza is at the heart of the museum complex, cradled by the museum building to the south and the cafe to the north. The plaza frames a postcard view of Pikes Peak and the Rocky Mountains beyond. With integrated amphitheater seating, the plaza is able to host outdoor events throughout the seasons, from the winter games through the summer games.

Façade

The façade consists of over 9,000 folded anodized diamond shaped aluminum panels, each unique in shape and size. The taut skin wraps four overlapping petal-like volumes that spiral around the internal structure. Each metallic panel is animated by the extraordinary light quality in Colorado Springs, producing gradients of color and shade that give the building another sense of motion and dynamism.

Accessibility

From the earliest stages of design, the team consulted a committee of Paralympic athletes and persons with disabilities to ensure that, from entrance to exit, all visitors with or without disabilities could tour the USOPM facility together and share a common path. After they have been oriented, all visitors ascend to the top floor by elevator. Ramps guide visitors down a gentle-grade downhill circulation path that enables easier movement. Ramps have been widened to 6 feet to accommodate the side-by-side movement of two visitors including a wheelchair. Beyond ensuring all code and ADA requirements were rigorously met, material details including glass guardrails in the atrium for low-height visibility, cane guards integrated into benches, smooth floors for easier wheel chair movement, and loose seating in the café optimize the shared experience.

Southwest Downtown Pedestrian Bridge

A new pedestrian bridge, which crosses railroad tracks, connects downtown Colorado Springs to America the Beautiful Park, as well as the existing trail system. The stressed skin structure simultaneously acts like an arch and a truss. The bridge is an exercises in fitness - both in terms of materiel and geometry.

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Architects
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Diller Scofidio + Renfro, (Partner-in-charge: Benjamin Gilmartin).

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Project team
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Merica May Jensen, Ryan Botts, Charles Curran, Imani Day, Roberto Mancinelli, Anthony Saby, Rasmus Tobiasen, Ning Hiransaroj, Andreas Kostopoulos, Dino Kiratzidis, Emily Vo Nguyen, Jack Solomon and Valeri Limansubroto.

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Collaborators
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Architect of record.- Anderson Mason Dale Architects.
Exhibition designers.- Gallagher & Associates.
Museum and content development.- Barrie Projects.
Structural engineer.- KL&A in collaboration with Arup.
Civil engineer.- Kiowa Engineering Corporation.
Fire engineering.- Jensen Hughes.
Mechanical and plumbing engineer.- The Ballard Group.
Electrical engineer.- ME Engineers.
Acoustics, Audio/ Visual, Theater.- ARUP .
Accessibility.- Ileana Rodriguez.
Lighting.- Tillotson Design Associates.
Landscape architects.- NES, Inc. in collaboration with Hargreaves Jones.
Code.- Advanced Consulting Engineers.
Vertical circulation.- Iros Elevators Design Services.
Cost estimating.- Dharam Consulting.
Energy modelling.- Iconergy.
Exterior envelope consultant.- Heitmann & Associates.
Facade fabrication.- MG McGrath.

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Construction manager and general contractor
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GE Johnson

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Area
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Size (GSF).- 60000 f².

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Dates
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Groundbreaking June 2017.
Opening 30th July 2020.

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Photography
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Diller Scofidio + Renfro Studio. Founded in 1981, Diller Scofidio + Renfro (DS+R) is a design studio whose practice spans the fields of architecture, urban design, installation art, multi-media performance, digital media, and print. With a focus on cultural and civic projects, DS+R’s work addresses the changing role of institutions and the future of cities. The studio is based in New York and is comprised of over 100 architects, designers, artists and researchers, led by four partners--Elizabeth Diller, Ricardo Scofidio, Charles Renfro and Benjamin Gilmartin.

DS+R completed two of the largest architecture and planning initiatives in New York City’s recent history: the adaptive reuse of an obsolete, industrial rail infrastructure into the High Line, a 1.5 mile-long public park, and the transformation of Lincoln Center for the Performing Arts’ half-century-old campus. The studio is currently engaged in two more projects significant to New York, scheduled to open in 2019: The Shed, the first multi-arts center designed to commission, produce, and present all types of performing arts, visual arts, and popular culture, and the renovation and expansion of The Museum of Modern Art (MoMA). Most recently, the studio was also selected to design: Adelaide Contemporary, a new gallery and public sculpture park in South Australia; the Centre for Music, which will be a permanent home for the London Symphony Orchestra; and a new collection and research centre for the V&A in Queen Elizabeth Olympic Park.

Recent projects include the 35-acre Zaryadye Park adjacent to the Kremlin in Moscow; the Museum of Image & Sound on Copacabana Beach in Rio de Janeiro; The Broad, a contemporary art museum in Los Angeles; the Berkeley Art Museum and Pacific Film Archive at the University of California, Berkeley; the Roy and Diana Vagelos Education Center at Columbia University in New York; and The Juilliard School in Tianjin, China.

DS+R’s independent work includes the Blur Building, a pavilion made of fog on Lake Neuchâtel for the Swiss Expo; Exit, an immersive data-driven installation about human migration at the Palais de Tokyo in Paris; Charles James: Beyond Fashion at the Metropolitan Museum of Art in New York; Arbores Laetae, an animated micro-park for the Liverpool Biennial; Musings on a Glass Box at the Fondation Cartier pour l’art contemporain in Paris; and Pierre Chareau: Modern Architecture and Design at the Jewish Museum in New York. A major retrospective of DS+R’s work was mounted at the Whitney Museum of American Art in New York. Most recently, the studio designed two site-specific installations at the 2018 Venice Biennale and the Costume Institute’s Heavenly Bodies: Fashion and the Catholic Imagination exhibition at the Metropolitan Museum of Art in New York. DS+R also directed and produced The Mile-Long Opera: a biography of 7 o’clock, a free, choral performance featuring 1,000 singers atop the High Line, co-created with David Lang.

DS+R has authored several books: The High Line (Phaidon Press, 2015), Lincoln Center Inside Out: An Architectural Account (Damiani, 2013), Flesh: Architectural Probes (Princeton Architectural Press, 2011), Blur: The Making of Nothing (Harry N. Abrams, 2002), and Back to the Front: Tourisms of War (Princeton Architectural Press, 1996).

DS+R has been distinguished with the first MacArthur Foundation fellowship awarded in the field of architecture, Time Magazine's "100 Most Influential" list, the Smithsonian Institution's 2005 National Design Award, the Medal of Honor and the President's Award from AIA New York, and Wall Street Journal Magazine's 2017 Architecture Innovator of the Year Award. Ricardo Scofidio and Elizabeth Diller are fellows of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and are International Fellows at the Royal Institute of British Architects (RIBA).
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Ricardo Scofidio, AIA (Born on April 16, 1935 in New York, and died on March 6, 2025 in New York,), was a partner of Diller Scofidio + Renfro (DS+R). Scofidio studied at Columbia University before practising at a New York architecture firm and becoming a professor at the Cooper Union School of Architecture in 1965 for several decades. It was there he met then-student Diller, almost 20 years his junior, and they founded their studio in 1981, in 1999, they were the first architects to receive a MacArthur ‘genius’ grant (Architect Charles Renfro’s name was added after he became a partner more than two decades later). 

Alongside partner Elizabeth Diller, Ric’s cross-genre work distinguished with TIME’s "100 Most Influential People" list and the first MacArthur Foundation fellowship awarded in the field of architecture. He led the design of the High Line – the adaptive reuse of an obsolete, industrial rail infrastructure into a 1.5 mile-long public park, Blur Building – a pavilion made of fog on Lake Neuchâtel for the 2002 Swiss Expo, and contributed to the redesign of Lincoln Center for the Performing Arts in New York, and The Broad in Los Angeles.

Ric spearheads many of the studio’s independent works, including Soft Sell, a video installation in an abandoned porn theatre in Times Square; Tourisms: suitCase Studies, an investigation of American tourist attractions at the Walker Art Center in Minneapolis; and Musings on a Glass Box for the Fondation Cartier pour l’art contemporain in Paris. He is a Professor Emeritus at The Cooper Union School of Architecture.

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Elizabeth Diller, (Poland,1954), is a partner of Diller Scofidio + Renfro (DS+R). Alongside partner Ricardo Scofidio, Diller’s cross-genre work has been distinguished with TIME’s "100 Most Influential People" list and the first MacArthur Foundation fellowship awarded in the field of architecture.

Elizabeth Diller has also received the Wolf Prize in Architecture. Most recently, she led two cultural works significant to New York: The Shed and the expansion of MoMA. Diller also co-created, -directed and -produced The Mile-Long Opera, an immersive choral work staged on the High Line. Diller is a member of the UN Council on Urban Initiatives and a Professor of Architectural Design at Princeton University.

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Charles Renfro, AIA (Baytown, Texas in 1964) joined Diller Scofidio + Renfro (DS+R) in 1997 and became a Partner in 2004. He led the design and construction of the studio’s first concert hall outside of the US - The Tianjin Juilliard School in China - as well as the studio's first public park outside of the US - Zaryadye Park in Moscow. Charles has also led the design of much of DS+R's academic portfolio, with projects completed at Stanford University, UC Berkeley, Brown University, the University of Chicago, and the recently completed Columbia Business School.

Charles is also leading the design of two projects in his native Texas: the renovation of Frank Lloyd Wright’s Kalita Humphreys Theater in Dallas, and Sarofim Hall, a new home for Rice University’s Visual Arts department in Houston. Charles is the Co-President of BOFFO, a nonprofit organization that supports the work of queer LGBTQ+ BIPOC artists and designers. He has twice been recognized with the "Out100" list and has also been distinguished as a notable LGBTQ leader by Crain's New York Business. He is a faculty member of the School of Visual Arts.

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Published on: July 29, 2020
Cite: "Twisting forms and diamond scales wraps US Olympic and Paralympic Museum by DS+R" METALOCUS. Accessed
<http://www.metalocus.es/en/news/twisting-forms-and-diamond-scales-wraps-us-olympic-and-paralympic-museum-dsr> ISSN 1139-6415
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