Cristina Iglesias' project draws from the hard materials of architecture and the fluidity of water to deliver a sequence of large-scale sculptural works that bring the River Tagus back into the body of this historic city.

Conceived as a journey into the heart of the city, Iglesias' work takes visitors from a mudéjar water tower, Torre de Aguas, within an eighteenth century weapons factory complex now contained within a university campus, along the banks of the river to Plaza del Ayuntamiento, one of the city's main public spaces on which stands its principal landmark, the cathedral, and then to a hidden place within Convento Santa Clara, a place not normally open for visitors.

Toledo stands above the fast flowing waters of the River Tagus. Its waters were drawn up by the first communities into their fountains, cisterns and baths, and so the settlement flourished.

In making Tres Aguas – A Project for Toledo, her most ambitious work to date, Cristina Iglesias drew from the cultural history of the city, its mingling and layering of Muslim, Jewish and Christian communities who lived alongside each other for centuries in the period known as "La Convivencia" or The Co-existence.

The three sculptural works that make up the project bring water to the fore; it courses through channels and travels back into the ground after animating the surfaces of the works so they come to resemble the overgrown bed of some ancient river. Visitors are taken on a journey through the city as they visit each work, from a mudéjar water tower to the city's main public space and then onto a hidden location within a convent, a place not normally open for visitors.

Conceived as a journey into the heart of the city, Iglesias' project aligns the hard materials of architecture and the fluidity of water to deliver a sequence of large-scale sculptural works that bring the river back into the body of this historic city. 

Commissioned by Artangel and El Greco 2014. Sponsored by Acciona and Liberbank. Commissioned with the support of Artangel International Circle and the Tres Aguas Patrons Group. Presented in association with the Ayuntamiento de Toledo and the University of Castilla – La Mancha.

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Cristina Iglesias. Born in San Sebastian in November 1956. She studied Chemical Sciences in her home town (1976-1978) and then after a brief period in Barcelona practising ceramics and drawing, she studied Sculpture at the Chelsea School of Art in London, UK (1980-1982). Was granted a Fullbright scholarship to study at Pratt Institute, 1988. In 1995 she was appointed Professor of Sculpture at the Akademie der Bildenden Künste in Munich (Germany) and in 1999 she won Spain's National Visual Arts Prize.

Cristina Iglesias lives and works in Madrid. She has represented Spain twice at the Venice Biennale, at the 42nd edition in 1986 and at the 45th edition in 1993 and has had solo exhibitions of her work hosted by Kunsthalle Berne (1991); Stedelijk Van Abbemuseum, Eindhoven (1993); Guggenheim Bilbao (1997); Museu Serralves, Portugal (2002); Whitechapel Gallery, London (2003); the Ludwig Museum, Cologne (2006); and Museo Reina Sofia, Madrid (2013).

In 2012 she won the Große Kunstpreis Berlin. Iglesias has made several notable large scale works in civic spaces, including Deep Fountain in front of the Royal Museum of Fine Arts in Antwerp and the bronze doors for the extension of the Prado Museum in Madrid.

 

 

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Published on: April 27, 2014
Cite: "TRES AGUAS by Cristina Iglesias. A Project for Toledo, 2014" METALOCUS. Accessed
<http://www.metalocus.es/en/news/tres-aguas-cristina-iglesias-a-project-toledo-2014> ISSN 1139-6415
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