Three facets responding to the people and the sea. Chapel of Music by Vector Architects
19/11/2023.
[Aranya - Qinhuangdao] China
metalocus, ANTONIO CORREDERA
metalocus, ANTONIO CORREDERA
Chapel of Music by Vector Architects. Photograph by Arch-Exist.
Chapel of Music by Vector Architects. Photograph by Hao Chen.
Project description by Vector Architects
The Chapel of Music is the fourth architectural project completed by Vector Architects in the Aranya Qinhuangdao community. It stands in contrast to its predecessors, including the Seashore Library, Seashore Chapel, and Restaurant y Sea, all of which enjoy direct seafront locations.
The chapel is anchored within the heart of the community plaza, known as Youyi Bay. Positioned slightly north of the plaza's center, it neighbors the canteen and market to the north, the residential apartments to the west, together with the hotels and shops to the south.
Chapel of Music by Vector Architects. Photograph by Hao Chen.
We envision this chapel as an exquisite musical instrument landing on the plaza. By orchestrating sound, light, and air, we aim to create a new type of music hall space. The origin of the design stems from the section. We vertically arranged the Meditation Rotunda at the lower level, while the Skylight Music Hall on top of it at the upper level. The Music Hall has a sunken stage in the center. Viewed from the Meditation Rotunda, it appears like a suspended disc.
Surrounding the stage, seats for forty-eight spectators are laid out in two levels. As the performance unfolds, the sound fills the hall and transmits down to the rotunda through nine brass sound transmission tubes embedded among the seatings. The Music Hall is crowned with a large retractable circular pneumatic roof, introducing the skylight. In favorable weather conditions, the roof ascends, transforming the Music Hall into an outdoor theater.
Chapel of Music by Vector Architects. Photograph by Arch-Exist.
Chapel of Music by Vector Architects. Photograph by Zaiye Studio.
The Meditation Rotunda on the lower floor is nine meters high. By leaving a fifty-centimeter- wide gap with operable glass panels at the corner of walls, natural light softly diffuses through the corner gaps below, as well as from the upper gaps around the suspended stage. Polished concrete seatings are arranged along the wall, resembling a lounge chair allowing people to recline naturally, and immerse themselves into the music, natural light, and the permeating breeze. On this deliberate solid volume of the Chapel, we've incorporated a large view window at the eastern façade, providing the audience with an opportunity to gaze at the sea horizon beyond as they exit after the concert.
The chapel is centrally located within the community, with three distinct building facets respectively responding to the flows of people entering the plaza and the sea. The three concave curves of the chapel’s outer walls are delineated for a harmonious coexistence with the three groups of adjacent buildings on the plaza, jointly creating various public spaces with diverse atmospheres and scales. By elevating the building from the ground, the open character of the plaza is maintained while also providing a shelter for people to rest. The entrance lobby, located on the raised first floor, is accessible via a long ramp slightly offset and parallel to the building’s curving east wall. The ramp faces the canteen and market on the northern side, inviting people while guiding the way into the chapel for embarking on an exploration of music and space.
GONG DONG, one of the most active young architects in China, received Bachelor & Master of Architecture from Tsinghua University, followed by a diploma at University of Illinois where he received the Master of Architecture. He also had an exchange experience at Technical University of Munich. During his study in America, Gong Dong received several awards including Excellence Award from Steedman Fellowship International Architectural Design Competition, 2000; First Prize from American Institute of Architects Chicago Chapter’s Student Design Competition,2001 and Excellence Award from Malama Learning Centre International Architecture Design Cmpetition,2002. Prior to establishing his own practice he worked for Soloman Cordwell Buenz & Associates in Chicago, then at Richard Meier & Partners and Steven Holl Architects in New York.
VECTOR ARCHITECTS was founded in 2008, Beijing. During seven years practice, we have always believed that design needs to confront problems, and it should be the attitude an architect ought to possess. Instead of enforcing architect's self-conscious or following icons and superficial forms, a good design has to respect the existing environment with support of logic and reasons. The contemporary Chinese design industry today is rather blundering that the rapid production and pursuit of landmark in height, size and form have become the main stream.
Architects no longer devote their effort for the fundamental and substantial truth of architecture. In this environment, the persistence of confronting problems remains essential and crucial. In every project, Vector Architects is devoted to discover the unrevealing relationship and various possibilities in existing context. Through our design, to create the new perception and experience which are exclusive to each project. The sense of ‘being here’ is uniquely established and reflected in percipient's emotion and action. Therefore, the space, being the vessel of living, has formed an irreplaceable connection between place and experience.