One of the most influential works of Modern architecture is the well-known Penguin Pool / Penguin Pool, held at the Regent's Park Zoo in London, by the Georgian-born architect Berthold Lubetkin, in 1934.
Lubetkin had emigrated from Soviet-era Georgia to the United Kingdom in 1931, where he created the firm Tecton, whose first projects were for the London Zoo. Influenced by the Russian Constructivist sculptor Naum Gabo, brother of Antoine Pevsner (pioneer of kinetic art) and by the conductivist theories of the 1930s.

Lubetkin with the collaboration of engineers Ove Arup and Felix Samuely, in 1934, unveiled its famous spiral "Penguin Pool", quickly becoming an exquisite example of modern architecture. The result was a pair of ramps that intertwine, cantilevered over the elliptical pool and is considered a historical project, both in terms of architectural design and engineering.

Tecton's innovative design was unusually elegant and dynamic, and one of the first to better experience the possibilities of reinforced concrete, in situ in complex and load-bearing shapes.

Unfortunately, the pool, created by Lubetkin, has been empty for 15 years. In 2004 it ceased to be the home of the penguin colony, because the penguins contracted a bacterial infection called bumblefoot, by micro abrasions caused by walking on the concrete, and relocated to one of the zoo's duck ponds.

As so often happens, the problem was not the architect's original design, but the maintenance and subsequent reforms.

The controversy has arisen after the declarations of the daughter of Berthold Lubetkin, Sasha Lubetkin, to a local newspaper the Evening Standard and the answer of the conservative architect John Allan.

Lubetkin had consulted with the biologist Julian Huxley at that time to ensure that the design of the enclosure was better suited to the needs of the penguins, but as commented by John Allan, who wrote Berthold Lubetkin's biography and worked on the restoration of the Penguin Pool in the 1980s. The flaws of the enclosure the result of decisions made by London Zoo, rather than the designers.
 
"The original poolside paving was largely rubber, for the penguins' comfort, but was replaced by the zoo with concrete. In the restoration project we were required to apply a layer of quartz granules to the ramp surfaces for the benefit of the keepers but to the discomfort of the penguins," Allan wrote and also added that the enclosure had been originally designed for an Antarctic species of penguins who like to huddle together. The zoo switched to South American Humbolts, who prefer to burrow, rendering the original nesting boxes unsuitable.

Even though the Zoo has "no current plans" for Penguin Pool, and obviously, the structure now isn't suitable for penguins on welfare grounds, however a "more imaginative use" could be found.

More information

José Juan Barba (1964) architect from ETSA Madrid in 1991. Special Mention in the National Finishing University Education Awards 1991. PhD in Architecture ETSAM, 2004. He founded his professional practice in Madrid in 1992 (www.josejuanbarba.com). He has been an architecture critic and editor-in-chief of METALOCUS magazine since 1999, and he advised different NGOs until 1997. He has been a lecturer (in Design, Theory and Criticism, and Urban planning) and guest lecturer at different national and international universities (Roma TRE, Polytechnic Milan, ETSA Madrid, ETSA Barcelona, UNAM Mexico, Univ. Iberoamericana Mexico, University of Thessaly Volos, FA de Montevideo, Washington, Medellin, IE School, U.Alicante, Univ. Europea Madrid, UCJC Madrid, ESARQ-U.I.C. Barcelona,...).

Maître de Conférences IUG-UPMF Grenoble 2013-14. Full assistant Professor, since 2003 up to now at the University of Alcalá School of Architecture, Madrid, Spain. And Jury in competitions as Quaderns editorial magazine (2011), Mies van der Rohe Awards, (2010-2024), Europan13 (2015). He has been invited to participate in the Biennale di Venezia 2016 as part "Spaces of Exception / Spazi d'Eccezione".

He has published several books, the last in 2016, "#positions" and in 2015 "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi " and collaborations on "Spaces of Exception / Spazi d'Eccezione", "La Mansana de la discordia" (2015), "Arquitectura Contemporánea de Japón: Nuevos territorios" (2015)...

Awards.-

- Award. RENOVATION OF SEGURA RIVER ENVIRONMENT, Murcia, Sapin, 2010.
- First Prize, RENOVATION GRAN VÍA, “Delirious Gran Vía”, Madrid, Spain, 2010.
- First Prize, “PANAYIOTI MIXELI Award”. SADAS-PEA, for the Spreading of Knowledge of Architecture Athens, 2005.
- First Prize, “SANTIAGO AMÓN Award," for the Spreading of Knowledge of Architecture. 2000.
- Award, “PIERRE VAGO Award." ICAC -International Committee of Art Critics. London, 2005.
- First Prize, C.O.A.M. Madrid, 2000. Shortlisted, World Architecture Festival. Centro de Investigación e Interpretación de los Ríos. Tera, Esla y Orbigo, Barcelona, 2008.
- First Prize. FAD AWARD 07 Ephemeral Interventions. “M.C.ESCHER”. Arquin-Fad. Barcelona, Sapin 2007.

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Published on: January 9, 2019
Cite: "Should the Penguin Pool be restored for historical value, or should it exist only as images of an utopia?" METALOCUS. Accessed
<http://www.metalocus.es/en/news/should-penguin-pool-be-restored-historical-value-or-should-it-exist-only-images-utopia> ISSN 1139-6415
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