With 130 color and black and white photographs, the exhibition shows all facets of Leiter, including its most iconic photographs.

The Foto Colectania Foundation, thanks to the main collaboration of the Banco Sabadell Foundation, will inaugurate on June 29 the exhibition SAUL LEITER: In search of Beauty. The exhibition has been organized with the Saul Leiter Foundation of New York and curated by Roger Szmulewicz.

For six decades the work of Saul Leiter (Pittsburg, 1923 - New York, 2013) fell almost into oblivion. The artist exhibited some photographs in 1953 at the MoMA in New York as part of a collective exhibition organized by Edward Steichen, but apart from his successful career in the 60s and 70s in the world of fashion, his work remained in the original until the Date well little. Several factors contributed to this neglect, one of which was Leiter's design for self-promotion.

Finally, in 2006, a monograph by Leiter, Early Color, with images from the 40s and 50s was published, which instantly elevated him to the category of precursor and master of color photography. This was followed by other monographs and international exhibitions, including the Henri Cartier-Bresson Foundation in Paris, the Elysée Museum in Lausanne, the Deichtorhallen in Hamburg, the London Photographer's Gallery, and Bunkamura in Tokyo.

In 2013, British director Tomas Leach premiered the documentary In No Great Hurry: 13 Lessons in Life with Saul Leiter, which offered an in-depth look at the life and work of Leiter. "A window covered by raindrops interests me more than a photograph of a famous person," says the photographer in that documentary. The exhibition shows a fragment of this documentary, and the full movie can be seen at the Filmoteca de Cataluña on June 27 at 6.30pm.

Leiter spent his whole life on the new streets of New York, the best parts of the scenes of his images have a two-block radius around the East Village apartment where he lived since the 1950s. In his photographs the protagonists are often unfocused or shown only in part, the background photography of the borders, their urban landscapes are often seen through rain, snow or fogged windows.

About the exhibition

The exhibition aims to show all facets of Leiter's work. On the one hand, its most iconic and recognized photographs, around 60 color photographs that reflect Leiter's mastery and originality in the use of color. Obtain images of a powerful thought and intensity, because at the immediate and spontaneous beginning of life on the street, Leiter adds an unconventional use of form and frequent abstract use of realistic colors and tones. In addition, around 30 black and white photographs of the streets of New York are included, as well as nudes and intimate portraits. These are part of the first photographs taken by Leiter and the pulse and energy of the streets of New York in the 40s and 50s he knew. Finally, the exhibition also includes some of his professional works commissioned as a fashion and advertising photographer for major magazines such as Elle, Esquire and Harper's Bazaar.

In all its fields, Leiter managed to print a special style in his image and often dared to place the central theme out of focus, which in fashion and advertising was unprecedented. The exhibition shows vintage magazines and different objects that illustrate that part of his work.
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Curator
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Roger Szmulewicz
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Dates
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From June 29 to October 21, 2018
From Tuesday to Saturday from 11am to 8pm; and Sundays from 11am to 3pm.
Admission: € 4 (Reduced: € 3, 1st Sunday of the month, free admission)
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Venue
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Foto Colectania Foundation. Paseo Picasso 14, Barcelona. Spain
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Saul Leiter was born in 1923 in Pittsburg, the son of an orthodox Jewish rabbi, and was destined to follow his father's path. But at 23 he moved to New York with the intention of becoming an artist. There he became friends with the abstract expressionist painter Richard Pousette-Dart, who experimented with the photographic language, and with the master of "Concerned Photography" (committed photography) W. Eugene Smith. Through contact with that artistic world close to photography and thanks to the fact that her mother had given her a camera as a teenager, she recognized the creative potential of photography and adopted it as part of her pictorial language.

Leiter's practice of painting and photography throughout his career can be followed through his black and white color images. The dynamic between these two media had an impact on his artistic look, creating a new visual rhythm. Its typical photographic language is that of abstraction: it compresses spatial dynamics, obstructs lines of vision and renounces a centered perspective. Leiter's pictorial sensibility is visible in the soft and desaturated contrasts inherent in his photographs. In addition, his use of reflection makes his compositions become more broken, more tangled. This is where he clearly distinguishes himself from other "Street Photographers" of the New York School such as William Klein or Robert Frank.

In the 50s he began to work with color becoming one of the pioneering photographers to use it. He applied a pictorial quality to color and achieved a polychrome symphony that mixed the brightness of the neons, the haloes of street lamps and the golden stains of New York taxis, and turned the city into a contemplative, intimate and almost abstract landscape.

Leiter combined photography and painting all his life, and continued painting daily until his death in November 2013 at age 89. But the camera became the medium through which he managed to capture and interpret the life of New York City in multi-layered compositions, as well as in intimate scenes, as no one had done before.
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Published on: June 27, 2018
Cite: ""SAUL LEITER: In Search of Beauty". Foto Colectania shows the work of Saul Leiter" METALOCUS. Accessed
<http://www.metalocus.es/en/news/saul-leiter-search-beauty-foto-colectania-shows-work-saul-leiter> ISSN 1139-6415
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