The new building designed by Barozzi / Veiga is integrated into the slope with a stepped design that reduces its visual impact towards the river. The fragmentation of the project dissolves its image that is barely perceived from the outside. Two structural bands that create terraces and landscaped roofs as an exterior extension of the building and as possible walks near the Limmat river.
The facade is resolved through systematic repetition of a single element with the composition of two rows of trapezoidal windows, which at first glance seem the same: twenty-four triangular pillars are lined up along the edge of the Limmat, above them a series of thirty-five smaller concrete triangles.
The fragmented design on two levels by Barozzi / Veiga allows you to organize the dance school program, each one with its own entrance. The more public spaces take up the ground floor, while the more private ones are laid out on the upper floor.
Foyer as a connecting element
Project description by Barozzi Veiga
In 2012, the previous-existing municipal building at Wasserwerkstrasse 127a in Zürich- Wipkingen, accommodating the Tanzhaus and the Swiss Textile School, was destroyed by a fire.
In 2014 Barozzi Veiga won the international competition carried out by the Amt für Hochbauten Zürich, for the construction of a new Tanzhaus and the transformation of the entire bank of the river Limmat.
The project aimed to reactivate the promenade along the river, transforming and redefining the previous residential conditions of the location. In this way, the building is defined as a simple and tiered volume of space, integrated into the slope and barely noticeable from the outside. An element that enables a new public space to be generated on its roof and that connects the existing itineraries at different levels that intertwine along its bank.
The transformation had sensitively addressed the listed building ensemble. By precisely incorporating the replacement new building into its environment, the project skilfully combines old and new.
The building resolves the relationship with its surroundings through the definition of its main elevation. This consists in a sort of infrastructure, a continuous façade that can be read as a reinterpretation of existing surrounding elements, which are evidences of the industrial past of this area (i.e. the overpassing passages, the continuous modular metal structures of the bridge, the baths’ longitudinal piers.)
The choice of the trapezoidal form is the result of a transformation of the traditional orthogonal system of pillars, beams and rectangular openings. Indeed, the repetition of this particular shape and the use of a performing insulating concrete allowed for a continuous structural façade, which, at the same time, protects and characterizes the building.
The uniform façade defines and evenly opens up to the entire public space along the river, connecting the outdoor space to the foyer, extending and enriching the new public space. The geometry of the trapezoidal openings simultaneously allow both for this extremely permeable façade and to control and shape the entry of the natural light inside the building. The resulting shadows given by the facade drawing and the vegetation become one of the main features of the foyer.
The programme is organized across two levels, separating private uses on the upper level from public uses on the lower one. This division allows for different accesses and activates the circulation around the building, reinforcing its public nature at that level in direct contact with the river Limmat. Here, the main foyer runs over the entire length of the façade and gives access to the production rooms and the main multifunctional hall. This space, which spans two storeys, is provided with daylight on the side. The upper level accommodates the Tanzhaus offices and backstage spaces.
The project by Barozzi Veiga consists in a new cultural building for the city of Zürich, which reflects the importance of the Tanzhaus as one of the most significant centres for contemporary dance in Switzerland.
