LANTERN is a renovation project from a commission carried out by the co-founders of Library Street Collective, Anthony and JJ Curis, to the New York-based architecture studio OMA, under the responsibility of one of its partners Jason Long.

The old building located in the East Village of Detroit, Michigan, was built in the 20th century and was a former bakery and commercial warehouse that has been converted into the headquarters of two non-profit organizations (Signal-Return and PASC / Progressive Arts Studio Collective) along with a series of galleries, artist studios, meeting spaces and retail stores serving the community.
LANTERN, the first project in Detroit by OMA/Jason Long, sit in Little Village, is a complex with 2,072-square-meter (22,300-square-foot) transformed to serve as headquarters for two local nonprofits, Signal-Return and PASC (Progressive Arts Studio Collective).

An area missing the roof and an end wall into a courtyard at the heart of the building was defined as the public gateway and an activity condenser. Production zones and artist studios on Amity Street, the galleries line the courtyard to reinforce a public heart for the building, and neighbourhood-serving functions are on the opposite side of the courtyard consolidating the most public amenities along Kercheval Avenue.

Across the North Building, existing bricked or boarded-up doors and windows were opened. In contrast, the South Building posed a solid expanse of concrete masonry (CMU). Rather than imposing a new composition of windows, 1,353 holes are drilled into the blank walls and filled with cylindrical glass blocks, revealing inside light and movement at night.
 


Lantern, Mixed-Use Community Arts HUB by OMA/Jason Long. Photograph by Jason Keen.


Lantern, Mixed-Use Community Arts HUB by OMA/Jason Long. Photograph by Jason Keen.

Project description by OMA

LANTERN, OMA’s first project in Detroit, is now open to the public in Little Village, a neighbourhood-wide initiative of Library Street Collective (LSC) co-founders Anthony & JJ Curis. Led by OMA Partner Jason Long, the former commercial bakery and warehouse built in the 1900s has been converted into a mixed-use art hub and public space.

Led by OMA Partner Jason Long, the 22,300-square-foot complex serves as a new home for two local arts non-profits, Signal-Return and PASC (Progressive Arts Studio Collective). It also includes around 5,300 square feet of artist studios, gallery, and 4,000 square feet of creative retail—all centred around a 2,000-square-foot outdoor courtyard that will serve as an accessible community space.

“We are excited to start seeing the LANTERN come to life. In the renovation, we tried to work both with and against the former bakery’s solidity to make its transformation feel simultaneously familiar and mysterious. The result is a building that welcomes and emits light and creativity.”

Jason Long, OMA Partner.


Lantern, Mixed-Use Community Arts HUB by OMA/Jason Long. Photograph by Jason Keen.



Lantern, Mixed-Use Community Arts HUB by OMA/Jason Long. Photograph by Jason Keen.

"We are thrilled to see LANTERN open its doors and join the Little Village programming. Working with OMA and our partners, we've created a space that not only supports local businesses, artists, and non-profits, but also fosters inclusivity, education, and accessibility in the arts. We look forward to seeing LANTERN's impact on the neighbourhood and beyond.”

Anthony and JJ Curis, LSC Founders.


Lantern, Mixed-Use Community Arts HUB by OMA/Jason Long. Photograph by Jason Keen.


OMA’s approach takes advantage of the building’s current state of disrepair, transforming an area missing both its roof and an end wall into a courtyard at the heart of the building. Defined as the primary entry with multiple frontages for all tenants, the courtyard becomes a public gateway and an activity condenser. Signal-Return and PASC’s diverse programs—art education, production, and gallery—are organized across the existing tripartite site to maximize points of access and potential for community interface. Production zones and artist studios create an active and inviting face to Amity Street, galleries line the courtyard to reinforce a public heart for the building, and neighbourhood-serving functions orchestrated on the opposite side of the courtyard consolidate the most public amenities along Kercheval Avenue.

Across the North Building, existing bricked or boarded-up doors and windows opened strategically. Operable windows are inserted at the studios to allow for ventilation, extruded windows at galleries become art vitrines, and former loading entries create large openings at production spaces that offer indoor-outdoor potentials. In contrast, the South Building posed a solid expanse of concrete masonry (CMU). Rather than imposing a new composition of windows, 1,353 holes are drilled into the blank walls and filled with cylindrical glass blocks. This monolithic field of tiny punctures subtly reveals light and movement within and transforms the building into a glowing lantern at night.

More information

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Architects
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OMA New York. Partner-in-Charge.- Jason Long.
Associate.- Chris Yoon.
Project Architect.- Samuel Biroscak.
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Project team
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Yiyao Wang, Cameron Fullmer, Mariana Curti.
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Collaborators
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Executive Architect.- Metro Cad Group.
Structure.- Wiss, Janney, Elstner Associates, Inc.
MEP.- EAM Engineers, Inc.
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Client
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Library Street Collective / Anthony & JJ Curis.
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Tenants
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Arts Nonprofits.- Signal-Return Press, Progressive Art Studio Collective (PASC).
Upper-Level Studios.- Paul Verdell, Akea Brionne, Davariz Broaden (Artist Studios), Assemble Sound.
Ground Floor Retail.- Cøllect Beer Bar, Coup D’Etat, Café Franco.
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General Contractor
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CIR Group.
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Area
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Total Useful Area.- 1,989 sqm (21,400 sqf ).
Total Building GFA.- 2,072 sqm (22,300 sqf) .
Artist Studios.- 492 sqm (5,300 sqf).
Gallery.- 93 sqm (1,000 sqf).
Arts Nonprofit Spaces 790 sm (8,500 sqf).
Retail/Restaurant.- 372 sqm (4,000 sqf).
Public Space.- 186 sqm (2,000 sqf).
BOH.- 56 sqm (600 sqf).
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Dimensions / Details
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Existing Building
- Overall building site is 35,96 X 12,8m² (118’ x 142’).
- Site is composed of three connected structures on a single parcel built at various times.
- From 1929 through 1960s, the building was home to Blue Bird Baking Company.
Ceiling Heights
- South building.- 5,48m² (18’)
- Middle building.- 3,96m² (13’) typical, 4,57m² (15’) PASC Gallery.
- North building: 3,96m² (13’) typical GF, 7,62m² (25’) PASC Studio, 32m² (10’-5”) typical F2.
Courtyard
- 9-meter wide and 18-meter deep (30-feet wide and 60-feet deep).
- Concrete is “Terracotta Deep” with a light sandblast finish.
- The red pigmented concrete matches the brick and terracotta tiles of the original building.
South Building
- A total of 1,353 holes drilled into the existing CMU walls.
- Holes are filled with off-the-shelf glass block cylinders.
- White paint is Sherwin Williams “Snowbound” with a resin-based waterproofing.
Sawtooth Roof
- A sawtooth roof over the middle building adds a subtle new profile to the building elevation.
- Standing seam metal pitched roof is CMG roofing “Silver.”
North Building
- 6 art vitrines total, 4 wide (21 x 1,82m / 6’-9” x 6’) and 2 narrow (0,9 x 1,8m / 3’ x 6’).
- 6 former loading doors opened to create 3 entries and 3 windows for Signal-Return.
- 3 new doors inserted, one entry each for PASC, upper-level artist studios, and Assemble Sound.
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Dates
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Project Start.- Oct. 2021.
100%SD.- Dec. 2021.
100%DD.- Mar. 2022.
Construction Start.- Aug. 2022.
Completion.- May 2024.
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Venue / Location
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Former commercial bakery and warehouse in Detroit’s East Village. Detroit, Michigan, USA.
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Photography
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Office for Metropolitan Architecture (OMA) is a leading international partnership practicing architecture, urbanism, and cultural analysis. OMA's buildings and masterplans around the world insist on intelligent forms while inventing new possibilities for content and everyday use. OMA is led by ten partners – Rem Koolhaas, Ellen van Loon, Reinier de Graaf, Shohei Shigematsu, Iyad Alsaka, David Gianotten, Chris van Duijn, Ippolito Pestellini Laparelli, Jason Long and Michael Kokora – and maintains offices in Rotterdam, New York, Beijing, Hong Kong, Doha and Dubai.

Responsible for OMA’s operations in America, OMA New York was established in 2001 and has since overseen the successful completion of several buildings across the country including Milstein Hall at Cornell University (2011); the Wyly Theater in Dallas (2009); the Seattle Central Library (2004); the IIT Campus Center in Chicago (2003); and Prada’s Epicenter in New York (2001). The office is currently overseeing the construction of three cultural projects, including the Musée National des Beaux-arts du Québec and the Faena Arts District in Miami Beach – both scheduled for completion in 2016 – as well as a studio expansion for artist Cai Guo Qiang in New York. The New York office has most recently been commissioned to design a number of residential towers in San Francisco, New York, and Miami, as well as two projects in Los Angeles; the Plaza at Santa Monica, a mixed use complex in Los Angeles, and the Wilshire Boulevard Temple.

OMA New York’s ongoing engagements with urban conditions around the world include a new civic center in Bogota, Colombia; a post-Hurricane Sandy, urban water strategy for New Jersey; the 11th Street Bridge Park and RFK Stadium-Armory Campus Masterplan in Washington, DC; and a food hub in West Louisville, Kentucky.

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Jason Long (OMA partner / OMA NY co-director) Jason Long is a Partner at OMA. He joined the firm in 2003 and has been leading OMA New York since 2014. Jason brings a research-driven, interdisciplinary approach to a wide range of projects internationally—from concept to completion, he served as the project manager for the Quebec National Museum in Quebec City and the Faena Forum in Miami.

A number of projects under his direction take a creative approach on the much-needed adaptive reuse and restoration of existing buildings, including POST Houston, the transformation of a former post office warehouse in downtown Houston into a mixed-use cultural platform, incorporating a new venue for Live Nation; the conversion of an Art Deco parking garage in New York City into a synagogue; the renovation of the Fitzgerald Building at University of Toronto into a new campus administration center; the adaptive reuse of Jersey City’s Pathside Building into museum for Centre Pompidou; and LANTERN, the conversion of a former commercial bakery into a community arts hub in Detroit.

Jason’s projects in urbanism and the public realm, particularly in Washington, D.C., public health, and equitable development at varying scales: a streetscape design for D.C. Convention Center, the 11th Street Bridge Park connecting disparate communities on either side of the Anacostia River, and a sports and recreation masterplan for the RFK Stadium Armory Campus.

His diverse portfolio extends to residential developments across housing types and regions in North America. Jason led the recently completed Eagle + West, OMA’s first high-rise towers in New York. In California, he oversaw the design and completion of The Avery in San Francisco and is currently leading 730 Stanyan, a 120-unit, 100% affordable housing building in historic Haight Ashbury. Currently in progress is The Perigon, a beachfront high-rise in Miami’s mid-beach neighborhood.

Jason previously served as a key member of AMO and was the Associate Editor of Content (Taschen, 2004).

Jason has lectured at SPUR, Urban Land Institute (ULI), AIA Conventions, and various museums and universities across the globe. He has been a visiting professor at Cornell University School of Architecture, Art and Planning (AAP).

Jason holds a Bachelor of Arts in Philosophy from Vassar College and a Master of Architecture from Harvard University’s Graduate School of Design (GSD).
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Published on: May 19, 2024
Cite: "Opening Lantern, Mixed-Use Community Arts HUB by OMA/Jason Long" METALOCUS. Accessed
<http://www.metalocus.es/en/news/opening-lantern-mixed-use-community-arts-hub-omajason-long> ISSN 1139-6415
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