Rotterdam-based architecture studio OMA has won the competition to transform Museo Egizio in Turin, Italy, the world’s oldest museum for Ancient Egyptian culture. The design, led by David Gianotten and Andreas Karavanas, creates a new covered courtyard known as Piazza Egizia and a series of connected urban rooms within the existing museum, opening the cultural space to all.

Museo Egizio founded in 1824 is housed in Collegio dei Nobili (a complex consisting of exhibition galleries), the Academy of Sciences, and an open courtyard. Changing requirements over the past two centuries have led to numerous alterations to the museum’s architecture, closing the public areas off to the rest of the city.

OMA’s design was selected among competition entries by Kengo Kuma and Associates, Pininfarina Architecture, Carlo Ratti Associati, and Snøhetta.
“Museo Egizio, with an open courtyard, is historically a main civic space in Turin. Our team believes that it is vital to restore the public nature of the museum and integrate it back with Turin’s network of public spaces. By reorganizing the current museum’s public areas, we have created the Piazza Egizia, which is a place for all kinds of activities shared between Museo Egizio and the city.”
David Gianotten architect, OMA Managing Partner
The design by David Gianotten and Andreas Karavanas is defined by six distinctive urban rooms, each with its unique scale, function, and quality. The largest urban room central to the museum is the Piazza Egizia. A central Spine connects the six urban rooms together, and also to both of the museum’s entrances on Via Accademia and Via Duse. New openings have been introduced to the current façade along Via Duse, further drawing the public into the museum and the Piazza Egizia. The six urban rooms share a ground floor pattern – inspired by the museum’s artefacts – for visual continuity.


Event and Learning Space. Museo Egizio in Turin by OMA. Rendering by Jeudi Wang / OMA.


Eygptian Garden. Museo Egizio in Turin by OMA. Rendering by Jeudi Wang / OMA.

The Piazza Egizia is a double-level, multifunctional courtyard that showcases the museum’s original architecture and traces of interventions over time. The multiple historic openings of the courtyard at level 0 – which had been closed due to the museum’s alterations – are once again opened, connecting the public space back to the city.

At level -1 are the Egyptian Garden and the event and learning space. Here, Collegio dei Nobili’s original façade concealed since the 2010 renovation is uncovered. Above the courtyard is a transparent canopy. Its aluminium-cladding steel structural grid is a device for rainwater collection, air ventilation, and lighting provision, answering the museum’s ambitions for sustainability.
“We have conceptualized the Piazza Egizia as a palimpsest that reveals the different layers of the museum’s history. This approach restores coherence to the architecture and lends the museum a lucid identity, while ensuring that the institution’s new needs are fulfilled.”
OMA Project Architect Andreas Karavanas.

The Piazza Egizia and other urban rooms are open beyond working hours for visitors with or without tickets. Their public nature offers possibilities for the museum to extend its opening hours. A selection of Museo Egizio’s artefacts is on display for the general public’s initial encounters with the museum collection.


Program. Museo Egizio in Turin by OMA. Rendering by OMA.


Urban Room, Piazza Egizia. Museo Egizio in Turin by OMA. Rendering by OMA.
 

Project description by OMA

Museum Egizio founded in 1824 is the world’s oldest museum for Ancient Egyptian culture, housed in Collegio dei Nobili in Turin. A complex consisting of exhibition galleries, the Academy of Sciences, and an open courtyard, the museum’s architecture has undergone numerous alterations in the past two centuries, increasingly becoming enclosed and detached from the rest of the city. Museo Egizio 2024 addresses the museum’s historic role as a main civic space in Turin and its 21st-century social ambitions. The design creates a new covered courtyard known as Piazza Egizia and a series of connected urban rooms open to all, integrating the museum back with Turin’s network of public spaces, while instilling it with a lucid identity.

The project reorganizes the museum’s public areas into six distinctive urban rooms, each with its unique scale, function, and quality. The largest urban room central to the museum is the Piazza Egizia, designed as a public space shared between Museo Egizio and the city. A central Spine connects the six urban rooms together, also to both of the museum’s entrances on Via Accademia and Via Duse. Openings have been introduced to the current building façade on Via Duse, inviting the public into the museum and Piazza Egizia for various daily leisure activities. A geometric ground floor pattern – inspired by the museum’s artefacts such as the Merit's funerary mask – creates visual continuity across the urban rooms.


Piazza Egizia. Museo Egizio in Turin by OMA. Rendering by OMA.

The Piazza Egizia is a double-level, multifunctional courtyard conceived as a palimpsest of Museum Egizio’s history. Here, the original architecture and traces of interventions over time are showcased. At level 0, the multiple historic openings of the courtyard – which had been closed since the museum’s 2010 renovation – have been restored, connecting this public space back to the city. At level -1 where the Egyptian Garden and the event and learning space are located, Collegio dei Nobili’s original façade – also concealed since the 2010s – is uncovered. Two ground openings at level 0 – directly above the Egyptian Garden and the event and learning space – bring light and direct visitors to the underground.

A transparent canopy, supported by extensions of existing columns, is installed above the Piazza Egizia to create a tempered environment. The canopy’s aluminium cladding steel structural grid – defined by the regular rhythm of Collegio dei Nobili’s façade – is in itself a device for rainwater collection, air ventilation, and lighting provision, answering to the museum’s ambitions for sustainability.


Model. Museo Egizio in Turin by OMA. Rendering by OMA.

The Piazza Egizia and other urban rooms are open beyond working hours and welcome all visitors, with or without tickets. Their public nature offers possibilities for the museum to extend its opening hours. A selection of Museo Egizio’s artefacts is on display for the general public’s initial encounters with the museum collection. From the urban rooms, visitors go on to see the museum exhibitions, or stay for free leisure activities and events, or continue strolling into other civic spaces in Turin. Museo Egizio 2024 is a destination for scholars and an interested public, and a rediscovered public place for all.

More information

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Architects
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OMA. Partner Architect.- David Gianotten. Project Leader.- Andreas Karavanas.
Local Architect.- Andrea Tabocchini Architecture (Andrea Tabocchini and Francesca Vittorini); T-Studio.

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Project team
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Rui Pedro Couto Fernandes, Giovanni Nembrini.

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Collaborators
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Historical Consultant.- Professor Andrea Longhi.
Visualization.- Alessandro Rossi, Jeudi Wang.
Conservation and Restoration.- Studio Strati.
Structural Engineer.- Manfroni Engineering Workshop.
MEP and Sustainability.- Sequas.
Lighting.- Studio De Camillis – Fibbi.

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Client
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Fondazione Compagnia di San Paolo, in collaboration with Fondazione Museo delle Antichità Egizie di Torino (Museum of Egyptian Antiquities Foundation, Turin) and Fondazione per l'architettura / Torino (Architecture Foundation, Turin).

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Dates
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2023-2024.

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Location
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Turin, Italy.

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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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David Gianotten is the Managing Partner – Architect of OMA globally, responsible for the overall organizational and financial management, business strategy, and growth of the company in all markets, in addition to his own architectural portfolio.

As Partner-in-Charge, David currently oversees the design and construction of various projects including the Taipei Performing Arts Centre; the Prince Plaza Building in Shenzhen; the KataOMA resort in Bali; the New Museum for Western Australia in Perth; the masterplan of Rotterdam’s Feyenoord City and the design of the new 63,000 seat Stadium Feijenoord; and Amsterdam’s Bajes Kwartier, a conversion of a large 1960s prison complex into a new neighborhood with 1,350 apartments.

David led the design and realization of the MPavilion 2017 in Melbourne and the Shenzhen Stock Exchange headquarters. He was also responsible for the end stages of the CCTV headquarters in Beijing. David’s work has been published worldwide and several of his projects have received international awards, including the 2017 Melbourne Design Awards and the CTBUH Awards in 2013. David gives lectures around the world mainly related to his projects and on topics such as the future development of the architectural profession, the role of context within projects, and speed and risk in architecture.

David joined OMA in 2008, launched OMA's Hong Kong office in 2009, and became partner in 2010. He became OMA’s global Managing Partner – Architect in 2015 upon his return to the Netherlands after having led OMA’s portfolio in Asia for seven years. Before joining OMA, he was Principal Architect at SeARCH in the Netherlands.

David studied Architecture and Architectural Engineering at the Eindhoven University of Technology, where he has also served as a professor in the Architectural Urban Design and Engineering department since 2016. Additionally, he serves on the board of the Netherlands Asia Honors Summer School.

 
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Andrea Tabocchini Architecture. Architecture studio founded in 2021 in the Italian city of Ancona, by Andrea Tabocchini after working in several internationally renowned firms such as OMA / Rem Koolhaas in Rotterdam, Netherlands; Kengo Kuma & Associates in Tokyo, Japan; and RCR Arquitectes in Olot, Spain. Their collaborative work covers a wide range of scales and typologies: from private homes to art installations, exhibitions, offices, laboratories, as well as civic projects and urban master plans.

Andrea Tabocchini Architecture is born from the desire to inspire communities, give voice to spaces and make beauty accessible to all, regardless of the resources and context in which it operates. The studio collaborates with professionals, craftsmen, entrepreneurs and artists, convinced that contamination between different people and cultures stimulates social and cultural growth.

Andrea Tabocchini has exhibited his work at several cultural events, including the 2021 Venice Architecture Biennale, the Rome Architecture Festival and the Milan Triennale. He has been invited to lecture at several institutions such as the Czech Technical University, the University of Melbourne and the University of Palermo, among others. His projects have been published internationally and have received numerous awards, including The Plan Award, RTF Sustainability Award, Inspireli Award and Archi-World Academy Award.

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Published on: January 27, 2023
Cite: "OMA Wins Competition to Transform Museo Egizio in Turin, connecting it with public spaces" METALOCUS. Accessed
<http://www.metalocus.es/en/news/oma-wins-competition-transform-museo-egizio-turin-connecting-it-public-spaces> ISSN 1139-6415
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