The Hospital of the Future, the short film produced by OMA / Reinier de Graaf, initially launched at Matadero Madrid, will have its international premiere at the 17th International Architecture Exhibition - La Biennale di Venezia curated by Hashim Sarkis.
 
The 21st century announced itself as an age of good health – deadly epidemics were a thing of the past, previously fatal diseases turned into lifelong chronic conditions. Eternal life seemed an imminent probability. But good health hardly spelled the end of healthcare. The older we got, the greater care we needed. As the cost of medical services soared, the provision of healthcare was increasingly relegated to the market economy.

Our health became a personal responsibility – the result of how (healthily) we chose to lead our lives. In these exceptional times, the limitations of this logic are laid bare. At the mercy of a system that rarely has the time to look ahead, the hospital succumbs under tight budgets, inflated briefs, shortage of medicine supplies, personnel, and ultimately space. What is the future of the hospital? Can technology save it? Can its architecture accommodate whatever further disruptions the future may have in store?
Reinier de Graaf, partner in charge of the project
 
 The full statement can be found here.
“When we were invited to participate in this edition of the Venice Biennale in the summer of 2019, few could have imagined the role the hospital would come to play in how we will live together. Meanwhile, the institution has proven key to reconquering a way of life we once took for granted. The time has come to bring the hospital to the forefront of the architectural debate.”
Reinier de Graaf, partner in charge of the project
 
The Hospital of the Future will be on view in the Arsenale, at the end of the Corderie, in a setting featuring larger-than-life hospital curtains and field hospital beds acquired from the Italian army. Real-size figures inspired by Le Corbusier’s Modulor Man represent patients suffering from contemporary common afflictions, calling into question the notion of an ideal standard of health.
 
The film is part of a research project about the future of healthcare initiated by OMA in 2019.
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Curators
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Collaborators
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Concept.- Hans Larsson, Alex Retegan. Film.- Adam Kouki, Magdalena Narkiewicz, Max ten Oever, Camille Filbien. Exhibition design.- Benedetta Gatti, Sofia Hosszufalussy, Elisa Versari. Research.- Yeliz Abdurahman, Anton Anikeev, Matthew Bovingdon-Downe, Serah Calitz, Niccolo' Cesaris, Nuria Ribas Costa, Helena Gomes, Claire Jansen, Arnaud Latran, Lucas Piquemal, Anahita Tabrizi, Alex Tintea, Jonas Trittman, Santiago Palacio Villa, Yushang Zhang, Giada Zuan.
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Dates
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May 22 to November 21, 2021.
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Arsenale, at the end of the Corderie. Campo de la Tana, 2169/f, 30122 Venice, Italiy.
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Support
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OMA’s participation at the 17th International Architecture Exhibition - La Biennale di Venezia was made possible with the support of Matadero Madrid Centre for Contemporary Creation, Carl Zeiss Meditec AG, and GROHE.
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Photography
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DSL Studio.
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Reinier de Graaf (1964, Schiedam) is a Dutch architect and writer. Reinier de Graaf joined OMA in 1996. He is responsible for building and masterplanning projects in Europe, Russia, and the Middle East, including Holland Green in London (completed 2016), the new Timmerhuis in Rotterdam (completed 2015), G-Star Headquarters in Amsterdam (completed 2014), De Rotterdam (completed 2013), and the Norra Tornen residential towers in Stockholm. In 2002, he became director of AMO, the think tank of OMA, and produced The Image of Europe, an exhibition illustrating the history of the European Union.

He has overseen AMO’s increasing involvement in sustainability and energy planning, including Zeekracht: a strategic masterplan for the North Sea; the publication in 2010 of Roadmap 2050: A Practical Guide to a Prosperous, Low-Carbon Europe with the European Climate Foundation; and The Energy Report, a global plan for 100 percent renewable energy by 2050, with the WWF.

De Graaf has worked extensively in Moscow, overseeing OMA’s proposal to design the masterplan for the Skolkovo Centre for Innovation, the ‘Russian Silicon Valley,’ and leading a consortium which proposed a development concept for the Moscow Agglomeration: an urban plan for Greater Moscow. He recently curated two exhibitions, On Hold at the British School in Rome in 2011 and Public Works: Architecture by Civil Servants (Venice Biennale, 2012; Berlin, 2013). He is the author of Four Walls and a Roof, The Complex Nature of a Simple Profession.
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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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Published on: May 20, 2021
Cite: "OMA / Reiner de Graaf's Hospital of the Future Film premieres at Biennale di Venezia" METALOCUS. Accessed
<http://www.metalocus.es/en/news/oma-reiner-de-graafs-hospital-future-film-premieres-biennale-di-venezia> ISSN 1139-6415
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