The Norwegian government is planning to build a new “all-arts” museum in Oslo. The new National Museum will become an important and dynamic arena for the general public to meet the visual arts and the images of the project by architects Kleihues + Schuwerk Gesellschaft von Architekten have been released.

The proposed building, by winners of the architectural competition for the new museum,signals the museum’s significance on a national and international level. The renewal started on the waterfront just thirty years ago. Originally a shipyard, the site of the museum is quickly transforming into one of Oslo’s most bustling urban centers, the new Opera House at Bjørvika has been received with enthusiasm nationally and internationally, and large residential areas and numerous ­office buildings are being constructed in its neighbourhood. In total, the building volume is equal to that of the city centre of a medium-sized Norwegian city.  The design intent for the new building is to renew interest in the visual arts in Norway by highlighting the National Museum as a center of art and culture in downtown Oslo.

"The new National Arts Museum will be one of Norways most important and monumental buildings. In addition, the environmental standards are high and security issues are central. An extensive planning period is behind us; we now look forward to starting the building process." Øivind Christoffersen, CEO, Statsbygg.

Klaus Schuwerk, partner at Kleihues + Schuwerk Gesellschaft von Architekten winners of the architectural competition for the new museum, mentions the Vitruvian term,

“Firmitas, was a term used in Antiquity to define one of the most important qualities for a building: it should be solid and lasting,” as one of the guiding principles for the design.

He adds their ambition for the new National Arts Museum; "A museum represents the collective memory of the society to which it belongs, values that are important for future generations. The longevity of a museum building therefore becomes doubly important. The materials should stand the test of time, so that the building can age with patina and dignity.

Timelessness is in many ways unobtainable. All objects are marked by their time. But if we try to avoid the sensational, and seek eternal qualities, this building may well become a symbol of the deepest aspirations of our generation."

The foyer of the new Museum will be open and spacious, with information desks, a museum shop, an auditorium seating 200 and a restaurant.

There will be sufficient space for visiting school classes, tourists and other larger groups. This is a major improvement compared to the existing museum buildings, which are hampered by narrow and impractical reception areas.

The museum’s permanent collections will be exhibited on the ground and first floors; design and decorative arts on the lower level, and above, the visual arts from antiquity to the present. The visitor will be able to access the large library as well as the roof terrace from here. The terrace will provide stunning views towards the square in front of the City Hall, the harbour and the fjord.

The Alabaster Hall.- On the second floor, the visitor will enter the magnificent Alabaster Hall, the space for temporary exhibitions. The Alabaster Hall is a key element in the new museum’s architecture. With its ceiling height of approximately seven metres and filtered light, it will provide a unique sense of space. The Alabaster Hall is a space in which the museum will be able to display  exhibitions of a size that have hitherto been impossible, due to the limitations of the old buildings. 

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Architects
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Kleihues + Schuwerk Gesellschaft von Architekten mbH. Partner.- Klaus Schuwerk.

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Collaborators
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Tecnical advisor.- Rambøll.

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Client
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The Norwegian Ministry of Culture.

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Builder
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Statsbygg.

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Area
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Total area.- 54,600 sqm.
Exhibition area.- 13,000 sqm.

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Dates
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Planned completion.- 2019.

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Klaus Schuwerk. Architect born in 1967, in Ehingen, Germany, has lived and worked in Naples since 2001.

He founded his practice in Berlin in 1993, having previously studied in Stuttgart, Zurich, and Madrid under Hans Kollhoff and Francisco Alonso de Santos, among others. Notable projects include Tonhaus (Sound House, 1993), Stuttgart Central Station (1997), Grand Egyptian Museum in Cairo (2002), Monumento in Travertino (2002), and the Museum of Industry and Labor in Brescia (since 2004, with Jan Kleihues), for which he and Jan Kleihues founded Kleihues+Schuwerk. In 2010, Schuwerk won the competition for the new building of the National Museum of Norway; during its planning and building phases (2010–2022, with Kleihues+Schuwerk), he lived with his family in Oslo for several years.

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Kleihues + Kleihues. Architecture practice founded in Berlin in 1962 by the German architect Josef Paul Kleihues, who stood out for his extensive contributions to the "critical reconstruction" of Berlin.

It currently has offices in Berlin, Dülmen-Rorup and Münster. The studio's team includes architects, construction technicians and construction managers.

Their work covers architectural, urban planning, interior design and landscape design projects. The firm has extensive experience in the planning and implementation of complex construction projects and offers unique architectural solutions, for example in cultural, office and residential construction, as well as in buildings in the areas of trade, education/research and healthcare.

With the aim of finding a suitable expression for each construction task, its projects are developed from the cultural context and reflect the specific characteristics of the construction task and the respective location.

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Published on: September 1, 2014
Cite: "Norway’s New National Arts Museum" METALOCUS. Accessed
<http://www.metalocus.es/en/news/norways-new-national-arts-museum> ISSN 1139-6415
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