This summer ended with a successful Kickstarter campaign to make a film about one of those strange characters, dark brains and extraordinary author as the Viking of Sixth Avenue in Manhattan, Moondog. 

To New Yorkers, Moondog was a mystifying street performer who dressed up in Viking apparel: a robe, sandals, a flowing cape and a horned Viking helmet. From the 1940s to the 1970s, Moondog lived on the streets of New York as a musician and poet. His territory was 53rd Street and 6th Avenue in Manhattan. An image hiding one of the most interesting and influential mid-twentieth-century composers.

Charlie Parker and Benny Goodman were with him. Philip Glass lived with him, Janis Joplin covered his music, Allen Ginsberg put him in his refrigerator, Diane Arbus photographed him, and Andy Warhol's mother designed one of his album covers. Salvador Dalí admired him. Merv Griffin interviewed him, Lenny Bruce shared the stage with him, Philippe Starck named a building after him, Elvis Costello took him to London, and fashion designers have created entire collections inspired by his gaze.

Louis Thomas Hardin (his real name) was born in Marysville, Kansas, in 1916. Better known as Moondog, he was one of the key figures of bohemian New York in the 1950s, musically comparable to some of the most eccentric composers of the 20th century, such as Sun Ra or Harry Partch.

Moondog was blinded at the age of 16 by a stick of dynamite. He learned Braille and took classes at several schools for blind musicians until 1943, when he embarked on his journey to New York.

A friend and admirer of the brilliant Charlie Parker, Moondog's music is difficult to define, as it moves between very different currents, from the jazz he played in the dives of nearby 52nd Street, to orchestral music, including madrigals and the rhythmic minimalism of his percussion, his first musical passion. He also travelled to the American West to immerse himself in the music of Native Americans on their reservations.

In 1956, the most famous radio host in the United States, Alan Freed, titled his music program Moondog. The program was so popular that it promoted the new music of the 1950s generation of young people. Moondog sued Freed for using his name without permission, and Freed had to improvise a new name. The name was Rock 'n' Roll Show, which gave the genre its name.

Moondog's albums (a name he adopted in the late 1940s, meaning "moon dog," in memory of a former pet that howled at the moon) range from symphonic pieces to music inspired by Native American sounds. But above all, Moondog was a man of contrasts: in 1967, Janis Joplin covered one of his madrigals, "All Is Loneliness," and he also recorded an album of lullabies with Julie Andrews, while being admired by Igor Stravinsky and Leonard Leonard.

In 1969, "Moondog," the album, was released by Columbia and recorded by the blind Viking with an orchestra. The album's success ultimately frightened the composer, who in the musical poem "Moondog's Monologue" had said: "When recognition comes, you will take my muse, you will take her to her bed of comfort, you will have her will, you will gorge yourselves, and you will strangle her."

Moondog died in the German city of Münster in 1999, having spent years in retirement in Germany. Beyond this particular life story and the recognition he received from Glass, Steve Reich, and other minimalists, Moondog's legacy can be traced in compositions like 'Bird's Lament,' imbued with a strange and primal beauty.

Read more
Read less

More information

José Juan Barba (1964). Architect from the Madrid School of Architecture (ETSAM) in 1991. He received his PhD in Architecture from ETSAM in 2004, graduating summa Cum laude with the doctoral thesis "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi." In 1991, he received a Special Mention in the Spanish National Graduation Awards. Until 1997, he worked as an advisor to several NGOs. In 1992, he founded his architectural practice in Madrid (www.josejuanbarba.com). 

He is an architectural critic and, since 1998, Editor-in-Chief of the internationally acclaimed bilingual architecture journal METALOCUS (Spanish/English), recipient of several national and international awards.

Barba is an Associate Professor at the University of Alcalá and a member of several research groups. He has been invited to participate in numerous international forums on architecture and urbanism, including the II Forum of Mexican World Heritage Cities, Urban Development, History and Modernity, organized by the Pan-American Committee for Urban Development and Historical Heritage; the World Urban Development Forum (FMDU), held in Culiacán, Sinaloa, Mexico; and the International Conference on Architecture and Urbanism from the Perspective of Women Architects. He has also been invited as lecturer and guest critic at numerous national and international institutions, including the National Building Museum, Roma Tre University, Politecnico di Milano, University of Genoa, Université Pierre Mendès France Grenoble, the Madrid and Barcelona Schools of Architecture, National Autonomous University of Mexico, the Faculty of Architecture in Montevideo, the Schools of Architecture of Medellín and Ecuador, Universidad Iberoamericana, IE University, as well as the Schools of Architecture of Zaragoza, Valladolid, Málaga, Granada, Seville, and A Coruña, among others.

He has extensive professional experience in architecture, urbanism, landscape intervention, and territorial regeneration. His work has received numerous awards, including First Prize in the “Gran Vía Posible” competition for Delirious Gran Vía, Madrid; recognition for the Rivers Interpretation Centre in Zamora, awarded and exhibited at the World Architecture Festival 2008; and recognition for the Santa Bárbara Park project in Toledo. He was also awarded the Erich Degner Prize for Architecture (1995), promoted by the BBVA Foundation. His project for a Day Centre for the Elderly was included in Volume 3 of the Madrid Architecture Guide published by the Official College of Architects of Madrid (COAM) in 2007. His work has been widely published in national and international books and journals.

He served as Maître de Conférences at the Institut d’Urbanisme de Grenoble, Université Pierre Mendès France Grenoble, during the 2013–14 academic year, following his appointment through a European open competition. His work has been published internationally. He regularly serves on academic and professional juries, including the editorial competition jury for the journal Quaderns (2011), the selection committee for the European Union Prize for Contemporary Architecture – Mies van der Rohe Awards (2007–present), and the jury panels for EUROPAN 13 (2015–16) and TRANSFER, Zurich (2019). He was also invited to participate in the Biennale di Venezia 2016 as part of the exhibition Spaces of Exception / Spazi d’Eccezione.

He has authored several books, including "The Dark Line. michele&miquel, dA Vision Design" (2024), "CONGRESO ANYWAY. La ciudad de las ciudades" (2020), "#Positions" (2016), and "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi" (2015). He has also contributed to publications such as "Espacio público Gran Vía. La Ciudad del Turismo" (2020), "Spaces of Exception / Spazi d’Eccezione" (2016), "La manzana de la discordia" (2015), and "Contemporary Japanese Architecture: New Territories" (2015), as well as chapters in numerous books, including "Women Architects: A Professional Challenge" (2009), "21st Century Architectures" (2007), "Ruta de la Plata, New Conquerors of Space" (2019), and "The City of Tourism" (2020).

Selected awards include:

•    “SANTIAGO AMÓN” AWARD, award for the promotion of architecture, COAM Madrid, 2000.
•    “PANAYIOTI MIXELI AWARD,” SADAS-PEA, award for the promotion of architecture, Athens, 2005.
•    “PIERRE VAGO” ICAC. International Committee of Art Critics Award, London, 2005.
•    FAD Award 07, Ephemeral Interventions, First Prize, M.C. Escher Exhibition, Arquin-FAD, Barcelona, 2007.
•    World Architecture Festival, Center for Research and Interpretation of the Rivers, Tera, Esla, and Órbigo, Finalist, Barcelona, 2008.
•    Gran Vía Posible, First Prize, Delirious Gran Vía, Madrid, 2010.
•    Reform of the Río Segura Surroundings, Award, Murcia, 2010.

Read more
Published on: October 5, 2014
Cite:
metalocus, JOSÉ JUAN BARBA
"MOONDOG. The Viking of Sixth Avenue" METALOCUS. Accessed
<http://www.metalocus.es/en/news/moondog-viking-sixth-avenue> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...